It occurs to me that this has turned into a Zentangle® blog and has not showed any of my textile work recently. That's because there hasn't been any textile work recently. I've temporarily lost my textile mojo. Maybe because it's summer, and who wants to work with wool in the summer...but I am starting to get concerned. Ok, enough of that. Let's just hope inspiration returns.
Last night I did a quick tangle based on the Project Pack 06 Day 5, which was great fun. It was so late when I did this that my hands were shaky but that's alright:
That version of Mooka, discovered by Julie Willand, CZT, was hugely fun, although I need more practice with it. I think my version/attempt should be called "Black-Capped Melting Mooka" for the little caps I added to it. I am looking forward to playing with it more.
This evening I took an online class with Romi Borax Marks, CZT, also known as The Tangled Yogi. She is all about color and is an excellent teacher, as I've been saying an my recent posts. Here is the result.
That was the first time I worked on a hexagonal tile--they are all the rage right now in the Zentangle world. I enjoyed it (especially for the smooth tooth of this particular paper) but am not sure what all the fuss is about yet. I need to experiment with them more. Happy to have had a chance to try one, though.
I'll have to let this song speak for me, because I cannot say what is in my heart after this terrible week in my country.
Wrong. Tragic. And entirely preventable.
This tangle helped me to center myself, but did not take the pain away.
Credit for the composition goes to Romi Borax Marks, but I did the drawing and colors.
I am definitely--and very oddly--still off my game, but I did manage to produce this today:
I would love to take full credit for it, but the truth is that while I did indeed draw this, I was really just following along with a video on YouTube by Romi Borax Marks, CZT. She has a lot of videos and they are all worth watching. I needed to be totally brainless-but-focused and her video did the trick. Don't get me wrong: SHE'S not brainless! I am the temporarily brainless one. I needed to be "one of the herd" today, and not have to think about anything.
I had to vary my materials quite a bit from what she uses, and that did require some creativity. For example, all the color on her video is applied with colored pencils. On mine, I first applied art tissue paper in order to prep the tile before I bound it into a Bitty BookZ™ so the color was already there and thus I had to use colors I'd chosen weeks ago; I did punch them up a bit with Prismacolor pencils. In addition, Romi uses very smooth tiles that she produces and sells, whereas my tangle was done on traditional Fabiano Tiepolo printmaking paper (i.e., the regular 3.5" Zentangle® tile) which has a lot of tooth (not smooth). So in the end there was a big difference between her process and mine.
Why I am feeling so creatively stymied is a big question, and I expect I'll understand it eventually but in the meantime I am just attempting to make a quiet and easy "comeback" with completely non-stressful work. There's not much that is less stressful than working alongside an excellent video done by an excellent teacher. I highly recommend Romi's videos.
I've lost all my mojo! All my creative mojo, that is. No textile work of any kind is underway. I've barely been able to tangle at all. I am uninspired. This has been going on all month. Mercury Retrograde? The sticky weather? A less-than-pleasant though not at all serious recent medical adventure? All of those things? I dunno. But I sure hope I can find some mojo soon.
At least I managed to get this done today.
Some knots can only be resolved and undone with relaxation and patience. (Sridhar Ramasami)
The great advantage of being in a rut is that when one is in a rut, one knows exactly where one is. (Arnold Bennett)
Trying to get my mojo back after a long period of (puzzling) lack of interest. We have a heat wave moving in, my most dreaded weather. Perhaps staying home during that will enable me to get some more tangling done. Still no interest in textile work, although hot weather often brings that on.
Below is my version of Maria Thomas's latest "Kitchen Table Tangle." She invited us all to give it a try, so I did. She scored and folded hers, but I wanted to leave mine unfolded. She used watercolors and I used chalk pencils. Because of the nature of Zentangle®, they look very similar but are in fact very different. It's like two people writing the same sentence on a sheet of paper with cursive script--it's the same sentence but their individual handwriting will make the two versions look very different.
Some days are better than others. I just don't have it today. (Whatever "it" is.) Instead I have a very mild toothache, which I'll deal with in the morning. Staring at this blank page in a Bitty Book™ I made a few weeks ago, all I could imagine doing was drawing some random lines. Thank goodness for chalk pencils.
