Sometimes tired old things just need to be dressed up a bit to shine.
Cue the comments on whether that's true for all of us! I'm talking about things. Ha.
This morning I found a gray tile that I'd tossed some lavender-ish watercolor on long ago, in an early attempt to map-tangle. The color had spread out over most of the tile, with absolutely no interesting shape, and was incredibly plain. BO-ring.
Out came more watercolors today and I tarted it up, used my heat gun to dry it, and went to town with some of the Inktober tangles. Better. Every tangle except one was brand new for me. Some of them turned out more successfully than others, so I'll re-do the ones that really didn't have enough room to show themselves off. Perhaps that'll be the task for tomorrow.
This is what happens when I run out of black Micron 01s and still want to tangle. Spynes, which I tried for the first time yesterday, is a really fun tangle for experimentation--I couldn't resist this second try.
The Stone House Runner is nearly done; just the usual finishing steps left. Here it is:
A meditation on the preponderance of spirals in the cosmos.
"In a spiral galaxy, the ratio of dark-to-light matter is about a factor of ten. That's probably a good number for the ratio of our ignorance to knowledge. We're out of kindergarten, but only in about third grade."
How many ways can a drawing go wrong?
I haven't laughed this hard in a long time. Oh gosh, I started off drawing the tangle Dewd, which I have never quite grasped. (an understatement if there ever was one)
The first thing to go wrong was that I discovered that my beloved Micron 01 was dying. I searched for a new one, which was when I found out I did not have another 01. What to do? I picked up an 05 instead. Oh dear.
That's one of the things that gives this very funny tile a look of having been drawn by Edvard Munch (the painter who created The Scream). But wait, there's more!
Dewd is the tangle around the edges of this Zendala. I kind-of-almost had it at first, and then totally lost it as I moved in toward the center. At several points I thought, "Oh for Pete's sake--this is rubbish, I can't go on." But hey, it's Zentangle®. We always keep going and see what happens. One line at a time.
So instead I started to laugh and plowed on. I added another tangle in the center. Oh my, a nice one but it didn't help. Edvard Munch lives on.
Well hey, in for a penny in for a pound, right? Will it help if we tart this up with color? (no) Out came the Silver Shadow Gellyroll pens. These are always tricky to use as you never quite know how they will look when dry. I followed that up with a liberal application of General's Colored Pencils in two colors. Thus proving the saying by Oscar Wilde, "Nothing succeeds like excess."
Because despite it all, I kinda like it. And I laughed my way all the way through, which is always fun.
The people we tend to call Huichol in Mexico (they call themselves Wixåritari, or, The People) have a long history of art. I've admired their beadwork, small glass beads pressed into wax lining the bottoms of gourd-bowls and other objects coated with a thin layer of wax, using bright, bright colors. Check it out at the link above. They work in many media in addition to beadwork--textiles, paintings, et cetera.
This tangle is based on a shape common to their culture and others. We see it in quilting patterns everywhere, and in many other cultural contexts. Mexican CZT Celina Bonilla Martin gave a class using the form as a template. I decided to go with a different colorway and did my own thing.
Tangles included: Printemps, DoDah, Wadical, Umbler, Flux, Ko'oke'o.
What interested me was that most of the way through working on this, it looked like it was going to turn out as an epic failure on my part. It looked horrible. I wish I'd taken photos during the progression. And then I began adding the tangles and it turned around. While it may not be a masterwork on my part, I quite like it now.
How many times have I said that here, and drawn a parallel to daily life? Trying out new things often brings on a feeling of, "Oh my god, this is never going to work," and then somehow it turns out better than expected. And with practice, we just learn more and get better and better. This is certainly not true in all situations in life, but it's the case far more often than not.
The critical mind is always predicting epic failures.
Just ignore it. See what happens instead.
A repeat of yesterday's tile. This is version 2.0 since I gave away the tile I did yesterday as a thank-you gift to a neighbor. I realized I still wanted a version for myself and redid it, enjoying every line.
