Practice will never make perfect, but it can certainly make things better--both visually and also with my internal weather system. If I don't practice, I can tell the difference the next time I try to draw. This is one reason I take classes frequently. And if I don't practice I start to feel a build-up emotionally too. Drawing repetitive lines is incredibly soothing, calming and meditative.
Speaking of which, meditation is the same for me. If I don't practice, I begin to see the effects almost immediately in daily life.
I'm just better when I practice, whether with drawing or with meditation.
Here is another version of work I did in a class with Shie Naritomi, CZT. What a wonderful teacher. See my comments from yesterday on the background of this work.
Holy cow, this was a hard photo to take! Two of the mandalas would look great, the third would almost disappear; I'd try again, another two would look great and the other third would disappear. I was gnashing my teeth. This is the best I could do.
This is part of a series of moon phase pieces. I have moon phases on the brain right now. I am hooking moons into my latest rug, and also working on these drawings which I began in late 2020.
My heart is like the autumn moon
perfectly bright in the deep green pool
nothing can compare with it
you tell me how it can be explained
Sometimes tired old things just need to be dressed up a bit to shine.
Cue the comments on whether that's true for all of us! I'm talking about things. Ha.
This morning I found a gray tile that I'd tossed some lavender-ish watercolor on long ago, in an early attempt to map-tangle. The color had spread out over most of the tile, with absolutely no interesting shape, and was incredibly plain. BO-ring.
Out came more watercolors today and I tarted it up, used my heat gun to dry it, and went to town with some of the Inktober tangles. Better. Every tangle except one was brand new for me. Some of them turned out more successfully than others, so I'll re-do the ones that really didn't have enough room to show themselves off. Perhaps that'll be the task for tomorrow.
This is what happens when I run out of black Micron 01s and still want to tangle. Spynes, which I tried for the first time yesterday, is a really fun tangle for experimentation--I couldn't resist this second try.
The Stone House Runner is nearly done; just the usual finishing steps left. Here it is:
A meditation on the preponderance of spirals in the cosmos.
"In a spiral galaxy, the ratio of dark-to-light matter is about a factor of ten. That's probably a good number for the ratio of our ignorance to knowledge. We're out of kindergarten, but only in about third grade."
How many ways can a drawing go wrong?
I haven't laughed this hard in a long time. Oh gosh, I started off drawing the tangle Dewd, which I have never quite grasped. (an understatement if there ever was one)
The first thing to go wrong was that I discovered that my beloved Micron 01 was dying. I searched for a new one, which was when I found out I did not have another 01. What to do? I picked up an 05 instead. Oh dear.
That's one of the things that gives this very funny tile a look of having been drawn by Edvard Munch (the painter who created The Scream). But wait, there's more!
Dewd is the tangle around the edges of this Zendala. I kind-of-almost had it at first, and then totally lost it as I moved in toward the center. At several points I thought, "Oh for Pete's sake--this is rubbish, I can't go on." But hey, it's Zentangle®. We always keep going and see what happens. One line at a time.
So instead I started to laugh and plowed on. I added another tangle in the center. Oh my, a nice one but it didn't help. Edvard Munch lives on.
Well hey, in for a penny in for a pound, right? Will it help if we tart this up with color? (no) Out came the Silver Shadow Gellyroll pens. These are always tricky to use as you never quite know how they will look when dry. I followed that up with a liberal application of General's Colored Pencils in two colors. Thus proving the saying by Oscar Wilde, "Nothing succeeds like excess."
Because despite it all, I kinda like it. And I laughed my way all the way through, which is always fun.
It felt great today to just sit and tangle awhile. Quiet and relaxing. I'm rusty but the annual 'Inktober" Challenge adapted for tanglers got me going and I couldn't be happier, even though we're already nine days into the month. I plan to do what I can and thoroughly enjoy doing it. It's good to be back.
A repeat of yesterday's tile. This is version 2.0 since I gave away the tile I did yesterday as a thank-you gift to a neighbor. I realized I still wanted a version for myself and redid it, enjoying every line.
Tangles: Didot, Rain Dotty, Pringer, Hamadox, Joy-Jirella, Chillin, Emingle. My version of a class by Indica Boyd CZT for Artifex Eruditio Spring '21. Material uses: Green and Black Microns, Gellyroll 10 in white, General's Chalk pencils in white, green, and blue, graphite, Gellyroll Luxue Gold Pearl in green. Drawn on a white Zentala tile with a gray watercolor wash.
In today's version I added substantial green coloring as well as the blue, and experimented a bit with placement of patterns. This was just as much fun as the first one.
Another "learning tile" done very quickly from an Artifex video. This was done fast as a thank-you gift for a friend who made me a lovely dinner. I cannot cook so cannot reciprocate, thus I wanted to draw her something as a way of expressing gratitude.
