A repeat of yesterday's tile. This is version 2.0 since I gave away the tile I did yesterday as a thank-you gift to a neighbor. I realized I still wanted a version for myself and redid it, enjoying every line.
Tangles: Didot, Rain Dotty, Pringer, Hamadox, Joy-Jirella, Chillin, Emingle. My version of a class by Indica Boyd CZT for Artifex Eruditio Spring '21. Material uses: Green and Black Microns, Gellyroll 10 in white, General's Chalk pencils in white, green, and blue, graphite, Gellyroll Luxue Gold Pearl in green. Drawn on a white Zentala tile with a gray watercolor wash.
In today's version I added substantial green coloring as well as the blue, and experimented a bit with placement of patterns. This was just as much fun as the first one.
I made hard-boiled eggs last week and after they cooled this is what I saw. I took a photograph because if ever there was an egg begging for kintsugi, this one was it.
However, I ate the egg in my dinner salad, so no kintsugi took place.
Not sure what kintsugi is? It's the Japanese art of mending broken ceramics using gold in the cracks, resulting in a mended object of striking beauty. Look HERE.
The beauty is in the brokenness.
The instant I saw that egg I wanted to paint it, though I've no idea why. Perhaps I've been thinking about kintsugi recently as I observe so much brokenness surrounding us all.
Compassion can be one way to join our pieces back together, to form a strong bond, and to heal ourselves.
I contemplate this, and then write:
Pick up your broken pieces.
Lovingly place them together.
Add the gold.
Allow time for healing.
And then, look.
So much beauty.
And here is one lovely article I saw on the topic.
It's hot and humid outside, not my preferred weather. Demotivating.
However, I see the value of "warming up" in other contexts, like when doing any kind of art. Warming up = doing anything mental and/or physical to get oneself going. Even sitting down for only ten minutes when there is supposedly NO TIME. Here's last night's warm-up below, a quick tangle done just before sleep, inspired by the Sunday night Tangle Time with Amy Kam.
This morning I noticed I didn't want to meditate. Not. At. All. So I applied the warm-up idea to meditation, telling myself that I only had to sit for ten minutes. And reminding myself that I could look right at the resistance the whole time if I wanted to, and that everyone has resistance at times. I did, and of course discovered that I easily meditated for my entire usual time (way longer than ten minutes) and enjoyed it.
Yep, warming up...I may not like it when the weather does it, but it's pretty darned handy for the arts and for meditation.
After warming up today, I did this:
I'm not sure it's finished yet. Probably is.
This was my second try at drawing Tisoooh (see my first attempt HERE) and I could not believe how much easier it was. So much easier! I want to continue to explore.
Thanks to my friend Susie Ng in Thailand, who actually tried the same video I described in my previous post about it and then went good-crazy into experimenting with Tisoooh on her own. You can see her amazing results HERE (scroll down until you find them but prepare for a visual feast along the way). Susie is a phenomenal artist, as you'll see!
A kind neighbor brought these marigolds in a tiny bottle. She collects old bottles and also grows flowers. A wonderful combination.
I could actually have given this post a much longer title. Something like: "Kind Neighbors, Marigolds, and Other Favorite Things." Too long.
Some of my favorite things. The hydrangea in an antique bottle, a book on drawing (recommended), and an old white soapstone I tangled years ago and put into a frame to use as a coaster, after first baking it in the oven to set the paint. Plus, my front porch. Love to sit out and watch the world go by.
Finally, a quick late-night tangle I did last night after watching Amy Kam's weekly Tangle Time. The tile had been given a watercolor wash years ago. I added the tangles (Gneiss, Black Pearl, Crescent Moon, Shattuck), along with colored and chalk pencils and graphite. I threw in some white gellyroll. And I still couldn't sleep--however I didn't wake up this morning until almost nine. Oooh, a lovely sleep after all. Once it actually came.
Here she is, the icon.
But since nothing is sacred these days...
She apparently was photographed attending a party shortly after posing for Leonardo.
This is her "riotous party smile."
Uh-oh. I know this is a sacrilege, right?
