Just finished binding this rug (triple binding technique), a "pandemic rug" I designed and hooked in a 8-cut.  All scrap wool; no bought wool.  What fun.  Every loop pulled was enjoyable.  I'm delighted with how it came out.  However, the subtle colors just don't show in a photograph.  But that's ok--I know what it looks like.  I smile whenever I see it.

Another insomnia tile, drawn one night and added to a bit the following day,  then finished 2-3 days later.

Here is the tile as I finished drawing it, with no shading or color.

I think I do some of my best tangling when I can't sleep--and I rarely have consequences (tiredness) the following day.  If I can't sleep and don't tangle, I'm often exhausted the next day.  Hmmm.

Hotter than Hades where I live this week; I'm lucky to have good air conditioning or I would be prostrate on my floor. 

Instead, I have been too busy to tangle or do any textile art.  It's all been great--I am engaged in teaching two meditation classes each week in July.  Both are practicums for my 2-year Teacher Training Program and the outcome will determine whether I get certified to teach mindfulness meditation or not.  When my in-person practicums fell apart due to the pandemic, my kind and generous fellow CZTs rescued me by signing up in droves for the two online courses I hastily put together. 

CZTs are incredibly nice people.  I was amazed by the level of interest in learning mindfulness meditation and will probably teach a couple of additional courses to try to accommodate those on the waiting list--and the global time zones of the would-be participants.  They came to my rescue from all over the globe!  Thank you from the bottom of my heart, my friends.

This has meant that I haven't done any art in weeks.  So about 4 nights ago, not having the energy to think, I decided to just draw lines on a tile that I had begun years ago; I had used a leftover "snowflake" paper cut-out I'd made years back and then it just sat there for a few years.  I found it the other night and my first three nights were spent just drawing random relaxing lines inside the string.  I did not use any tangles except Tipple.  And perhaps a case could be made for Pokeleaf but I wasn't even aware of or intending to draw that.

Here is the initial finished black and white tile:

It's possible I should have just left it plain like that, with some shading.  But today I did add color and shading and ended up with this.

I'm not sure what I think, or even if it matters; I am only sure that I enjoyed every line I put into this, so whatever the outcome, the process was very relaxing.

"Never forget that Justice is what Love looks like in public."
-Cornel West

With everything that is underway in this country, I have no words except to quote Cornel West's thoughtful statement on what Love should look like in public.

Tonight is cloudy, but last night's moon--on its way to being full--was glorious.

Despite the turmoil and troubles in this country right now, I had a chance to take a class with Zenjo this morning, just to get myself going on tangling again.  Yes, it is so important to make our voices heard.  And, it's also important to take time to center ourselves so that we are responding effectively and skillfully, not just reacting from our (horrified) emotions.  And so I chose to take two hours of a class to find my center.  Here are the results--we first did a black and white tile, and then after the class was over I decided to tart up the tile with color.  Thanks, Jo, for a lovely calming time.

"And if you are to love,
love as the moon loves.
It doesn't steal the night.
It only unveils the beauty of the dark."
--Isra Al-Thibeh

An old friend--a former terrific boss who quickly transformed into a friend decades ago--has been asking me for some of my artwork.  Her name starts with and L so I decided to do an "embedded letter" piece for her.  I used Ellish as the main tangle since it's based on an L, and went from there.  On a renaissance (tan) tile with a black Micron PN, black Micron 01, and white chalk pencil.  With a touch of graphite.

This was the result of a class I took with the gifted teacher Romi Marks this afternoon.  She really can teach anything.  I'm calling this Big Fish Little Fish (and yes, I know one could see it as a Pisces image).  It was a lovely relaxing few hours.

"Spend a new penny on an old friend and share an old pleasure with a new friend."

Slowly but surely it's coming along, and is it ever fun to do.  I am totally into this rug in a way I haven't felt about hooking in years.  Fun, fun, fun.

It's all about the color, and all about using up scraps that I've had for years.  No new fabric, just things I've stashed away and couldn't get to before I moved to this larger space.

In such a challenging time, when we are all in "lockdown" over this pandemic, it's lovely to work in my studio, playing with color and listening to music or simply enjoying the silence. 