However, I needed gray-toned paper to work with, and didn't have any. What to do? I grabbed a white tile and threw a gray wash on it. Et voilà--it actually worked! I'll give it to her this evening.
Whew. When it doubt, improvise. Always a big life lesson for me.
Today more than a hundred CZTs from around the globe gathered online with CZTs in Singapore to do an hour-long meditative tile on behalf of those who have suffered from Covid-19.
These were the same CZTs who last year donated $10K US and this year donated $12K US to Covid relief efforts as a result of their two very successful and well-run schools for tanglers.
What I loved about doing it, though, was that 3 or 4 different CZTs from the other side of the globe led us all through an hour-long meditation in which, as we drew, we focused our compassionate attention on anyone who has suffered from Covid. They did a superb job leading the meditation. I so admire the structure they've created to support humanitarian efforts. Thanks!
And now for the tiny treasure. Yesterday I went to my local bead-and-jewelry-repair shop to get my watch battery replaced. While waiting, I spotted this wooden box, which is no more than about 1 1/2" square. With what appears to be a tangled Turtle on top.
In fact the box is so small I had to take a picture and enlarge the photo in order to see the fine detail on the turtle, which just blew me away. The top of the box slides off so smoothly it's just a marvel of craftsmanship. It's so small that I cannot imagine what to put inside.
This continent was originally called Turtle Island by the First Nations People, and I still call it that. I am very fond of turtles and simply couldn't resist this tiny masterpiece.
And this leads us right back to the meditative nature of the turtle:
Take a walk with a turtle. And behold the world in pause.
Looking for peace is like looking for a turtle with a mustache: You won't be able to find it. But when your heart is ready, peace will come looking for you.
Turtles always strike me as devastatingly serious. If turtles could talk, I'd believe everything they said.
I love the life lessons I constantly learn from Zentangle®. This was another big one. I set out to draw one thing, ended up getting hopelessly lost, and by the time I finished the preliminary linework last night and forced myself to stop and go to bed, I was looking at a hot mess. I didn't think it could be salvaged.
But this morning I just had to keep going to see what would happen, and ended up with this--which I quite like. [Although it does bear a resemblance to "St Patrick's Day on Steroids," don't you think? But that's ok, I like it anyway.]
Here are the details for you tanglers out there (no need to read this part if you don't tangle--it could be boring for you): I fell in love with an Emiko Kaneko CZT video (HERE)* and thought I'd give it a try. But I misunderstood what it was: She clearly labeled the video "A Tangleation of Tissooh," but all I saw was "Tissoooh," which is a high-focus tangle by Tomas Padros CZT that I've always wanted to attempt.
Emiko made it look so easy that I was sure I could do it and learn.
Well. I did indeed learn, but not as she intended!
Mine has some resemblance to hers, but I ended up with a lot of weird space in the background, and things are not in the same places as on her tile. So did I learn a lot? You bet. But now I need to go back and find a simple stepout for ONLY Tissooh and have a go at that one tangle--this tile combines Tissooh with something like Bales, Tripoli, and Orbs. However, I do love my outcome.
For years I've heard that it's lways good to learn by copying the masters, and Eri is certainly a master of this art.
For me, the biggest learning is that no matter how bad something looks, it's highly likely that it's worth it to try and save the thing. Or as the I Ching would say: "Perseverance furthers."
*Thank you to Susie Ngamsuwan for catching the fact that I'd attributed this tile and video to the wrong CZT. Wow, much appreciated.
Note: I've been doing a LOT of copying lately, along with watching videos and going along with them. I always credit people as I'm copying. I'm on a mission to learn from a wide variety of tanglers whose skills I admire, and if that means I am copying for awhile, that's ok. It's a powerful way to practice.
Here are three quotes about copying as an effective tool in learning art:
It would have been the equivalent of Jackson Pollock's attempts to copy the Sistine Chapel. (Malcolm Cowley)
But Shakespeare's magic could not copied be;
Within that circle none durst walk but he. (John Dryden)
If my students seem to copy me when they are learning, that is good. It shows they are listening and trying to do what I tell them. They will develop their own style soon enough. (William Draper)
Finally, I took these two photos only one minute apart. The first one, on the left, was taking on a white background in indirect daylight. The second one--using the same camera with no setting changed--was taken a minute later on the blue background and in direct sunlight. WOW--look at the difference! It might as well be two different pieces, but it isn't. Isn't that incredible! It never fails to amaze me how light and a different color in the background can make the same thing look totally different.
PS: The one on the left is the actual coloring of the tile.
Yes, spring definitely continues. I can tell by my constantly running nose.
