Although I worked on this only two times, it took twenty days to finish it because after I got it started on the 4th of January (see below)--
--it took three weeks before I had time to get back to it. I kept looking at it with longing, but simply could not carve out the time to sit down and finish. This type of dilemma always points out to me how over-committed I am.
Here is a picture of how it looked yesterday as I picked it up again and was about 1/4 of the way through finishing it. I had put down a first layer of color on the green "leaves (top half) and was putting down a blending layer (bottom half) when it occurred to me to take a picture at this stage.
and here's another photo, different from the one at the top of the page (different lighting) of the finished piece for contrast.
It's interesting to contrast this version to another version I did (in December) as I was taking a class with The Tangled Yogi. The December 10th version was a situation where I just had to go with pencils I happened to have on hand; this one is more "me" in terms of colors and execution. I highly recommend Romi's videos and classes as I learn a lot from watching and emulating.
A video is also a great way to jump-start one's practice after a long hiatus. After I've been away from tangling for a few weeks, it's so helpful to follow along with what someone else is showing in order to rev up my own mojo. Once I've done that, I'm ready to go off on my own again.
Doing a bit of practice with Zen Gems today. I've done these before but took a class with Joanne Quincey ("ZenJo") who has a great website HERE, and who gave the best explanation of blending with colored pencils that I've ever heard. Kudos to you, Jo, and thanks. Will be practicing more. I love studying with other artists.
"Better a diamond with a flaw then a pebble without."
(supposedly said by Confucius, but if everything attributed to him was proven, he'd still be alive and talking, right?)
With apologies for the bad photography, I wanted to experiment with Lynn Meade's tangle Fassett for an upcoming class. Fassett is based on triangles. Here is Fassett done on four Bijou tiles (2x2"), each tile with an increasing number of triangles. (The class will only be doing the very first one on the far left)
And here below are the four strings that I used to create the four tiles. You can see the number of triangles increasing in each.
Fun to experiment like this.
Whew. The last two weeks have been a blur, and none of it holiday-related. I'm not a holiday celebrator (no offense to those who are--if you enjoy it all, more power to you), so most years, while others may be stressing out buying gifts, sending cards, gathering with family, I am nurturing my introverted self with quiet and reflection--I love it! But not this year. Visitors--welcome indeed but unusual for this month--a few minor health inconveniences, a couple of intensive workshops, and on and off insomnia have combined to create more stress than usual. But it's all good, and it will all straighten out.
Many projects are underway. I have been working to finish my punched pillow. First I had to un-punch and re-punch some areas, and then begin the finishing process. It's a time-taker but I hope it will be worth it. Here's what I re-punched:
I got that fix done (all will be revealed once I get the pillow completed), and now I'm into the messy process of creating and binding the back. This boring looking beige-y broadcloth was the single fabric I could find that would not clash horribly with the front. Hopefully it won't show once it's done. I'm creating an "envelope back" for the first time, and sure hope it works.
Next up: a good friend and I were lucky enough to go to a workshop with the Zentangle® folks at the Kripalu Institute in Lenox, Massachusetts, and the focus was creating a Compass Rose. I had made one before in 2016, and you can find it HERE in this blog. I wrote about the origins there as well. We used a very different method this time (no protractor, just folding the paper). All of us made small Zendala versions first and here was the class mosaic (some are missing from this mosaic):
We then moved on to beginning the actual Compass Rose. I wish I'd thought to take more pictures. I only have one "before" photo, below. Wish I'd taken pics from the folding-stage through the initial black and white stage, then adding color, then embellishing, etc. This (below) was perhaps almost halfway through. I wasn't enamored of it at this stage. That is an understatement.
We then added the North arrow and used the Embedded Letter tangle technique. I liked it a bit better but was still dubious. We added a bit of gold gellyroll as well. Still dubious. However, that was as far as we got in the workshop and I took my tile home, where it sat for over 2 weeks until I had time to get to it.
That happened today. Below is the finished (??) piece.
Yup, working and taking my time on it definitely improved things.
Finally, I took a chance on a product I saw on a Kickstarter campaign and it arrived last night. I haven't yet had a chance to play with it:
Looks like it will work great, but I've yet to take it for a test-drive.
Just too darned busy.
A good night's sleep would also help.
"Last night I dreamed I ate a ten-pound marshmallow, and when I woke up the pillow was gone."
Whatever possessed me to start and finish this 6"-in-diameter Zendala in one day? I am truly ready to fall of my perch. Tired...
This was another class from The Tangled Yogi, whose wonderful videos and fine classes you can find by clicking on her link in this sentence. She has a unique and incredibly helpful way of teaching. I wish you could have seen the mosaic (collection of student work) on this one. No two looked anything alike--coloring was wildly different. Similar, yes, but still, vastly different. The magic of Zentangle® for sure.
I advise students on the subject of color as follows:
If it looks good enough to eat, use it.