Tangles: Didot, Rain Dotty, Pringer, Hamadox, Joy-Jirella, Chillin, Emingle. My version of a class by Indica Boyd CZT for Artifex Eruditio Spring '21. Material uses: Green and Black Microns, Gellyroll 10 in white, General's Chalk pencils in white, green, and blue, graphite, Gellyroll Luxue Gold Pearl in green. Drawn on a white Zentala tile with a gray watercolor wash.
In today's version I added substantial green coloring as well as the blue, and experimented a bit with placement of patterns. This was just as much fun as the first one.
Another "learning tile" done very quickly from an Artifex video. This was done fast as a thank-you gift for a friend who made me a lovely dinner. I cannot cook so cannot reciprocate, thus I wanted to draw her something as a way of expressing gratitude.
However, I needed gray-toned paper to work with, and didn't have any. What to do? I grabbed a white tile and threw a gray wash on it. Et voilà--it actually worked! I'll give it to her this evening.
Whew. When it doubt, improvise. Always a big life lesson for me.
So it started out this way...
I'm still "blobbing." A great way to try out various watercolors and watercolor techniques. These are Yatsumoto metallic watercolors. Very subtle unless you really load your brush.
There was a teeny bit of Inktense Watercolor Pencil tangling going on in the upper left quadrant.
...and ended up that way:
A kind neighbor brought these marigolds in a tiny bottle. She collects old bottles and also grows flowers. A wonderful combination.
I could actually have given this post a much longer title. Something like: "Kind Neighbors, Marigolds, and Other Favorite Things." Too long.
Some of my favorite things. The hydrangea in an antique bottle, a book on drawing (recommended), and an old white soapstone I tangled years ago and put into a frame to use as a coaster, after first baking it in the oven to set the paint. Plus, my front porch. Love to sit out and watch the world go by.
Finally, a quick late-night tangle I did last night after watching Amy Kam's weekly Tangle Time. The tile had been given a watercolor wash years ago. I added the tangles (Gneiss, Black Pearl, Crescent Moon, Shattuck), along with colored and chalk pencils and graphite. I threw in some white gellyroll. And I still couldn't sleep--however I didn't wake up this morning until almost nine. Oooh, a lovely sleep after all. Once it actually came.
Here she is, the icon.
But since nothing is sacred these days...
She apparently was photographed attending a party shortly after posing for Leonardo.
This is her "riotous party smile."
Uh-oh. I know this is a sacrilege, right?
But what fun to try.
Romi Marks had a wonderful workshop called "Zenovating the Mona Lisa," and since I'm in full-on learning-and-practice mode I wanted to take it. My motivation actually was learning to tangle on photographs, especially on photographs with a lot of dark areas in them. I want to try this out on pictures that I've taken, and I knew there were tips I needed to learn first. Romi is a marvellous teacher and I learned a lot doing this. Next I want to try some of my own photos to see what I can do.
So many art opportunities, so little time.
And then, of course, after the party Mona needs to relax. I'm sure you've all seen this meme going around, depicting what Mona has been getting up to at the Louvre since it's been closed due to the pandemic. Wish I could find the original source to give this the right attribution but so far it's been shared so many times I don't know who came up with it.
A little alarm now and then keeps life from stagnation.
This was my interpretation of a well-done class by Vandana Krishna, CZT in Bengaluru, India, as a part of the Artifex series I mentioned in the last post. While I'm not sure my version actually looks like a magnifying glass, I really enjoyed the process.
On a night when--for no obvious reason--I simply could not get to sleep, working on this tangle was relaxing, fun, and absorbing. I have occasional bouts of sleeplessness, and am so glad to have drawing to occupy me when it strikes.
Here's how it looked when I finished the linework, and then on the right is how it looks after adding some color and shading. There's currently a big boo-boo in the center of the tangle (I'll probably fix it at some point), which I left in place for now. You can see it in the large version--a misplaced black line.
In my next life I will try to commit more errors.