Time to go read a trashy novel, methinks!
More life-busyness means less posting. The good news is that I'm feeling better. I've continued to play with art tissue paper, the type of tissue paper that comes in dramatic colors and bleeds when wet. I've been wetting it, then squeezing it above wet Zentangle® tiles to see what it does, and/or crushing it and smashing it around directly on the tiles. This first tile was the result of the "dropping stain onto the tile from above" method:
I still feel a bit wobbly about the Icanthis tangle, so it will probably show up here more often while I practice it.
More tiles below. I switched tissue paper colors and both dropped color on and also mashed it on. This was violet-colored tissue paper and it was interesting to notice how as the staining dried, some pure blue began to seep out. There was absolutely no way I could avoid seeing these backgrounds as moon-and-sky (the first one) and evening sky. So, I built some Moon Bridges and left the tiles as mostly background, minimal tangling. Great fun with this art tissue, as you never know what you're going to get.
I was so surprised by those two.
Well then, of course I had to experiment some more, so I ran Moon Bridges #2 through a mirror app on my iPhone and was startled to see some figures emerge. See the result below.
The destination cannot be described;
You will know very little until you get there;
You will journey blind.
(T. S. Eliot)
Tangle is Cirque, but doubled, and I added a few more things to it, like some Mooka and a spinoff of Crescent Moon. Used black & brown micron 01s, graphite, white gellyroll, general's chalk pencil, and a very small amount of Prismacolor. This tile is inside one of my first BittyBookZ™. See posts in June for info about those.
Gawd, what a week. I needed something round and sunny today so I made the above tangle on some pages in one of my recent handmade books.
Today is the first day I feel like myself in over a week. I had a medical test that went wrong. Nothing dangerous, but it's quite impressive how bad one can feel when something is seriously "off" but not dangerous. I have had zero, and I do mean zero, motivation to do anything for days and days.
Hurrah for feeling better!
Last week in the middle of my woes I had a bout of insomnia, and that's when I did the tile just beneath this. I was still trying to work on grid-based tangles, which are not my preference. The combo of "not my preference" and "feeling really crappy" added up to what you see below.
[Late last week] Oh, how my mood is matching the feeling of being "gridlocked," like the tangles I have been working on. I've been pretty sick this week, unexpectedly. Nothing that won't improve, but the improvement is slow. I've discovered--no surprise--that I suck as an invalid. I'm not good at sitting around. There are things I want to be doing that are physical, and I'm just not up to doing them yet. Frustrating.
Insomnia last night led to another grid-based tangle, C-Stem by Agneta Landeson. I've never tried it before:
I'm not crazy about how it came out but at least the process did enable me to go to sleep.
Grid-based tangles are not always my favorite type to draw, so I want to practice them more to see what I think and explore that resistance. The tangle below is called "Krokus" but I added so much to it that it's almost hard to recognize. I'm not sure but I don't think I've drawn it before.
And now the same tangle, but presented differently below. The grid isn't so obvious in this one. You can see the pencil lines (the "string") if you look, however.
I was so pleased at how easy it was to tangle with the tile actually part of a book. While I've been making books at the rate that some of us eat potato chips (you can't stop at just one), I hadn't tangled in any of them yet.
Same tangle as yesterday's post, Haf n Haf, with each square turned a different way (and a few more lines too). Same art tissue paper used, so the colors are lighter and I didn't cover the entire tile.
I added a bit of colored pencil in spots and a bit of graphite for shading. Yesterday's tile had neither shading nor any additional color.
Life is 'trying things to see if they work.' --Ray Bradbury
The top of the 6-sided box I've been working on is finally tangled, and I've sprayed the entire thing with fixative. All that's left is to add a button for closure. Here's the top.
I went outdoors after dark last night and was mesmerized by the bountiful fireflies everywhere in my front yard. Although I hadn't meant to, I stayed for over half an hour watching them as they danced in the dark. So very lovely. In their honor I added some white dots in the background on the top of the box, and also some dark dots on the right side of the top which is lighter in color.