But what fun to try.
Romi Marks had a wonderful workshop called "Zenovating the Mona Lisa," and since I'm in full-on learning-and-practice mode I wanted to take it. My motivation actually was learning to tangle on photographs, especially on photographs with a lot of dark areas in them. I want to try this out on pictures that I've taken, and I knew there were tips I needed to learn first. Romi is a marvellous teacher and I learned a lot doing this. Next I want to try some of my own photos to see what I can do.
So many art opportunities, so little time.
And then, of course, after the party Mona needs to relax. I'm sure you've all seen this meme going around, depicting what Mona has been getting up to at the Louvre since it's been closed due to the pandemic. Wish I could find the original source to give this the right attribution but so far it's been shared so many times I don't know who came up with it.
A little alarm now and then keeps life from stagnation.
This was my interpretation of a well-done class by Vandana Krishna, CZT in Bengaluru, India, as a part of the Artifex series I mentioned in the last post. While I'm not sure my version actually looks like a magnifying glass, I really enjoyed the process.
On a night when--for no obvious reason--I simply could not get to sleep, working on this tangle was relaxing, fun, and absorbing. I have occasional bouts of sleeplessness, and am so glad to have drawing to occupy me when it strikes.
Here's how it looked when I finished the linework, and then on the right is how it looks after adding some color and shading. There's currently a big boo-boo in the center of the tangle (I'll probably fix it at some point), which I left in place for now. You can see it in the large version--a misplaced black line.
In my next life I will try to commit more errors.
(Jorge Luis Borges)
"There are no mistakes in Zentangle."
(Maria Thomas and Rick Roberts, Zentangle® creators)
I love the life lessons I constantly learn from Zentangle®. This was another big one. I set out to draw one thing, ended up getting hopelessly lost, and by the time I finished the preliminary linework last night and forced myself to stop and go to bed, I was looking at a hot mess. I didn't think it could be salvaged.
But this morning I just had to keep going to see what would happen, and ended up with this--which I quite like. [Although it does bear a resemblance to "St Patrick's Day on Steroids," don't you think? But that's ok, I like it anyway.]
Here are the details for you tanglers out there (no need to read this part if you don't tangle--it could be boring for you): I fell in love with an Emiko Kaneko CZT video (HERE)* and thought I'd give it a try. But I misunderstood what it was: She clearly labeled the video "A Tangleation of Tissooh," but all I saw was "Tissoooh," which is a high-focus tangle by Tomas Padros CZT that I've always wanted to attempt.
Emiko made it look so easy that I was sure I could do it and learn.
Well. I did indeed learn, but not as she intended!
Mine has some resemblance to hers, but I ended up with a lot of weird space in the background, and things are not in the same places as on her tile. So did I learn a lot? You bet. But now I need to go back and find a simple stepout for ONLY Tissooh and have a go at that one tangle--this tile combines Tissooh with something like Bales, Tripoli, and Orbs. However, I do love my outcome.
For years I've heard that it's lways good to learn by copying the masters, and Eri is certainly a master of this art.
For me, the biggest learning is that no matter how bad something looks, it's highly likely that it's worth it to try and save the thing. Or as the I Ching would say: "Perseverance furthers."
*Thank you to Susie Ngamsuwan for catching the fact that I'd attributed this tile and video to the wrong CZT. Wow, much appreciated.
Note: I've been doing a LOT of copying lately, along with watching videos and going along with them. I always credit people as I'm copying. I'm on a mission to learn from a wide variety of tanglers whose skills I admire, and if that means I am copying for awhile, that's ok. It's a powerful way to practice.
Here are three quotes about copying as an effective tool in learning art:
It would have been the equivalent of Jackson Pollock's attempts to copy the Sistine Chapel. (Malcolm Cowley)
But Shakespeare's magic could not copied be;
Within that circle none durst walk but he. (John Dryden)
If my students seem to copy me when they are learning, that is good. It shows they are listening and trying to do what I tell them. They will develop their own style soon enough. (William Draper)
Finally, I took these two photos only one minute apart. The first one, on the left, was taking on a white background in indirect daylight. The second one--using the same camera with no setting changed--was taken a minute later on the blue background and in direct sunlight. WOW--look at the difference! It might as well be two different pieces, but it isn't. Isn't that incredible! It never fails to amaze me how light and a different color in the background can make the same thing look totally different.
