After yesterday's crazy busy-ness I thought I'd post something super-simple today. This is the tangle Dragonair, which is part of the Inktober 2020 challenge and is completely new to me. In fact, this is my first attempt, dashed off on a lavender-colored post-it note to see if I could figure it out. I did this before putting it into the journal page before yesterday's post, but today I added the white chalk pencil and graphite. A new favorite.
My goodness, isn't that a busy page! Yikes. But the Inktober challenge is meant to be an annual sampling of a wide variety of tangles, so unless I do each one on its own tile, it's always going to be an "eye-crossing" visual experience. And this one is certainly no exception.
The process is really fun, though. I get to sample things I might not have considered otherwise.
A few of these have become new loves; a few really left me cold.
A few that I've always had trouble drawing just smoothed right out and were easy.
And a few that I know very well somehow turned into hot messes on the page as I ran into unexpected trouble with them!
Sort of like the experience of a daily meditation practice. Or to quote Forrest Gump, "...you never know what you're going to get."
Meanwhile, our fall foliage season is rapidly winding down, but for some reason, this sugar maple didn't get that memo and is just getting started. Sooooo pretty.
The start of any creative project requires something called Beginner's Mind, or Don't-Know Mind, which is also an ideal state for meditation. Since every meditation is different, using Don't-Know Mind is the best way to approach each one.
Just as with wool work, holding expectations at bay until I find out how things actually look and what actually comes up in this moment always works best for me. I learn this lesson repeatedly. Next time you see rug photos, the work will look different. Next time I meditate will be different as well.
Below is a new frame I was lucky enough to have delivered today. It turns so easily. As I said, I have two rugs underway right now. The one above is traditionally hooked and the one below is punch hooked.
Frame is available from Notforgotten Farm.
Yup, I'm starting another rug. This (below) is the first throw-down of possible colors. Who knows how many will be used? The design is a "challenge" my local rug hooking group is taking on--we are all hooking one particular pattern in our own way. Some members are already done; I haven't even begun mine yet but hope to get it underway tomorrow or later this week. I'm getting excited.
I actually introduced the pattern to the group in February and everyone wanted to try it.
The entire phase of beginning a rug reminds me of meditation practice. Every single time one sits to meditate, it's a form of starting over. You never know what will happen. It may not be fun every single time, but it is always interesting.
It's the same with hooking rugs. I always have a hazy mental picture of what I'll be producing, but the final result may or may not agree. Getting to the finish line can be a series of daily, or even moment-to-moment, changes.
My next unpredictable rug adventure is officially underway.
See description of this workshop below. This was the result for me; I ran my black & white photo of the cutouts I did during the workshop through the Painnt app on my phone, with this result. I used construction paper and then parked the cutouts in this arrangement on a sheet of white background. Painnt did the rest. I converted the photo to b&w in order to let Painnt do its job.
I am in love with the London Drawing Group, a trio of women dedicated to doing and teaching art. When I saw this workshop on Matisse's cutouts--only £7 or about eleven bucks, and only 1 hour--I thought, what a great way to stimulate creativity. So I signed up and had an absolute blast. We made a number of cutouts in only 60 minutes, only a few of which I used for this photo. Here's the black and white version from my phone before I ran it through the Painnt app posted above this paragraph:
But I wasn't alone in attending. There were people from all over the globe. Two of them were good friends from my rug hooking groups--I had contacted them to tip them off in advance to the workshop and they both signed up. We all knew it would have immediate uses for rug design. And it certainly did.
Here is the work of one of my buddies, Kathleen K., who also attended. Rather than cutting paper, she cut her shapes directly from wool fabric. I love her results. She gave me permission to post this:
And below is the contribution from Lynda F, another rug hooking buddy who also gave me permission to use her photo:
Construction paper cutouts--they can be arranged in so many different ways. Thanks to Lynda F for allowing me to use her results and this photo! If you notice similarities between our cutouts in these photos, it's because we all worked from the same photo models during the workshop. Only our individual cutting techniques created differences. But the possibilities are truly endless.
"I wouldn't mind turning into a vermilion goldfish."
This one surprised me. I am traveling deeper into several areas in my life at the moment: meditation, friendship, beginnings and endings, and even the chaos and fear in the United States. Which means I'm working more deeply and consciously to cultivate equanimity. I did this drawing over two days, last night and this morning, and it reflects my inner state.
I heard a quote this afternoon that really sums up what this deepening is revealing to me:
"One kind word can warm three winter months."
Actually that's only the first part of the quote. Here is the rest:
"...while vile talk wounds like bitter cold in June."
Many thanks to my dharma brother Ed Niembro, for his wisdom and for sharing this quote.
It has never been more true.
I was able to spend more time practicing yesterday and working out the rust and kinks from not having tangled much in the past months.
And here on the right is my pre-practice Palrevo "Mini-Me" with instructions and information noted on it:
Palrevo is definitely a high focus tangle, but very rewarding. I completely enjoyed myself. I warmed up by doing the tangles I posted yesterday. It is totally wonderful to be tangling again, now that I have a bit more time.
Every day I make time for meditation practice. I realize I need to make time every day to draw. It's not called "practice" for nothing. It makes all the difference in meditation, and in everything else.
