I'm in a liminal place: In between rug hooking projects, in between books I'm reading, in between tangling projects, and just "in between" on a lotta things. The mind doesn't like being so in between, but that's just how it is right now.
Here's a map-tangled tile I prepped a while back and finally got around to tangling last night. I'm not sure I enhanced it. I kind of liked the prepped version before I added anything. But I'll see if it grows on me:
Here is the "before and after" on my first Ecoline Watercolor Map Tangled tile. I'm curious to look at them side by side. Is the tangled tile an improvement, not as good, or is it about the same in its appeal? I had my doubts about tangling on it as I loved the plain tile.
I like them both but think I'm favoring the tangled one. Which surprises me.
Thanks, Annie Taylor CZT for great tile prep instructions and fun class! I loved the room you gave students to use whatever tangles we wished, while making good suggestions. And for your linguistic talents at teaching simultaneously in English AND Spanish! Wow.
"If you've heard this story before, don't stop me, because I'd like to hear it again." --Groucho Marx
What??? How can there be such a thing as "too much color?"
That's not possible, right? I mean, look at that spectacular Squill. The bees certainly weren't of the opinion it was "too much color."
So what the heck...? Read on.
In the same fabulous patch as the Squill I found these perfect Crocus:
While you cannot really see the lush carpet of flowers--partially in shade--in this house's wonderful front garden, you can see the closeups above.
When I got home and looked at the photo I was so focused on the way the light was bringing out the spring yellow in the bush that it took me several moments to see the light shaft with a big rainbow in it hitting that same bush.
As if this little garden was being nourished by light and color.
That was my morning. Color, there's never enough. Beautiful.
So what am I talking about, "too much color?" Keep reading.
Spoiler alert: Art Catastrophe below.
The entire bottle of blue rolled off my desk, hit my legs, and made its merry way onto the floor.
You think my jeans look bad? I wish I'd thought to take a photo of the floor but I was too busy racing to mop up the mess which spread EVERYWHERE. I'm still finding traces around the room.
Thank goodness this was watercolor and wiped up easily but I used a zillion paper towels (and I don't like to waste those, but they were right there and I was desperate)
After which I took off the pants, laughed at my blue legs and my turquoise-y hands from cleaning up the floor, and spent quite a bit of time rinsing the pants in the sink. The amount of blue ink that came out was unbelievable. Fortunately I had just put a dark-colored wash into the washer, ready to run. A happy coincidence. So I threw the pants in and they've come out looking as though nothing ever went wrong.
So yes. A bit too much color in that moment.
After that, I did another tile with another set of colors (the one on the right above).
Because seriously, there really is no such thing as too much color, and my entire day reflected that.
Accident is design
I prepped that tile above** (wet on the left, after drying on the right) after midnight last night, waiting for sleep that really never came. Such intense color. I woke up after far too little sleep, thinking about the tile and how I might tangle on it. An idea floated by--oooo, more experimentation! And now, back to rug hooking. I gotta get this rug done.
**Thanks to Annie Taylor, CZT (of ArtyZen) for terrific how-to-prep the tile instructions!
What should we do when there appears to be very little energy for "doing?" Sometimes we have days like that. I had one today.
Fortunately, I had two small Bijou (2"x2") tiles already prepped with Map Tangled backgrounds, so today I did them as experiments. I had to make an effort to get going since I had no energy at all.
The jury is out on whether I like the results all that much. On this first tile I put the tangle Pepper (with a few orbs added) which I tarted up with Gold Jellyroll pen in between the black Micron PN strokes and also in the negative spaces. I'm still contemplating this one. But at least it got me drawing on a day when I felt...blah. As we sometimes do, for no reason. Just blah. Not bad, not good.
How often do we notice these moments of complete neutrality? I usually don't, unless a lot of them get strung together during a day--unusual, but it does happen once in awhile. Should neutral always equal "blah?" Many folks experience an occasional no-energy day.