PS: The one on the left is the actual coloring of the tile.
Looking out the window this morning, I noticed the back yard appeared to be covered in light snow, but of course it was merely cottonwood puffs adhering to the grass.
It's that time of year again, when we have a blizzard of them floating gracefully down to earth. As I look outside just now, I see them coming down at the rate of a snow-squall, despite the late spring warmth and the heavily leafed-out trees.
From what I recall, this goes on for weeks. Two weeks? Three? This area was (and still is) a major source of poplar wood. The leaves of the poplar (another name for the Cottonwood) are somewhat heart-shaped and may have inspired the following tangle. Or not.
This was inspired by a class from this spring's "Artifex Eruditio," (Latin for "Art Learner"). Actually the class sample looked absolutely nothing like this--I went entirely off-road as usual, so mine doesn't look like anything that was taught in the class. I did some of the line work yesterday, more this morning, and then added color this afternoon.
I am not usually fond of using hearts in my pieces, so I'm blaming this on the fact that it's Cottonwood Season.
I am a very fortunate person. Very. Yesterday, a weekend day, I had to call for help twice: My air conditioning broke in this very hot weather (mice in the compressor chewed thru the wires and blew a fuse) and later I had to call a plumber because of a leak in my kitchen faucet spewing water everywhere. Why is that lucky? Because when I called, both of them came within 60-90 minutes even though it was a weekend, both were wonderful and both problems got resolved completely.
I'm also very lucky because I have water. And because I even have air conditioning. But especially because I have water, when so many in the world do not have safe drinking water for miles, let alone in their homes. I know how lucky I am.
Below are two pieces: the first is my attempt to draw a tangle called Drawings (pronounced "Draw-Wings"). I've never been all that good at this tangle but I love the way others do it. Yesterday I was determined to improve so I drew it on a post-it note and gave myself permission to mess up bigtime if that's what happened. So of course it came out pretty well.
I was really interested to see how well it came out when I deliberately reminded myself that the outcome did not matter. Just the practice.
After doing the post-it, I looked over at a tile I'd been stuck on for several days. I mean, I was REALLY stuck. I was planning to discard it. It was not symmetrical. The center sphere wasn't really a sphere. I had no idea what to do next and most of it was blank. I'd done the two tangles Snelly (as the "string" or container) and inserted the tangle Aleuba--this is a tile for Hanny Nura's Full Moon Mosaic on FB where each month she suggests a string and one or two tangles, always involving the moon somehow, and then everyone does what they like with them. Including adding other tangles. So I'd created the string and inserted the second tangle she suggested but the tile looked awful.
What the hell, I thought, I'll throw in some Drawings tangles in those big empty spaces. Just for practice--this can't get any worse. And then I'll add a bit of color. What came out was this, which I quite like even though it's still asymmetrical.
Well of course the big lessons are: Unless it's a life or death issue (just about never), give myself permission to screw up and see what happens. And the typical, constant lesson from Zentangle® is: don't give up on something. Keep working. If it fails, so what? It's just a fifty-cent tile. It's just practice. I feel like I got lucky again.
Seems to me that all of life is just practice. Right?
The more I practice, the luckier I get.
Where the heck did that come from? Sometimes one cannot control what falls out of the pen. This is the result of going to Amy Kam CZT's free, ongoing Sunday evening gatherings called Tangle Time, which I've mentioned in my previous post and several others. Somehow I can never stick to the script and this oddity is the result of last Sunday's work.
I'm trying to get another rug underway and running into some design issues, so that explains the recent lack of tangling. I'm missing it, have lots of things to explore and hope to get back on track this coming week.
I did this during a class with Debbie L. Huntington, CZT. I was impressed by the wildly different results achieved by the students--each Zendala was completely unique. It was my first try at watercolor pencils; it won't be my last.