It's totally worth a runny nose to have such a gorgeous spring.
Today I did this in celebration.
Before I added and activated the watercolor pencils--which I am quite enjoying--the linework looked more or less like what is below. I must have prepped that Zendala with watercolor years ago because it's just barely visible there.
"Every spring is the only spring, a perpetual astonishment."
I'm in a liminal place: In between rug hooking projects, in between books I'm reading, in between tangling projects, and just "in between" on a lotta things. The mind doesn't like being so in between, but that's just how it is right now.
Here's a map-tangled tile I prepped a while back and finally got around to tangling last night. I'm not sure I enhanced it. I kind of liked the prepped version before I added anything. But I'll see if it grows on me:
I prepped that tile above** (wet on the left, after drying on the right) after midnight last night, waiting for sleep that really never came. Such intense color. I woke up after far too little sleep, thinking about the tile and how I might tangle on it. An idea floated by--oooo, more experimentation! And now, back to rug hooking. I gotta get this rug done.
**Thanks to Annie Taylor, CZT (of ArtyZen) for terrific how-to-prep the tile instructions!
Every year at this time I find myself looking backwards. And forwards. Today I was doing some cleaning in my art room, and I found these 12-month-old-tiles below. Bittersweet, indeed.
In mid-December 2019, I was just back from a wonderful weekend with a good friend at Kripalu, drawing tangles with Martha Huggins (on the left) and Molly Hollibaugh (right) of the Zentangle® family. If this year had been normal, I'm sure I'd have done the same. But we all know it was not a normal year.
So here is a short review of some of the work we did in December 2019, with the fond hope that we will be able to do something similar in 2021. Looking at these tiles brought back so many good memories for me.
And although I'm not a Christmas celebrator, I just happened to get some non-Christmas presents this year (the timing just worked out that they arrived at Christmastime). Here are two that I'm thrilled by but haven't had time to try out yet.
This is a commemorative but perfectly functional Oxford Punchneedle, called The Peacock. Amy (Oxford) had only 1300 of these made from laminated wood, to commemorate her 25th year in business. It's a #13 Fine size and I cannot wait to try it out. Check out the bag, made of fabric to match the needle. I love it! I gifted this to myself from myself.
A friend is a gift you give yourself.
Robert Louis Stevenson
Here is the start of a mandala, just the beginning linework.
I drew this last night while studying one of Romi Marks' videos. I screwed up the center--but luckily, there are "no mistakes!" in Zentangle® and so I just kept going and did my own thing in the center. And I like the way that came out. I also changed a few things in the next layer.
This is one major thing I learned about drawing since I've begun to draw regularly. In fact once I began drawing in the Zentangle® tradition it was resoundingly, repeatedly, and overtly reinforced.: There are no mistakes--keep going and see what you can make of what is in front of you. 90-95% of the time, not only can you work through whatever is there but you can actually surprise yourself with a good result.
It's the same in meditation. And, I believe, in much of life in general. What about that other 5-10%? Anywhere from "meh, or disappointing," to a genuine catastrophe. But still, those odds sound pretty good to me.
So I persevered and began adding color. Big difference! Encouraged, I drew the outside of the tile and stopped there for a bit, having worn myself out for the day:
And here below is the finished tile. I'm glad I stuck with it.
Whatever it is you are pursuing, whatever it is you are seeking, whatever it is you are creating, be careful not to quit too soon.
We have no choice but to start from wherever we are, yes? I've finally had the time to start tangling again, but my recent lack of practice means I've gotten very rusty. No matter. It's just where I am in this moment. The tile at left is not one of my favorites but it's the truth of things.
The tangle is Auraknot, one that I've never quite "gotten," always making mistakes. In the past its' been frustrating! This time I finally got it, and did it successfully. One time as the frame, and then five additional times inside the frame. I was excited and pleased for myself!
But here's the thing: I'll probably never like this tangle. Even now that I know what I'm doing with it, it's just not that attractive to me. Maybe with more practice? We'll see.
It does make me think of the old saying from the I Ching, however: "Perseverance furthers." It was so satisfying to figure out how I'd been going off-course and correct myself. Now this tangle comes easily to me.
Many lessons for me here. We really can only begin anything from right where we are in that moment. And repetition can really pay off--in daily life and in formal meditation. Finally, we each have our preferences, and it's important to notice them.
With all that is going on externally in this country, tangling provides such a lovely respite and rest. And the more I do it, the more begins to come back to me. I'm working my way through Gratitangles2020 and I'm way ahead in the month already because I'm enjoying the process so much. At this rate I'll be done early. Here are two more tangles.
