An "embedded letters" tile for Project Pack 06. The "No Mistakes" pack.
Meanwhile, I think/hope my creativity is beginning to come back. Finally some textile work, the start of a new rug.
I took another tangling class today, this one with Heidi Halpern Kay, a talented artist who has been teaching for only one year. She has no website that I can find, but she's active on Pinterest and Facebook. My hope in taking all these recent classes has been that they would inspire me to get back my creative mojo. I think it's working, although I won't know until I begin doing my own designs again.
This tile introduced me to Ecoline Markers, which I had never used before. Very interesting. I'll be doing a lot more experimenting. Tangles: Printemps, Hollibaugh, Pokeroot/Pokeleaf, Mooka. Ecoline Markers, Copic Markers, White Gellyroll, White chalk pencil, White Uniball Signo Pen, Sakura Multiliner pen. That's a lotta art supplies!
The big news for me is that I've begun another hooked rug. It's not at the stage where I can show anything; everything so far is just experimental and it will be awhile until I have something to show. This is one reason I think I'm starting to get back some mojo. Hurrah!
"What art offers is space--a certain breathing room for the spirit."
This is a 2nd version of the same tile I did a week or two ago. I made it today for a friend and will be sending it off to her tomorrow, hoping she likes it.
There is no harm in repeating a good thing.
With thanks to Romi Marks, TheTangledYogi, for her design--drawing and coloring by me.
A good friend who is also a CZT (Certified Zentangle Teacher) was here this week and stayed long enough for both of us to take the same online class via the TangledYogi--aka Romi Marks, a very good teacher. I'd encourage you to check out her work, including her YouTube videos.
Below you will see our results. The first two are mine--think of them as Draft 1 and Final. Here is the draft:
Romi refers to this as the "Aloha Waves" piece. The design is hers, but drawn by me, and then the color choices are mine. In a moment you can see the final result below, once I'd had time to mull this one over. I hope you can see what I added.
The piece was done on one of Romi's hexagonal tiles, which are available on her website (see the link at the top of this email). She has them made from high-quality card stock and they are very smooth and accept colored pencil well. They are also larger than the standard Zentangle® tiles (made from Fabriano Tiepolo printmaking paper, softer and tooth-ier). The two most recognizable tangles here are Pokeleaf and Crest, along with a Zengem.
My finished piece is below, and then below that one you can see the gorgeous result of my friend's work. Two identical tiles, drawn by two different people, with two completely different coloways.
Above is the completed version of the one I did. Below is the tile done by AE in the same class. We were drawing together during class, hearing and seeing the same instructions. Yet if you look you'll see slight differences in mine (above) and hers (below). Zentangle® is just like handwriting. The same tangle drawn by two different people will always be a little (sometimes a lot) different.
But wait--there's more. She also decided to take up punch hooking and got her equipment together while she was here, designed a piece, and began punching. I can't wait to see what she produces.
The good news for me is that I think I'm about to start work on another rug and have something textile-related to show soon. It's been too long.
It occurs to me that this has turned into a Zentangle® blog and has not showed any of my textile work recently. That's because there hasn't been any textile work recently. I've temporarily lost my textile mojo. Maybe because it's summer, and who wants to work with wool in the summer...but I am starting to get concerned. Ok, enough of that. Let's just hope inspiration returns.
Last night I did a quick tangle based on the Project Pack 06 Day 5, which was great fun. It was so late when I did this that my hands were shaky but that's alright:
That version of Mooka, discovered by Julie Willand, CZT, was hugely fun, although I need more practice with it. I think my version/attempt should be called "Black-Capped Melting Mooka" for the little caps I added to it. I am looking forward to playing with it more.
This evening I took an online class with Romi Borax Marks, CZT, also known as The Tangled Yogi. She is all about color and is an excellent teacher, as I've been saying an my recent posts. Here is the result.
That was the first time I worked on a hexagonal tile--they are all the rage right now in the Zentangle world. I enjoyed it (especially for the smooth tooth of this particular paper) but am not sure what all the fuss is about yet. I need to experiment with them more. Happy to have had a chance to try one, though.
Well this was tough! I'm not quite sure why. I did notice, though, that when I sat down to work on this, I was not feeling at my best emotionally. In fact I was feeling like s*** emotionally. That's quite unusual, but it's been a tough couple of weeks. Events and politics have been even more challenging (which is really saying something in this country).
I got started and right from the get-go I disliked what I was doing. If I had been working on a single sheet of paper or a tile, I'd probably have abandoned this. Possibly I'd have ripped it up. But I was working in a special notebook, and didn't feel I could leave it and ignore it without diminishing all the other pieces I had done already in the book. So, following a Zentangle guideline, I kept my hand moving and focused on one line at a time. I worked and worked, but really. did. not. like. it.
Following another Zentangle guideline, I walked away from it for a while. When I returned, it still wasn't exciting me but I noticed I didn't dislike it quite as much. So I sat down and kept on. And on. And on!