“In the spring, at the end of the day, you should smell like dirt.”
Here is the "mystery" from yesterday--solved. Joanna Quincey of Zenjo taught a quick class on Teabag Tangling Now you know what I was doing with that mess of teabags in my previous post.
(PDS: thanks so much for collecting for me, since I don't like or drink tea! I have enough to keep me going for a while.)
Jo is a terrific and inventive teacher. Here are my first tangled teabags.
Massively fun to try out! Thanks, Jo.
Truly, I am a lucky gal.
I did this tangle last night for a friend whom I think of as a real gem.
This woman has been my mentor for the last two years in a meditation teacher training program. She has been unbelievably kind, sensitive, helpful, and has drawn liberally from and shared her own deep practice and her decades of experience teaching meditation to others. In the process she has been a powerful example to me, as well as to the other four people in my small peer group for the last couple of years. We have been fortunate to know her.
In Buddhism there are many lists, one of which is known as "The Three Jewels: The Buddha, the Dharma, and and Sangha." I mailed off this little Zentangle® Gem Portrait today with that in mind, to say thank you to her. She has managed to embody the Buddha's teachings, transmitting the Dharma clearly and faithfully, and with patience and kindness has helped us to form a peer supervision group (the Sangha) that will continue long after the program ends.
Thank you, Adi.
"...You should understand that you are one of the Three Jewels. You shouldn't put the Three Jewels outside of yourselves; you should always think of yourselves as being one of the Three Jewels—and that includes your body, your speech, and your mind.”
― Dhomang Yangthang, The Union of Dzogchen and Mahamudra
This is the result of a truly wonderful class with Stefanie vanLeeuwen this afternoon <@tanglestudiostefanie>. There were students from Canada, the USA, Holland, Germany, the Carribean, and Spain. We had such a good time and I certainly learned a lot. I'll be trying this method again with other forms and colors.
Every person in the class produced something very beautiful--the sign of an excellent teacher. Stefanie had everything extremely organized well in advance.
I chuckle when I contrast the sense of control I have with colored pencils to the lack of control I have with watercolor; see yesterday's post for more on that.
Art is truly endless learning.
"Regard everything as an experiment," said artist Corita Kent. Words of wisdom.
Out my back window, immensely tall trees are swaying in a wind passing through the back yard. I'm thinking about the way the light makes the sky at this moment--just before sunset--look like stainless steel. Exactly the color of stainless steel. Clouds have blocked the setting sun and as I watch, the tone of the clouds shifts slightly more towards blue.
I never tire of watching the changing sky, or the way the gray and brown tree branches dance across it, finding their own rhythm in the evening wind. This light is moving us gradually from day to night. It subtly alters the cloud colors in each passing moment.
Just like thoughts change, and just the way life changes from moment to moment.
I want to be fully present for this moment. Just this moment.
When I finished typing and looked up, I could see a horizontal band of luscious rose-tinted light crossing the sky below the stainless steel and blue clouds. And below that, a band of gold-white from the last rays of the sun.
Exquisite, this moment.
It never stops, the learning. Here I'm trying to learn a Zentangle® technique called TranZending--a form of layering one pattern over another. I've never really gotten the hang of this before, but am happy with how it turned out. I watched one of ZenLinea's videos and followed along. What I learned: for one thing, even tho she suggests some very very faint white colored pencil guidelines to start, and I did make them faint, the wax in the colored pencil still acts as a "resist" and doesn't really get colored over later on. Which is fine -- even promising -- if it's a design element. But here it wasn't meant to be a design element. Now I know.
I may try this one again. Lots to learn, and I'd like to try the guidelines in graphite and see what happens. Once I figure this out, I can apply to my own future tangle designs.
Here are the beginning and mid-stages of this piece:
I'm always open for people saying I'm wrong because most of the time I am.
Bubble Gum Pink Anything is always a turnoff for me. However, I discovered a blank but watercolor-washed tile that qualified as that shade or something really close. Someone else had done the wash, and it was in a pack of pre-colored blank tiles I bought from a vendor at a Zentangle® event a decade ago or so.