To view a quick, lovely video on fireflies dancing, go HERE. Don't miss it.
The box, which really isn't that big (perhaps 8" x 1"?) took forever to tangle as I worked my way along all 6 sides. The paper actively resisted the ink, and it was awkward to tangle because of the shape. But I think it will be quite functional as soon as I add that button. I won't be making another one soon, however.
Yesterday must have been a good day for me as I also finished a Bitty BookZ™ version for Zendalas (see the last few posts for the link to more information on Bitty BookZ). Here is the final result on that. I'm quite pleased.
“Catch fireflies in flight, crinkle grass under your toes and know that you are always beloved always beautiful .... a dream within a dream.”
THE FIRST THING:
To the left you'll see a Bag of Boobs. Yes, boobs. Breast prostheses, that is. I knit them for the Knitted Knockers organization and supply them to my local hospital's mammography and medical oncology unit. They emailed Friday to ask for another batch because "women love them."
I was so happy to hear it.
I knit in the evenings while I watch the news or a tv program. I cannot watch tv without doing something with my hands, and this has forever solved that problem. Because breast cancer is so common, there's an unending need for these prostheses for women who've had a mastectomy.
THE SECOND THING THAT STARTS WITH B: THE BOX
Here is the back spine of the box (I posted a picture of the bottom of the box a few posts back--you can just catch a glimpse of that underneath the narrow spine above). And above it you can see the as-yet-untangled top of the box. The tangle on the spine is Toodles. Done with white pen, colored pencil, graphite, white chalk pencil.
This is one side of the box (both sides are the same).
So now only the front of the box is left to tangle. Surprisingly, I am not enjoying tangling on this box one bit. The underlying structure is probably chipboard or something equally hard, and the brown paper covering is not porous at all. The combo makes it very challenging to tangle on--it's as if the paper wants to reject the pens entirely. Hard to get the ink out!
Plus tangling on tiny narrow surfaces that don't support one's hand is a real challenge. The combination of pen-rejecting paper and no hand control is making this a difficult project. When I'm done I think I'll love the box, but I sure don't want to tangle another one. Live and learn!
This mandala started 8 months ago. I did the outer border (you can see that HERE) last October and was flummoxed about what to do next. You know how these things sometimes have to marinate. I've had the filter itself (yes, a used coffee filter from the amazing Cheryl Cianci CZT, who drinks lots of coffee) since 2014. So this one marinated a very long time as a total blank, then again as a partially done piece, and finally it's finished.
"Upon the heat and flame of thy distemper, sprinkle cool patience."
"If you are not too long, I will wait here for you all my life."
Tangling on a tan coffee filter with a blue watercolor wash (prepped by Cheryl Cianci, CZT, after she first used the filter to make her coffee, rinsed it, and put the wash on it; then dried it--Thanks for doing all that prep work Cheryl!). Tangles are Mooka, and a variation of Flux, as well as the embedded letters technique without any letters. PN Blue Micron, General's Pastel Pencils, White Gellyroll, Prismacolor Pencils.
I managed to avoid all the other things I was supposed to be doing today when I heard that my friend Cheryl Cianci, CZT, was offering her coffee-filter class again. I only discovered this at the very last minute and raced out the door hoping to make it on time. I had taken the class about 4-5 years ago but my experience of Cheryl is that there's always something new and it was utterly relaxing as usual. She is the soul of kindness, and hugely talented.
Much gratitude to all who teach.
A compilation of random thoughts this fine spring morning.
1. Aren't these buttons fun? I found them online and loved them, probably because they remind me of various patterns used in Zentangle® and also of patterns used in Oriental Rugs. I'm hoping to use them in some tangling projects. And maybe one or two will inspire a rug.
They are a collection of tiny mandalas.
2. I spotted this beauty yesterday on a walk. Yowza! A "button"/mandala created by Mother Nature herself, and what a beauty. There has to be a tangle design (or a rug) in there somewhere.
The plant goes by the unglamorous name of Osteospermum, also known as "Flower Power White." It stopped me in my tracks on my walk. Just an amazing flower; it positively glowed.