(Jorge Luis Borges)
"There are no mistakes in Zentangle."
(Maria Thomas and Rick Roberts, Zentangle® creators)
I love the life lessons I constantly learn from Zentangle®. This was another big one. I set out to draw one thing, ended up getting hopelessly lost, and by the time I finished the preliminary linework last night and forced myself to stop and go to bed, I was looking at a hot mess. I didn't think it could be salvaged.
But this morning I just had to keep going to see what would happen, and ended up with this--which I quite like. [Although it does bear a resemblance to "St Patrick's Day on Steroids," don't you think? But that's ok, I like it anyway.]
Here are the details for you tanglers out there (no need to read this part if you don't tangle--it could be boring for you): I fell in love with an Emiko Kaneko CZT video (HERE)* and thought I'd give it a try. But I misunderstood what it was: She clearly labeled the video "A Tangleation of Tissooh," but all I saw was "Tissoooh," which is a high-focus tangle by Tomas Padros CZT that I've always wanted to attempt.
Emiko made it look so easy that I was sure I could do it and learn.
Well. I did indeed learn, but not as she intended!
Mine has some resemblance to hers, but I ended up with a lot of weird space in the background, and things are not in the same places as on her tile. So did I learn a lot? You bet. But now I need to go back and find a simple stepout for ONLY Tissooh and have a go at that one tangle--this tile combines Tissooh with something like Bales, Tripoli, and Orbs. However, I do love my outcome.
For years I've heard that it's lways good to learn by copying the masters, and Eri is certainly a master of this art.
For me, the biggest learning is that no matter how bad something looks, it's highly likely that it's worth it to try and save the thing. Or as the I Ching would say: "Perseverance furthers."
*Thank you to Susie Ngamsuwan for catching the fact that I'd attributed this tile and video to the wrong CZT. Wow, much appreciated.
Note: I've been doing a LOT of copying lately, along with watching videos and going along with them. I always credit people as I'm copying. I'm on a mission to learn from a wide variety of tanglers whose skills I admire, and if that means I am copying for awhile, that's ok. It's a powerful way to practice.
Here are three quotes about copying as an effective tool in learning art:
It would have been the equivalent of Jackson Pollock's attempts to copy the Sistine Chapel. (Malcolm Cowley)
But Shakespeare's magic could not copied be;
Within that circle none durst walk but he. (John Dryden)
If my students seem to copy me when they are learning, that is good. It shows they are listening and trying to do what I tell them. They will develop their own style soon enough. (William Draper)
Finally, I took these two photos only one minute apart. The first one, on the left, was taking on a white background in indirect daylight. The second one--using the same camera with no setting changed--was taken a minute later on the blue background and in direct sunlight. WOW--look at the difference! It might as well be two different pieces, but it isn't. Isn't that incredible! It never fails to amaze me how light and a different color in the background can make the same thing look totally different.
PS: The one on the left is the actual coloring of the tile.
Looking out the window this morning, I noticed the back yard appeared to be covered in light snow, but of course it was merely cottonwood puffs adhering to the grass.
It's that time of year again, when we have a blizzard of them floating gracefully down to earth. As I look outside just now, I see them coming down at the rate of a snow-squall, despite the late spring warmth and the heavily leafed-out trees.
From what I recall, this goes on for weeks. Two weeks? Three? This area was (and still is) a major source of poplar wood. The leaves of the poplar (another name for the Cottonwood) are somewhat heart-shaped and may have inspired the following tangle. Or not.
This was inspired by a class from this spring's "Artifex Eruditio," (Latin for "Art Learner"). Actually the class sample looked absolutely nothing like this--I went entirely off-road as usual, so mine doesn't look like anything that was taught in the class. I did some of the line work yesterday, more this morning, and then added color this afternoon.
I am not usually fond of using hearts in my pieces, so I'm blaming this on the fact that it's Cottonwood Season.
I'm in a liminal place: In between rug hooking projects, in between books I'm reading, in between tangling projects, and just "in between" on a lotta things. The mind doesn't like being so in between, but that's just how it is right now.