I wondered what, if anything, I could do with it when I ran into it yesterday. The color was hurting my eyes (as you'll read below, the photo actually drained out most of the eyeball-popping bright pink).
Since I am so rusty and trying to get my drawing mojo back, I'm studying instructions from other teachers whom I respect, and Zen Linea certainly qualifies. So I went to SkillShare and logged onto one of her videos and tried this on the Bubble Gum Pink tile.
Interesting to note that in the light available when I took this photo, the "Bubble Gum" quality of the pink really calmed down. Trust me: in person, the pink is MUCH louder than it looks here. And the violet color is much more subtle. So interesting how color can photograph.
But here's the fun part. At the end of the video I was using, there was a list of projects previous students had done. Not only was I shocked to see I had done this video before, but I had done in exactly one year ago today.
I had no memory of ever having done it before. Not only did I do it then, I did a second, alternative version the next day. So this version is my third. Pretty comical.
Here is the start of a mandala, just the beginning linework.
I drew this last night while studying one of Romi Marks' videos. I screwed up the center--but luckily, there are "no mistakes!" in Zentangle® and so I just kept going and did my own thing in the center. And I like the way that came out. I also changed a few things in the next layer.
This is one major thing I learned about drawing since I've begun to draw regularly. In fact once I began drawing in the Zentangle® tradition it was resoundingly, repeatedly, and overtly reinforced.: There are no mistakes--keep going and see what you can make of what is in front of you. 90-95% of the time, not only can you work through whatever is there but you can actually surprise yourself with a good result.
It's the same in meditation. And, I believe, in much of life in general. What about that other 5-10%? Anywhere from "meh, or disappointing," to a genuine catastrophe. But still, those odds sound pretty good to me.
So I persevered and began adding color. Big difference! Encouraged, I drew the outside of the tile and stopped there for a bit, having worn myself out for the day:
And here below is the finished tile. I'm glad I stuck with it.
Whatever it is you are pursuing, whatever it is you are seeking, whatever it is you are creating, be careful not to quit too soon.
I did this last night just before I went to sleep.
My thought in this moment, this morning:
The Wheel of Change rolls on, every moment of every day.
"The thing that lies at the foundation of positive change, the way I see it, is service to a fellow human being."
Although it's too bad they are necessary (although they certainly are necessary!), a kind friend just sent me 3 masks that didn't fit her but will fit me. Recognize the the fabrics? Designer: William Morris. (A.K.A. "That wallpaper guy," as a good friend calls him, which cracks me up) I adore Morris and will be so happy to wear these.
As mentioned in yesterday's entry, I went to a meeting with CZT Tomomi Galeano where she had us practicing the tangle Waybop. Many people find it hard to do. I knew it would be a fun practice. We all just used scrap paper, and I used cheapo printer paper--in fact, I did this on the back of a bill, or what I thought was a bill, that I was planning on recycling.
Tomomi just did this as a free meeting for anyone who wanted to come. Another kind friend. I feel very fortunate with the number of kind people in my life.
Want to see the plain unvarnished first version? It's in yesterday's post.
The misshapen exterior is caused by my just cutting out the paper around the tangle. I did this exercise as pure practice and you can tell by the wobbly lines I was making decisions as I went along. I didn't expect any result, but was sort of charmed by it when it was done.
I finished it with some shading and color this morning. It turned out to be a good day for Waybop, or "bopping around." Suits my mood. Of course we still have turmoil ahead, but I believe we are up to the task. And today's weather where I am: absolutely exquisite. Warm but not hot, unexpectedly.
Similar to meditation, where some days are a slog, and others are just full of unexpected delights. Today is one of the latter.
Then, to my astonishment, when I finally flipped over the cheap paper, I realized I hadn't done it on a bill. I'd done it on the back of an email a friend sent me with a list of Peace Songs we would be singing together (on Zoom, of course). Interesting "coincidence" with the news today. May we all find peace in the years ahead.
It's a day for relief, and delight.