Practice doesn't make perfect. Practice reduces the imperfection.
I hope to fill up this page further, while still leaving enough white space. Here are tangles from the first 11 days of Inktober 2020, using only a black Micron 01 and graphite. I will likely need a second page to complete the 31 days without making things look horribly overcrowded. This page is already far too busy but I don't care--the experience is such fun.
Most of these tangles are new to me, so this is really more in order of a "scratch sheet," for practice, rather than anything finished. Inktober is a terrific way to get back in the game. I've got a long way to go but I have to say that this kind of practice is a big help--and anyway, my primary motivation is always the relaxation that comes along with tangling, rather than the results.
This lovely lovely mirror (with a portion of mirror part papered over to minimize distraction) was designed and made by a much-adored and longtime friend of mine, Paula Garbarino. The inscription, "Il faut fertiliser notre jardin," can be translated to mean, "We must pollinate our garden." Thus the honeybees, a favorite of mine.
That sentiment can be taken on so many levels. The garden of friendship. The garden of kindness. The garden of interconnectedness with each other. The garden of the Earth itself. We all need to pollinate, to tend, and to care for each other and for the Earth.
We all know how hardworking a honeybee is. Indeed it often takes a lot of work to tend and care for each other, especially at a troubled, stressful time like the time we are in now.
Normally Paula designs and makes fine-art furniture, and marquetry--a form of "painting with wood," is one of her specialties. She has been at it for decades and I hope you'll take time to go to her website and browse her luscious designs in the photo gallery there. Her work has been displayed in museums and is owned and collected by numerous people.
She does not normally make small pieces like this, though she has made a few. This mirror, about 17x10", showed up unannounced in my mail as a gift about two weeks ago and it took me a while to determine a place in my home to hang it so that I could see it frequently every day.
I am one very lucky friend indeed. Much gratitude to Paula. You are yourself quite like a honeybee--incredibly hardworking, kind, and of course, always building something oh-so-sweet.
Finally my schedule is starting to clear, so get ready for some "bad tangling." I'm amazingly out of practice but happy to be starting up again, and here are the so-so results.
Why am I posting these? Because they are true. This is where I am now.
Just as in daily meditation, I am essentially beginning again. We all do this hundreds of times every day, with many issues, without realizing it. A meditation practice is cultivated over time, time each day. And with Zentangle®, just like with meditation, lack of practice will show.
But in essence, WHO CARES? There are no meditation police, and there are no Zentangle police either.
Julia Child's motto (The French Chef on PBS for so many years) applies here: "Who's going to know?" she chortles in her fabulous high-pitched voice, as she picks up the raw chicken she just dropped on the floor as she's being filmed and goes on preparing to cook it. As she pointed out, the oven would take care of any germs. I have always loved this moment of her show. She was always beginning again, with humor and enthusiasm.** Someone undoubtedly ate that cooked chicken, and no one got sick or died.
So FINALLY--yay!!!!--I am getting to begin again after months of not being able to tangle. Here is what that looks like.
It's "Inktober" again, so tanglers are embarking on a daily draw. This is an experiment with the tangle Flux, drawn on a tan tile. No pen used, only General's Chalk Pencils in olive green, white, and a scoche of blue.
I was curious about what would happen without the hard line from a pen, using a lot of blending. This is the result. I nicknamed this one, "It's only a dream," and went to sleep shortly after finishing it. Sure enough, I had vivid dreams all night long, and they were just as vague and ethereal as my tangling before bed.
Here's the Inktober link for tanglers (meaning, this is specific to tangling). Inktober has a number of genres--sketching, writing, etc. There is a prompt for every day during the month of October every year. I'm following the one for tanglers, but you may want to google some of the other genres if it interests you.
** According to Snopes, that episode was slightly-but-not-very different from what I remember:
"She was cutting the poultry up (which, as I recall, was a chicken), and it slid off the table onto the floor. She picked it up and said either, 'We’ll pretend that didn’t happen,' or 'Just pretend you didn’t see that.”' She continued cutting the chicken up."
Sure enough, the rust in my hand shows up even more here.
Once I sat down this morning I couldn't stop tangling. Although it's only the 2nd day of October, I have tangles from the prompts for Days 1-5 on this page so far. If I keep on, the page could turn into a hot mess, but hey. I'll keep on anyway.
The ONLY tangle here that I knew before this morning was Flux (upper border). Every other tangle was completely new for me.
Oops, I take that back--I know and love Pepper (day 5). But Anthem (day 3), Jackstripes (day 2) and Unbirthday (day 4) are all tangles I've never heard of before. These are all first-attempts.
You can also see some pencil-drawn string lines on the page; we'll see if I do anything with those.
As my idol Julia would say, "Just pretend you didn't see that."
Just finished binding this rug (triple binding technique), a "pandemic rug" I designed and hooked in a 8-cut. All scrap wool; no bought wool. What fun. Every loop pulled was enjoyable. I'm delighted with how it came out. However, the subtle colors just don't show in a photograph. But that's ok--I know what it looks like. I smile whenever I see it.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), a long-time meditator, a certified meditation teacher and coach, and focused on learning about the interplay of art, creativity, and mindfulness every day.
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society