“When I say it's you I like, I'm talking about that part of you that knows that life is far more than anything you can ever see or hear or touch. That deep part of you that allows you to stand for those things without which humankind cannot survive. Love that conquers hate, peace that rises triumphant over war, and justice that proves more powerful than greed.” ―Fred Rogers
Normally I don't do any type of tangling on representational art, but I made one exception for this small project yesterday. It borders on being too cutesy for me but what the heck. It's the product of a webinar I took from Zentangle® headquarters in lieu of the large multi-day seminar they had to cancel due to the pandemic.
We'd all like to "fly away" from our current global situation. I am lucky to be healthy so far, but have at least one sweet friend who is battling for her life at the moment. Everyone fighting this (and really that's all of us, even those who aren't sick) is under stress. I'll Fly Away is an old gospel song done by many choirs and artists since the 1930s. It's in the repertoire of the hospice chorus I sing in. Since I finished this tangled balloon, I've been hearing the song in my head. If you click on the link above you'll hear Alison Krauss's version, recorded for the film, O Brother Where Art Thou, which had such a great soundtrack.
Here's the same piece photographed this morning in better light and on a white background. Amazing how different things can look under different light. Much like the way we view problems in life.
Although I worked on this only two times, it took twenty days to finish it because after I got it started on the 4th of January (see below)--
--it took three weeks before I had time to get back to it. I kept looking at it with longing, but simply could not carve out the time to sit down and finish. This type of dilemma always points out to me how over-committed I am.
Here is a picture of how it looked yesterday as I picked it up again and was about 1/4 of the way through finishing it. I had put down a first layer of color on the green "leaves (top half) and was putting down a blending layer (bottom half) when it occurred to me to take a picture at this stage.
and here's another photo, different from the one at the top of the page (different lighting) of the finished piece for contrast.
It's interesting to contrast this version to another version I did (in December) as I was taking a class with The Tangled Yogi. The December 10th version was a situation where I just had to go with pencils I happened to have on hand; this one is more "me" in terms of colors and execution. I highly recommend Romi's videos and classes as I learn a lot from watching and emulating.
A video is also a great way to jump-start one's practice after a long hiatus. After I've been away from tangling for a few weeks, it's so helpful to follow along with what someone else is showing in order to rev up my own mojo. Once I've done that, I'm ready to go off on my own again.
Whew. The last two weeks have been a blur, and none of it holiday-related. I'm not a holiday celebrator (no offense to those who are--if you enjoy it all, more power to you), so most years, while others may be stressing out buying gifts, sending cards, gathering with family, I am nurturing my introverted self with quiet and reflection--I love it! But not this year. Visitors--welcome indeed but unusual for this month--a few minor health inconveniences, a couple of intensive workshops, and on and off insomnia have combined to create more stress than usual. But it's all good, and it will all straighten out.
Many projects are underway. I have been working to finish my punched pillow. First I had to un-punch and re-punch some areas, and then begin the finishing process. It's a time-taker but I hope it will be worth it. Here's what I re-punched:
I got that fix done (all will be revealed once I get the pillow completed), and now I'm into the messy process of creating and binding the back. This boring looking beige-y broadcloth was the single fabric I could find that would not clash horribly with the front. Hopefully it won't show once it's done. I'm creating an "envelope back" for the first time, and sure hope it works.
Next up: a good friend and I were lucky enough to go to a workshop with the Zentangle® folks at the Kripalu Institute in Lenox, Massachusetts, and the focus was creating a Compass Rose. I had made one before in 2016, and you can find it HERE in this blog. I wrote about the origins there as well. We used a very different method this time (no protractor, just folding the paper). All of us made small Zendala versions first and here was the class mosaic (some are missing from this mosaic):
We then moved on to beginning the actual Compass Rose. I wish I'd thought to take more pictures. I only have one "before" photo, below. Wish I'd taken pics from the folding-stage through the initial black and white stage, then adding color, then embellishing, etc. This (below) was perhaps almost halfway through. I wasn't enamored of it at this stage. That is an understatement.
We then added the North arrow and used the Embedded Letter tangle technique. I liked it a bit better but was still dubious. We added a bit of gold gellyroll as well. Still dubious. However, that was as far as we got in the workshop and I took my tile home, where it sat for over 2 weeks until I had time to get to it.
That happened today. Below is the finished (??) piece.
Yup, working and taking my time on it definitely improved things.
Finally, I took a chance on a product I saw on a Kickstarter campaign and it arrived last night. I haven't yet had a chance to play with it:
Looks like it will work great, but I've yet to take it for a test-drive.
Just too darned busy.
A good night's sleep would also help.
"Last night I dreamed I ate a ten-pound marshmallow, and when I woke up the pillow was gone."
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), a long-time meditator, a certified meditation teacher and coach, and focused on learning about the interplay of art, creativity, and mindfulness every day.
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society