But I'm aware of how many people are struggling--hungry, incredibly sick, risking infection by being a front-line provider, dealing with the loss of a loved one, or going bankrupt from losing a job and/or losing a business.  The fear, the anxiety, the terror.  So far my health is all right and I don't know anyone with the virus; I have a home and my finances are stable.  I have food, friends, love.  I meditate.  In short, I am unbelievably privileged; and I am very aware of it.  I'm also aware that my circumstances could change on a dime, any day.

May we all be safe and protected.  May we all be loved; may we find peace each day, no matter what happens.  And may we look after each other with compassion and kindness.

All the news is so troubling; I need something to introduce joy, so I've begun another rug, using scraps.  Curious to see where this will go, but I have got it started--yay!

This is a short tale of trust and patience.  It's been weeks since I've had time to do any drawing at all--an indicator of how over-scheduled I've been.  Yesterday I had a scrap of time in the morning and thought I would do some tangling...and then noticed a curious reluctance.  It had been so long since I'd picked up a pen that I was losing my confidence and was afraid to try.  Not good.  So I went to my desk and began with a new-to-me tangle called Avos by Maria Venekens, CZT.  This was my first attempt with it.  I was surprised at how tentative I felt.

I started with this, below and really did not like it:

Nope, not happy at all with this.  I had to force myself to start adding color.  Did not feel like I had drawn it well, even though this was a first attempt. 

The internal critic was in full voice. 

I considered tossing it, BUT I know from experience that Zentangle® teaches patience, persistence, and trust in the process.  So I put it aside when I ran out of time and vowed to keep going later.

Last night I went back to it just before bed, and I'm so glad I did.  Here's the final result:

I deeply appreciate the lessons the Zentangle process teaches about life, not just about art.  A particular result may not be a masterpiece, but it's possible to love it all the same.  What I've learned from the process is to keep going and trust, and things will usually work out fine.  Perhaps not perfectly, but certainly "well enough."

Meanwhile, this is a lovely tangle and I hope to use it more in upcoming projects.

This is my first attempt at the tangle Khala, by Anica Kabrovec, CZT.  It's gorgeous and what's known as a "high focus tangle."  I have a long way to go to learn this one!

However, I've not been able to tangle in weeks.  It's been totally crazy here and that will undoubtedly continue for a while.  All good, just overscheduled.  At times like this, it's all I can do to squeeze in any time for drawing and I truly did not want to take on anything challenging; so I treated myself to one of The Tangled Yogi's instructional videos and picked this one. 

Sometimes the best way to practice is simply to copy.  Even when you copy, you still end up with your own version.  Thanks to the Tangled Yogi for her very accessible videos, which enabled me to do SOMETHING, even if it's not my own thing.

Although I worked on this only two times, it took twenty days to finish it because after I got it started on the 4th of January (see below)--

--it took three weeks before I had time to get back to it.  I kept looking at it with longing, but simply could not carve out the time to sit down and finish.  This type of dilemma always points out to me how over-committed I am.

Here is a picture of how it looked yesterday as I picked it up again and was about 1/4 of the way through finishing it.  I had put down a first layer of color on the green "leaves (top half) and was putting down a blending layer (bottom half) when it occurred to me to take a picture at this stage.

and here's another photo, different from the one at the top of the page (different lighting) of the finished piece for contrast.

It's interesting to contrast this version to another version I did (in December) as I was taking a class with The Tangled Yogi.  The December 10th version was a situation where I just had to go with pencils I happened to have on hand; this one is more "me" in terms of colors and execution.  I highly recommend Romi's videos and classes as I learn a lot from watching and emulating. 

A video is also a great way to jump-start one's practice after a long hiatus.  After I've been away from tangling for a few weeks, it's so helpful to follow along with what someone else is showing in order to rev up my own mojo.  Once I've done that, I'm ready to go off on my own again.

With apologies for the bad photography, I wanted to experiment with Lynn Meade's tangle Fassett for an upcoming class.  Fassett is based on triangles.  Here is Fassett done on four Bijou tiles (2x2"), each tile with an increasing number of triangles.  (The class will only be doing the very first one on the far left)

And here below are the four strings that I used to create the four tiles.  You can see the number of triangles increasing in each.