Perhaps I just needed a day to do nothing? Or simply to contemplate neutrality? There hasn't been much to feel neutral about in a long, long time (locally or globally). Perhaps neutrality has been snoozing, and is now waking up again. Is it actually neutrality, then, or could my over-stimulated nervous system from these last few traumatic years not recognize what it means to rest and restore itself?
Experiment #2,is also done on a pre-prepped Map Tangled background on another tiny tile. Only this time, the prep included putting a silver metallic Fine Tec watercolor glaze over the regular pink-rose watercolor. I used a purple Micron PN to do the tangle, which is Diva Dance--a tangle I love but always find quite baffling. I need remedial Diva Dance lessons!
Diva Dance reminds me of neurons in the brain, quivering and firing. And yet when I'm drawing, I'm usually totally absorbed and just not thinking. Perhaps my own dancing neurons go into some type of trance when I draw. A good thing, on days like this one.
A metallic shine is hard to capture on camera, and the deep rose color did not show truly here. As is the case with the other small experiment above, I am still waiting to decide how I feel about the tile.
In the end, it doesn't matter. The practice itself--and "showing up" even on a day when I didn't have much energy--was my intention, not the final outcome.
Show up. Sit down. Whatever comes up is simply what is arising in this moment. Notice it. No judgement.
Exactly like meditation.
I noticed my British friend and teacher extraordinaire, Jo, has a YouTube channel (why didn't I know this before?) and I took a look today. She did a lovely job demo-ing one of my old favorite tangles, Betweed. I've loved this tangle forever and used to use it all the time. Why did I stop? Like a lot of things, it just passed out of my consciousness at some point and I haven't done it in years. What a welcome reminder.
I had time to experiment this afternoon and decided to use her video to do this monotangle version of it. Soooooooo relaxing. But rather than do it plain, as she did, I used a tile I had previously prepped for MapTangling, and used that as a technique. Well then I couldn't leave well-enough alone so I did some shadow work in a couple of the negative space surrounding the motif. This was totally fun. I liked the depth and subtlety.
Ah, but I thought I might run it through an app on my iPhone to see how it would look. Holy crow! It went from subtle to glaring. You had better wear your darkest sunglasses for this version below (altered by the iPhone app).
Once I start playing with the iPhone to alter a photo, it turns into a project all on its own. Using another iPhone app, I came up with all of these:
There is something to be said for each of them. Besides, it's so much fun being able to play with alternatives. It's even more fun greeting an old friend--this tangle--one I haven't seen for awhile.
I imagine we will all feel that way once the pandemic is over and we are able to see each other in person again. We can Zoom, and that's helpful, but to be able to spend time with old friends and hug each other again...priceless.
“Friendship is the only cement that will ever hold the world together.”
– Woodrow Wilson
“A day without a friend is like a pot without a single drop of honey left inside.”
– Winnie the Pooh
For years I've heard about Map Tangling and while I had some idea what it was (see below), and had really admired it, I didn't have time to figure out how to create it. Today I took a class with Nancy Domnauer. Great fun! She's an excellent teacher.
Here you can see my first attempts. We spent time preparing the tiles with watercolor (that's where the Map Tangling technique really applies) and then completing two monotangle tiles.
There appear to be at least two ways to prep a tile by Map Tangling. Nancy's class focuses on one. I think there is at least one other. I will be playing with this technique for sure--I know I can get better at it with practice.
As shown here and above, "Map Tangling" is when a watercolor wash is applied to a tile in such a way that the colored portion is left with ragged edges., and could be interspersed with lots of white space or just have white space surrounding it. Only the colored space is then tangled. The watercolor background frequently resembles the map of a continent or country--hence the name.
The process reminded me of gelli-printing. There was lots of pressing going on before the tiles were done, and all results were inevitably surprises.
"Research is what I'm doing when I don't know what I'm doing."
— Werner von Braun
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), a long-time meditator, a certified meditation teacher and coach, and focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class is not yet scheduled--stay tuned.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society