Above is yet another tangle I have never particularly liked: Rain (it's the outside tangle on that tile). And yet I am surprised at how much I like the way it works as a border. Challenging myself to use it was a good idea.
After trying that, I decided to try the tangle Waybop on a piece of scrap paper, so I stuck this on the back of a bill I had paid, and which I'd already tossed in my recycling bin. It's on cheap copy paper and isn't even shaded. Perhaps if I do shade it and the appearance changes dramatically, I'll repost the update on another day. I had fun experimenting.
"Try things against your grain to find out just what your grain really is."
We have no choice but to start from wherever we are, yes? I've finally had the time to start tangling again, but my recent lack of practice means I've gotten very rusty. No matter. It's just where I am in this moment. The tile at left is not one of my favorites but it's the truth of things.
The tangle is Auraknot, one that I've never quite "gotten," always making mistakes. In the past its' been frustrating! This time I finally got it, and did it successfully. One time as the frame, and then five additional times inside the frame. I was excited and pleased for myself!
But here's the thing: I'll probably never like this tangle. Even now that I know what I'm doing with it, it's just not that attractive to me. Maybe with more practice? We'll see.
It does make me think of the old saying from the I Ching, however: "Perseverance furthers." It was so satisfying to figure out how I'd been going off-course and correct myself. Now this tangle comes easily to me.
Many lessons for me here. We really can only begin anything from right where we are in that moment. And repetition can really pay off--in daily life and in formal meditation. Finally, we each have our preferences, and it's important to notice them.
With all that is going on externally in this country, tangling provides such a lovely respite and rest. And the more I do it, the more begins to come back to me. I'm working my way through Gratitangles2020 and I'm way ahead in the month already because I'm enjoying the process so much. At this rate I'll be done early. Here are two more tangles.
"Faced with the choice between changing one’s mind and proving there is no need to do so, almost everyone gets busy on the proof."
- JK Galbraith
Ah, here it is. The prime example of Don't-know Mind, that shocking moment of extreme uncertainty. I write this the day after the election, during a time when we still don't know the results.
Here we sit.
It's not comfortable. But that is the truth of this moment.
Even once a decision is clear, we still will not know what happens next. In fact, we never can know what happens next. We are always in Don't-know Mind; it's simply more obvious today than usual. Since we are wired to prefer certainty, it's so much more convenient to ignore the reality that Don't-know Mind is our continuous state.
Another thing I don't know : who stained or painted the small square of watercolor paper I used to tangle on last night. To whomever you are: thank you. The staining was faint but spread in lovely fashion across the paper and provided a wonderful smear-y background for linework and bits of color that I added. I like the way the original background spreads out beyond the border here.
I rarely do either of these tangles, so every line on this square is a product of Don't-know Mind.
Thank goodness for Zentangle®, which is amazingly relaxing, even in the most uncertain times.
"So much of our difficulty with uncertainty is that we've evolved to survive by trying to predict the future. The seasons, the crops, where the animals will be, if we're hunting.
But if we can really take care of what's right here, this present moment, what else is the future made of, but this moment right here, right now? The future is just a continuation of this. So there's no point in worrying and being anxious about the future, if we take good care of this moment, breathing in, knowing our heart is still beating, and how miraculous that is.
Breathing out, and feeling the gift of our lungs. That's the present moment."
- Kaira J. Lingo
I was able to spend more time practicing yesterday and working out the rust and kinks from not having tangled much in the past months.
And here on the right is my pre-practice Palrevo "Mini-Me" with instructions and information noted on it:
Palrevo is definitely a high focus tangle, but very rewarding. I completely enjoyed myself. I warmed up by doing the tangles I posted yesterday. It is totally wonderful to be tangling again, now that I have a bit more time.
Every day I make time for meditation practice. I realize I need to make time every day to draw. It's not called "practice" for nothing. It makes all the difference in meditation, and in everything else.
Practice doesn't make perfect. Practice reduces the imperfection.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), a long-time meditator, a certified meditation teacher and coach, and focused on learning about the interplay of art, creativity, and mindfulness every day.
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society