Fun to experiment like this.

The beginning of a new year and the beginning of a new tangle project.

I've a long way to go on both.

“For last year's words belong to last year's language
And next year's words await another voice.”
― T.S. Eliot, Four Quartets

Whew.  The last two weeks have been a blur, and none of it holiday-related.  I'm not a holiday celebrator (no offense to those who are--if you enjoy it all, more power to you), so most years, while others may be stressing out buying gifts, sending cards, gathering with family, I am nurturing my introverted self with quiet and reflection--I love it!  But not this year.  Visitors--welcome indeed but unusual for this month--a few minor health inconveniences, a couple of intensive workshops, and  on and off insomnia have combined to create more stress than usual.  But it's all good, and it will all straighten out.

Many projects are underway.  I have been working to finish my punched pillow.  First I had to un-punch and re-punch some areas, and then begin the finishing process.  It's a time-taker but I hope it will be worth it.  Here's what I re-punched:

I got that fix done (all will be revealed once I get the pillow completed), and now I'm into the messy process of creating and binding the back.   This boring looking beige-y broadcloth was the single fabric I could find that would not clash horribly with the front.  Hopefully it won't show once it's done.  I'm creating an "envelope back" for the first time, and sure hope it works.

Next up:  a good friend and I were lucky enough to go to a workshop with the Zentangle® folks at the Kripalu Institute in Lenox, Massachusetts, and the focus was creating a Compass Rose.  I had made one before in 2016, and you can find it HERE in this blog.  I wrote about the origins there as well.  We used a very different method this time (no protractor, just folding the paper).  All of us made small Zendala versions first and here was the class mosaic (some are missing from this mosaic):

We then moved on to beginning the actual Compass Rose.  I wish I'd thought to take more pictures.  I only have one "before" photo, below.  Wish I'd taken pics from the folding-stage through the initial black and white stage, then adding color, then embellishing, etc.  This (below) was perhaps almost halfway through.  I wasn't enamored of it at this stage.  That is an understatement.

We then added the North arrow and used the Embedded Letter tangle technique.  I liked it a bit better but was still dubious.  We added a bit of gold gellyroll as well.  Still dubious.  However, that was as far as we got in the workshop and I took my tile home, where it sat for over 2 weeks until I had time to get to it. 

That happened today.  Below is the finished (??) piece.

Yup, working and taking my time on it definitely improved things.

Finally, I took a chance on a product I saw on a Kickstarter campaign and it arrived last night.  I haven't yet had a chance to play with it:

Looks like it will work great, but I've yet to take it for a test-drive. 
Just too darned busy. 
A good night's sleep would also help.

Whatever possessed me to start and finish this 6"-in-diameter Zendala in one day?  I am truly ready to fall of my perch.  Tired...

This was another class from The Tangled Yogi, whose wonderful videos and fine classes you can find by clicking on her link in this sentence.  She has a unique and incredibly helpful way of teaching.  I wish you could have seen the mosaic (collection of student work) on this one.  No two looked anything alike--coloring was wildly different.  Similar, yes, but still, vastly different.  The magic of Zentangle® for sure.

I advise students on the subject of color as follows:
If it looks good enough to eat, use it.
(Abe Ajay)

A friend stopped by my house today, exhausted and distraught, sharing a very sad but very familiar story of serious family trouble.  I think I may have been the first person outside the family she told.  There was nothing I could do but listen.  I can only hope that being present with her, and listening, was enough to help.

She was here for hours.  After she left I had to help myself, so I did this "variation," of the tile above, experimenting with what I'd learned in Zen Linea's class to produce this on a Bijou tile (2"x2"):

Listening with loving-kindness was the only thing I could do.  

I am frequently reminded, as I hear other people speak of what they are going through, of how fortunate I really am.  I am grateful for my life, with all its warts and minor upsets and imperfections.  And with all its privilege and grace.

Compared to what some of those who matter to me are going through,  I often feel like the luckiest person on earth.

May she and her family heal.  May all those who suffer heal.  May all of us know peace.