Here's a map-tangled tile I prepped a while back and finally got around to tangling last night. I'm not sure I enhanced it. I kind of liked the prepped version before I added anything. But I'll see if it grows on me:
Here is the "mystery" from yesterday--solved. Joanna Quincey of Zenjo taught a quick class on Teabag Tangling Now you know what I was doing with that mess of teabags in my previous post.
(PDS: thanks so much for collecting for me, since I don't like or drink tea! I have enough to keep me going for a while.)
Jo is a terrific and inventive teacher. Here are my first tangled teabags.
Massively fun to try out! Thanks, Jo.
Few things in life are black and white, but we can draw them that way.
Done quickly during a free Sunday night tangle session with Amy P. Kam of The Peaceful Pen.
What should we do when there appears to be very little energy for "doing?" Sometimes we have days like that. I had one today.
Fortunately, I had two small Bijou (2"x2") tiles already prepped with Map Tangled backgrounds, so today I did them as experiments. I had to make an effort to get going since I had no energy at all.
The jury is out on whether I like the results all that much. On this first tile I put the tangle Pepper (with a few orbs added) which I tarted up with Gold Jellyroll pen in between the black Micron PN strokes and also in the negative spaces. I'm still contemplating this one. But at least it got me drawing on a day when I felt...blah. As we sometimes do, for no reason. Just blah. Not bad, not good.
How often do we notice these moments of complete neutrality? I usually don't, unless a lot of them get strung together during a day--unusual, but it does happen once in awhile. Should neutral always equal "blah?" Many folks experience an occasional no-energy day.
Perhaps I just needed a day to do nothing? Or simply to contemplate neutrality? There hasn't been much to feel neutral about in a long, long time (locally or globally). Perhaps neutrality has been snoozing, and is now waking up again. Is it actually neutrality, then, or could my over-stimulated nervous system from these last few traumatic years not recognize what it means to rest and restore itself?
Experiment #2,is also done on a pre-prepped Map Tangled background on another tiny tile. Only this time, the prep included putting a silver metallic Fine Tec watercolor glaze over the regular pink-rose watercolor. I used a purple Micron PN to do the tangle, which is Diva Dance--a tangle I love but always find quite baffling. I need remedial Diva Dance lessons!
Diva Dance reminds me of neurons in the brain, quivering and firing. And yet when I'm drawing, I'm usually totally absorbed and just not thinking. Perhaps my own dancing neurons go into some type of trance when I draw. A good thing, on days like this one.
A metallic shine is hard to capture on camera, and the deep rose color did not show truly here. As is the case with the other small experiment above, I am still waiting to decide how I feel about the tile.
In the end, it doesn't matter. The practice itself--and "showing up" even on a day when I didn't have much energy--was my intention, not the final outcome.
Show up. Sit down. Whatever comes up is simply what is arising in this moment. Notice it. No judgement.
Exactly like meditation.
This is the result of a truly wonderful class with Stefanie vanLeeuwen this afternoon <@tanglestudiostefanie>. There were students from Canada, the USA, Holland, Germany, the Carribean, and Spain. We had such a good time and I certainly learned a lot. I'll be trying this method again with other forms and colors.
Every person in the class produced something very beautiful--the sign of an excellent teacher. Stefanie had everything extremely organized well in advance.
I chuckle when I contrast the sense of control I have with colored pencils to the lack of control I have with watercolor; see yesterday's post for more on that.
Art is truly endless learning.
"Regard everything as an experiment," said artist Corita Kent. Words of wisdom.
It never stops, the learning. Here I'm trying to learn a Zentangle® technique called TranZending--a form of layering one pattern over another. I've never really gotten the hang of this before, but am happy with how it turned out. I watched one of ZenLinea's videos and followed along. What I learned: for one thing, even tho she suggests some very very faint white colored pencil guidelines to start, and I did make them faint, the wax in the colored pencil still acts as a "resist" and doesn't really get colored over later on. Which is fine -- even promising -- if it's a design element. But here it wasn't meant to be a design element. Now I know.