A friend stopped by my house today, exhausted and distraught, sharing a very sad but very familiar story of serious family trouble. I think I may have been the first person outside the family she told. There was nothing I could do but listen. I can only hope that being present with her, and listening, was enough to help.
She was here for hours. After she left I had to help myself, so I did this "variation," of the tile above, experimenting with what I'd learned in Zen Linea's class to produce this on a Bijou tile (2"x2"):
Listening with loving-kindness was the only thing I could do.
I am frequently reminded, as I hear other people speak of what they are going through, of how fortunate I really am. I am grateful for my life, with all its warts and minor upsets and imperfections. And with all its privilege and grace.
Compared to what some of those who matter to me are going through, I often feel like the luckiest person on earth.
May she and her family heal. May all those who suffer heal. May all of us know peace.
I've used the title "Perseverence Furthers" once before, but it never more true than when I did this tangle:
It started out as a hot mess about 3 or 4 days ago. Instead of giving up on it, I kept leaving it and coming back to it, adding a few things here and there until today when I declared it finished. I wanted to keep it all black and white (color can hide a lot of mistakes) and I'm glad I did. I'm also glad I stuck with it. It's no work of genius but it's way, way better than when I started!
"Try again. Fail again. Try better."
Let's hear it for screwing up, flubbing it, being imperfect.
Much of my drawing is like this, and yet, somehow I like it anyway. I will never be perfect. But I'll be "good enough" for me and will have fun along the way.
Below is a practice tile (a Bijou tile, only 2"x2") for a new-to-me tangle called Kaas. I had a rough time with this one and ended up adding a lot of rounding (rounding is a Zentangle® technique which does what it sounds like--you "round" sharp corners) which can hide a plethora of errors.
Convinced I'd do a better job on my second try, I used a regular (3.5"x3.5") white tile for my entry in the Full Moon Mosaic Project for this month.
Nope, just as imperfect, and even more flubbed-up in some ways. Again, I used lots of rounding.
I had fun, however, and I like it anyway. If you have read this far, you probably can relate to what I'm saying.
"My mistakes are my life."
Here is the little:
Another insanely busy week but blessed with absolutely gorgeous autumn foliage. It has been spectacular around here for days now.
Day 16 of Inktober was Trentwith, a tangle entirely new to me (it looks like art nouveau roses in the tile above) and day 17 was Dreamdex, also entirely new. I didn't have much time so tried them out on a tiny Bijou tile and was quite interested in both tiles; I will try them again, for sure. Next time I'll make both of them bigger.
I'm not going to get Inktober done in October, but I don't really care. As usual, this project is enormous fun.
Fast forward a coupe of days and I've finally gotten to sit down and do a few more tangles, below.
All I can say is, wow did it ever feel good to practice today. It ain't the outcome, it's the experience that is so relaxing and that makes me so joyful.
Oh boy! New gray-toned paper to play with.
I'm beginning to think I do my easiest tangling late at night. Both the previous work and the work below were done very late. It was after midnight when I finished each of them. I'm thinking that being tired slows down the critic in my head, plus at that time of day my goal is really relaxation, and I don't care much about what comes out of the pen. The result is usually better than the more self-conscious efforts when I'm more alert.
I take note that in meditation, focusing on the current moment and not worrying about the "results" is prime. And so is acknowledging that there is an inner critical voice; realizing that the voice is "just thoughts," and that thoughts are not the same as facts. We do not have to believe or pay attention to thoughts that pass through our heads, and that goes for the critical voice as well.
It's difficult to have fun or to achieve concentration when your ego is engaged in what it thinks is a life-and-death struggle.
(W. Timothy Gallwey)
I did the above tile late last night just before sleep. It's two of the Inktober 2019 days together, days 4 and 5. I have quite a bit of catching up to do.
But of course this isn't a race. After yesterday's spectacular foliage display, I decided that I wanted to shade the tile above in all the colors I had seen in the leaves on my trip. And there were a LOT of colors. I pulled out my General's Pastel Chalk pencils and set to work, with this result below. The blue represents the intense blue sky behind the leaves.
And here they are side by side:
“Autumn...the year's last, loveliest smile."
― John Howard Bryant
“I'm so glad I live in a world where there are Octobers.”
― L. M. Montgomery, Anne of Green Gables
Today we had late-afternoon sun after nearly a week of heavy clouds and some rain. Amazing the difference sun can make. I've been patiently waiting. Our autumn foliage is beginning to glow and when sun shines through the leaves it is just exquisite. I feel totally lucky to live amidst all this.
Trees are truly extraordinary creatures. May we never lose them.
And here below is what may be my oldest hooked piece. I am guessing I hooked this in the late 80s or early 90s. It's disintegrating now--the foundation is disappearing and unfortunately it won't be worth saving. Although I actually began hooking a rug in 1969 or 1970, I was unable to finish that first piece. It was a round rug I was hooking with wool roving as opposed to wool strips. Unfortunately, I lost it in the chaos of moving repeatedly from place to place during that time. I didn't try again for about 20 years. I began again in the late 80s and think that may be when I made the piece below. I hooked it in a 3-cut, my least-favorite style. It's a wonder I kept hooking at all after that.