It's still not my favorite page, but I'm ok with where I ended up, especially given how I felt when I started. Most of all, I'm happy I persisted. There's a lesson in here. My mood had improved substantially when I was done.
There is nothing more dreadful than the habit of doubt.
--attributed to the Buddha
Yesterday I asked my neighbor if she knew what the flowering, beautifully scented bush was in our front yard (we didn't plant it) and she said yes: Clethra. I thought she said "plethora" and assumed she was referring to the high number of fabulous blossoms. But no, she was naming Clethra alnifolia, also known as the sweet pepperbush or "summersweet." I love that last name.
Summersweet is incredibly seductive to honeybees and butterflies, both of which I've seen--a "plethora" of them--since it began to bloom a few weeks ago. And the scent...oh, the scent is so lovely. I feel honored to be in the presence of this plant. I remember it bloomed the first summer I moved here, but not last year. What a treat to have it make such a big comeback this year. Here's a blossom from our front yard.
There were so many honeybees and other cuties drinking from the flowers that I'm surprised I didn't have to beat any of them back to get this photo but this one stem was not being worked just as I snapped the shutter. Lots of Monarch butterflies and other butterflies around it also this year. It's a good year for the Monarchs around here--god knows they need a good year. And the bees as well.
Advice from a Honeybee
Create a buzz.
Sip life's sweet moments.
Mind your own beeswax.
Always find your way home.
Stick close to your honey.
Always bee yourself.
I hasten to say here that I am simply following along with the Project Pack videos as I draw, so these compositions are copies of what is on the videos, not my original compositions. 99% of what I post here is original to me, but sometimes, when I don't have the mojo--which has been happening lately for unknown reasons--it's just so relaxing to follow along and copy-to-learn-from someone else's work. I always attribute the work to the originator, as I've done here and for my last several posts.
Working my way through Project Pack 06 (this is from Day Two) I am thinking about Blackness and Whiteness (and everyone else--brown, yellow, red) in my country. Doing this drawing in black and white was calming and joyful, but I'm also thinking of the deep racial disparities and oppression in existence here, now even more obvious. Not that they ever went away.
The week before Toni Morrison died, I watched an absolutely wonderful documentary on her life (highly recommended). I had no idea that she was sick and fixing to die as I watched. I left the theater and decided to re-read all of her books, beginning with The Bluest Eye, which I last read around 1976. I have just finished reading it and am stunned all over again by the power and beauty of her words, along with the pain and the level of truth we all need to face.
Rest in peace, Toni Morrison. You have been and will continue to be a powerful teacher for me and for others.
I'll have to let this song speak for me, because I cannot say what is in my heart after this terrible week in my country.
Wrong. Tragic. And entirely preventable.
This tangle helped me to center myself, but did not take the pain away.
Credit for the composition goes to Romi Borax Marks, but I did the drawing and colors.
I am definitely--and very oddly--still off my game, but I did manage to produce this today:
I would love to take full credit for it, but the truth is that while I did indeed draw this, I was really just following along with a video on YouTube by Romi Borax Marks, CZT. She has a lot of videos and they are all worth watching. I needed to be totally brainless-but-focused and her video did the trick. Don't get me wrong: SHE'S not brainless! I am the temporarily brainless one. I needed to be "one of the herd" today, and not have to think about anything.
I had to vary my materials quite a bit from what she uses, and that did require some creativity. For example, all the color on her video is applied with colored pencils. On mine, I first applied art tissue paper in order to prep the tile before I bound it into a Bitty BookZ™ so the color was already there and thus I had to use colors I'd chosen weeks ago; I did punch them up a bit with Prismacolor pencils. In addition, Romi uses very smooth tiles that she produces and sells, whereas my tangle was done on traditional Fabiano Tiepolo printmaking paper (i.e., the regular 3.5" Zentangle® tile) which has a lot of tooth (not smooth). So in the end there was a big difference between her process and mine.
Why I am feeling so creatively stymied is a big question, and I expect I'll understand it eventually but in the meantime I am just attempting to make a quiet and easy "comeback" with completely non-stressful work. There's not much that is less stressful than working alongside an excellent video done by an excellent teacher. I highly recommend Romi's videos.
The ever-turning Wheel of the Year has moved again here in the Northern Hemisphere; we're now at Lammastide, the part of the old agricultural cycle when the corn is ripe for harvesting along with so many other plantings. In the area where I live, corn is standing tall in the fields, and ears of corn are beginning to be sold in the various roadside stands, along with cucumbers, tomatoes...so much to harvest and too long to list.
My wish is for everyone on the planet to have enough to eat. I know it is not so now, but may it be so in the future.
Here's a tile with all new (to me) tangles, done on the last page of one of my handmade books. Tangles are Kauri Kunda, Scape, and Sikito. On a Renaissance tile with black Micron 01, graphite, and chalk pencil.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), a long-time meditator, a certified meditation teacher and coach, and focused on learning about the interplay of art, creativity, and mindfulness every day.
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society