I may try this one again. Lots to learn, and I'd like to try the guidelines in graphite and see what happens. Once I figure this out, I can apply to my own future tangle designs.
Here are the beginning and mid-stages of this piece:
I'm always open for people saying I'm wrong because most of the time I am.
Above you see one classic type of pretzel knot. On the left, when you think of it, is another type. Those are washed and dried worsted weight yarn skeins from my wildly successful bargain hunting the other day--twisted into the kind of gentle "knotty looping" that is useful when storing yarn.
I drew the tangled piece as a bookmark for a friend having a birthday next week. It's inspired by one of Sadelle Wiltshire's very nice freehand-knotting videos and this is what fell out of my pen. Perhaps I should do a Celtic Knot punchneedle piece with that yarn. These knots are very relaxing to draw.
And given the knotty problems facing us all right now, with the pandemic and a planet dealing the climate change, political messes and human rights issues, I seem to have knots on the brain.
We learn the rope of life by untying its knots.
I did this last night just before I went to sleep.
My thought in this moment, this morning:
The Wheel of Change rolls on, every moment of every day.
"The thing that lies at the foundation of positive change, the way I see it, is service to a fellow human being."
Above is yet another tangle I have never particularly liked: Rain (it's the outside tangle on that tile). And yet I am surprised at how much I like the way it works as a border. Challenging myself to use it was a good idea.
After trying that, I decided to try the tangle Waybop on a piece of scrap paper, so I stuck this on the back of a bill I had paid, and which I'd already tossed in my recycling bin. It's on cheap copy paper and isn't even shaded. Perhaps if I do shade it and the appearance changes dramatically, I'll repost the update on another day. I had fun experimenting.
"Try things against your grain to find out just what your grain really is."
We have no choice but to start from wherever we are, yes? I've finally had the time to start tangling again, but my recent lack of practice means I've gotten very rusty. No matter. It's just where I am in this moment. The tile at left is not one of my favorites but it's the truth of things.
The tangle is Auraknot, one that I've never quite "gotten," always making mistakes. In the past its' been frustrating! This time I finally got it, and did it successfully. One time as the frame, and then five additional times inside the frame. I was excited and pleased for myself!
But here's the thing: I'll probably never like this tangle. Even now that I know what I'm doing with it, it's just not that attractive to me. Maybe with more practice? We'll see.
It does make me think of the old saying from the I Ching, however: "Perseverance furthers." It was so satisfying to figure out how I'd been going off-course and correct myself. Now this tangle comes easily to me.
Many lessons for me here. We really can only begin anything from right where we are in that moment. And repetition can really pay off--in daily life and in formal meditation. Finally, we each have our preferences, and it's important to notice them.
With all that is going on externally in this country, tangling provides such a lovely respite and rest. And the more I do it, the more begins to come back to me. I'm working my way through Gratitangles2020 and I'm way ahead in the month already because I'm enjoying the process so much. At this rate I'll be done early. Here are two more tangles.
It's Election Day here in the USA and the voting is hot and heavy. Last night I did another mandala, above. I'm reminded of how the Wheel of Life is ever-turning, ever changing, and today will prove that to be true. No matter who wins this election, my country has changed dramatically over the last four years, and it will continue to change during the next four. Inevitably. May we know peaceful change; may we grow into kindness and peace each day, and may we trace our roots to the Tree of Peace.
The tradition of the Tree of Peace was especially honored by the indigenous peoples of this country. There are many beautiful renditions of Native Peoples view of the Tree of Peace but I didn't want to use any of those out of copyright concerns. Below is an image from Wikimedia, used with permission. This image comes from Slovenia. Many world religions also speak of and value a Tree of Peace.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), a long-time meditator, a certified meditation teacher and coach, and focused on learning about the interplay of art, creativity, and mindfulness every day.
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society