It's been a hard week.  I'll leave it at that.

I've used the title "Perseverence Furthers" once before, but it never more true than when I did this tangle:

It started out as a hot mess about 3 or 4 days ago.  Instead of giving up on it, I kept leaving it and coming back to it, adding a few things here and there until today when I declared it finished.  I wanted to keep it all black and white (color can hide a lot of mistakes) and I'm glad I did.  I'm also glad I stuck with it.  It's no work of genius but it's way, way better than when I started!

"Try again. Fail again. Try better."
(Samuel Beckett)

Let's hear it for screwing up, flubbing it, being imperfect. 

Much of my drawing is like this, and yet, somehow I like it anyway.  I will never be perfect.  But I'll be "good enough" for me and will have fun along the way.

Below is a practice tile (a Bijou tile, only 2"x2") for a new-to-me tangle called Kaas.  I had a rough time with this one and ended up adding a lot of rounding (rounding is a Zentangle® technique which does what it sounds like--you "round" sharp corners) which can hide a plethora of errors.

Convinced I'd do a better job on my second try, I used a regular (3.5"x3.5") white tile for my entry in the Full Moon Mosaic Project for this month.

Nope, just as imperfect, and even more flubbed-up in some ways.  Again, I used lots of rounding.

I had fun, however, and I like it anyway.  If you have read this far, you probably can relate to what I'm saying.

"My mistakes are my life."
--Samuel Beckett

Next Sunday afternoon is the full moon, in the corner of the universe where I live.  It's supposed to be unusually large.  And orange.  I chose to ignore the orange for this Zendala tile, which I did for Hanny Nura's monthly celebratory Full Moon Mosaic.  If you google "Full Moon Mosaic" on Facebook or Instagram you'll see some amazing entries.

Meanwhile, I've been asked to do a Zentangle® demo at a local organization and in thinking about which tangle to ask participants to do, I'm going to use this one, Fassett by Lynne Meade.  Which means I need to practice it myself, having only ever done it once or twice--and of course I'm falling in love with it.  This was my first try at it, done on a Renaissance Bijou tile (2" square).

Ahhh, the start of October and cooler weather.  I hope.  It's also the start of the annual drawing event, Inktober.  There are many versions of this, and a few of them focus on tangling.  I used today's prompt (the tangle Printemps) as the string for this tangle, then put more Printemps inside it, along with Flux and Shattuck.  I like the result but I also ran in thru my iPhone app and the color version was very fun.

This is a day traditionally held sacred to all women, honoring the sacred feminine and the Great Goddess in earlier times.  For an excellent article with good information on its celebratory aspects (as well as superstitions and misogyny that have accrued around it), click HERE. 

Art!
Who comprehends her? With whom can one consult concerning this Great Goddess?
--Ludwig van Beethoven

A good friend who is also a CZT (Certified Zentangle Teacher) was here this week and stayed long enough for both of us to take the same online class via the TangledYogi--aka Romi Marks, a very good teacher.  I'd encourage you to check out her work, including her YouTube videos.

Below you will see our results.  The first two are mine--think of them as Draft 1 and Final.  Here is the draft:

Romi refers to this as the "Aloha Waves" piece.  The design is hers, but drawn by me, and then the color choices are mine.  In a moment you can see the final result below, once I'd had time to mull this one over.  I hope you can see what I added. 
The piece was done on one of Romi's hexagonal tiles, which are available on her website (see the link at the top of this email).  She has them made from high-quality card stock and they are very smooth and accept colored pencil well.  They are also larger than the standard Zentangle® tiles (made from Fabriano Tiepolo printmaking paper, softer and tooth-ier).  The two most recognizable tangles here are Pokeleaf and Crest, along with a Zengem.

My finished piece is below, and then below that one you can see the gorgeous result of my friend's work.  Two identical tiles, drawn by two different people, with two completely different coloways.

But wait--there's more.  She also decided to take up punch hooking and got her equipment together while she was here, designed a piece, and began punching.  I can't wait to see what she produces.

The good news for me is that I think I'm about to start work on another rug and have something textile-related to show soon.  It's been too long.