What's barely visible in this small photo is the disintegration in the lower left and right corners. I'm wondering if it's moth damage (unlikely) or if the original pattern was on burlap (more likely). Burlap was commonly used back in those days but now has been abandoned by most hookers; it's inexpensive and easy to hook through, but it was actually made to rot. Think of the burlap that's routinely wrapped around the roots of young trees waiting to be planted--the intention is that when the tree goes into the ground, the burlap will disintegrate. It's the same when it's used for a rug foundation. Bad idea.
It was nice to see this piece after all this time--I gave it to a friend and she brought it over this week to see if I could repair it. I can't, but it was good to get a photo and take a walk down memory lane.
Next Sunday afternoon is the full moon, in the corner of the universe where I live. It's supposed to be unusually large. And orange. I chose to ignore the orange for this Zendala tile, which I did for Hanny Nura's monthly celebratory Full Moon Mosaic. If you google "Full Moon Mosaic" on Facebook or Instagram you'll see some amazing entries.
Meanwhile, I've been asked to do a Zentangle® demo at a local organization and in thinking about which tangle to ask participants to do, I'm going to use this one, Fassett by Lynne Meade. Which means I need to practice it myself, having only ever done it once or twice--and of course I'm falling in love with it. This was my first try at it, done on a Renaissance Bijou tile (2" square).
Ahhh, the start of October and cooler weather. I hope. It's also the start of the annual drawing event, Inktober. There are many versions of this, and a few of them focus on tangling. I used today's prompt (the tangle Printemps) as the string for this tangle, then put more Printemps inside it, along with Flux and Shattuck. I like the result but I also ran in thru my iPhone app and the color version was very fun.
Still in love with and working on learning to draw this tangle, which isn't coming easy for me. Today, though, I think I got it. Finally. There are a million ways to draw a Triquetra Celtic Knot, but I've been wanting to learn it via the easy steps of Zentangle®. Which turned out not to be so easy for me. But in fact, with a bit of practice, it is both easy and obvious. Other people got this one immediately, but I needed to ponder it a while.
Some things are like that.
Being overambitious and then frustrated when I couldn't get the painting to work taught me persistence.
This was my first attempt with this tangle. I actually finished this over 2 weeks ago but am just posting it now. I found the instructions (the stepouts) so hard to follow that I tried it out on a 2" square tile in pencil first, using an eraser. Normally, with Zentangle®, we do not "sketch out" tiles in pencil first, and we don't use erasers. The general idea is that there are no do-overs; if we screw up in life, we don't get to do whatever-it-was over. Instead, we have to figure out what to do about it and we often learn the most through dealing with our mistakes. And so it is in art as well.
However, sometimes if we can't even envision how to approach something, a draft (ie, using pencil to try to sketch something out) is helpful as we try to map the thing in our minds. That was my approach here. And occasionally in life, too, if I'm finding a life task overwhelming.
Speaking of overwhelm, I have hopelessly over-committed myself and am not pleased that I barely have time to turn around in my schedule. At my age, I should know better. This is a mistake I make frequently in life, and I have learned a lot from it...but apparently I still haven't learned how to avoid doing it.
Consequently I have done no tangling since my last post--too busy with textile work which I'm not ready to show yet. And with several other projects, including creating a new website for a group. I love everything I'm doing but I really miss tangling.
As long as the world is turning and spinning, we're gonna be dizzy and we're gonna make mistakes. (Mel Brooks)
Why do we say something is out of whack? What is a whack? (George Carlin)
This is a day traditionally held sacred to all women, honoring the sacred feminine and the Great Goddess in earlier times. For an excellent article with good information on its celebratory aspects (as well as superstitions and misogyny that have accrued around it), click HERE.
Who comprehends her? With whom can one consult concerning this Great Goddess?
--Ludwig van Beethoven
Woke up early today and used the extra time to do this tangle. I had watched a Romi Marks (Tangled Yogi) video and used most but not all of her tangles for this.
She uses colored pencils, as have I when I've used her paper tiles, made from cardstock so they are very smooth and handle colored pencils beautifully.
I was using a regular Zentangle® tile today, though. That's made from printmaking paper and has a lot of tooth. So I went with General's Chalk Pencils for the color.
Today all I knew when I sat down to draw was that I wanted to work on something blue, invoking the quiet calm of that color. When more than a day passes with no drawing, I get tangle-deprivation syndrome. So, waking early was a pleasure; meditation is easier for me at that time of day, and I've noticed that any drawing I do at dawn or after dusk tends to be less self-conscious than when I draw during the day.
Blue color is everlastingly appointed by the deity to be a source of delight.
An "embedded letters" tile for Project Pack 06. The "No Mistakes" pack.
Meanwhile, I think/hope my creativity is beginning to come back. Finally some textile work, the start of a new rug.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class is not yet scheduled--stay tuned.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society