3. This is a partially-done panel on the bottom (yes, the bottom) of a tan paper box. I've been working on this for two weeks and the going has been slow because I don't have all that much time to tangle right now. Below you can see the completed design. It will probably take me another month to finish.
Alas, I couldn't quite get that photo above to come out straight-on, but you get the idea.
The same box, vertical photo. I still couldn't get a straight-on image.
I don't have the box in front of me but I'm guessing that the dimensions are about 9" long, about 2" wide, and perhaps and inch-and-a-half tall, with a cover that flips open. I have a button to sew on when I'm done with the tangling and will use that for a closure (not one of the buttons shown at the top of this post).
4. Spring has fully sprung here and today we're having stunningly beautiful weather; up until today there have been very few sunny days and plenty of soggy ones.
May all the lovely colors, sounds, and scents of spring fill your senses today.
(At least in the Northern Hemisphere)
If you read the previous post, you'll know that I accidentally left one of these triangular tiles behind (so only had five of them as of yesterday) after a wonderful weekend of tangling. I re-drew it today and put together this pizza-like mosaic. It's the bottom one with the pinky-lavender color. Pizza-pizza! Speaking of which, I think I'll go have some (non-pizza) dinner.
Curses...I just got back from a long-awaited weekend of tangling, only to realize that because of a miscommunication I left this tile behind by accident. I may or may not get it back, so I'll have to wait and see if it turns up in my mailbox soon. If not, I am hoping I can re-draw it. It was one of my favorites. Thank goodness I took a photo of it before it got lost in the shuffle.
More to come once I have a chance to take pictures of the other work we did.
What I've noticed:
The later in the day I tangle and the more exhausted I am, the better. Or so it seems as I observe over time.
That critical inner voice, sometimes quite loud during the day, apparently develops laryngitis by late at night when I'm tired. And so I frequently love not only the process, but also the results.
I like this one, done at midnight last night.
“The good news is that opportunities for love enter our lives unpredictably, whether or not we’ve perfected self-compassion or befriended our inner critic.”
Before I retired, I often wore pins as a decoration when I went to my office. But now that I spend my time in jeans and t-shirts, the pins are languishing. Here is a pin I never wore, a cameo. I love it (and used to have a much larger one which was far more lovely, but it was stolen during a break-in at my former residence) but I never wore it. Not once. I simply had it because it reminded me of some positive things from my childhood. Since it was just languishing away, I re-purposed it onto a card with some tangling. I may put it into a shadow-box frame.
This may or may not be a genuine cameo (there are plenty of plastic fakes out there) but it doesn't matter to me. It has sentimental value.
Trees are in bud, the buds looking bigger each passing day. There is a small maple on my front lawn with large tight red buds. I worry about this tree as it was mistreated in the past, but despite all that, it's resilient and looking pretty darned good. I'm guessing I'll see leaves within a week or so. I think of this tree as courageous and persistent. May it have a peaceful and ease-filled summer growth season this year.
A few days ago I begin work on this tile below. Because I'm so busy it took days to finish, even though it's a very small piece. It's clearly Spring-inspired.
This morning I snuck in one more tile when I should have been working on something else. I am a world-class procrastinator, especially when whatever I am supposed to be doing is preventing me from making art.
A "cartouche"-based tangled piece using Doodah on a black post-card-sized paper. Maria Thomas did the calligraphy of the word Gratitude; it was enclosed on a business card inside one of my orders, and I loved it. I pasted it onto the black page, along with the Zentangle® chop (the red square at the bottom right, which I embellished) and used white gellyroll, gold gellyroll, and red General's chalk pencil, gold metallic Prismacolor.
And now, back to the big projects. Sigh.
ZenLinea posted a wonderful video on Instagram on how to draw this knot, so two nights ago I decided to try it at about 2 a.m. when sleep was eluding me.
This was my first effort and I'd like to play with it a lot more, if I can ever find the time. I started off thinking it would be black and gray on the white tile, but somehow I began adding other lines and colors to the outside of the knot (the gold gellyroll, the yellow Prismacolor) and then the colors also crept slightly inside the knot as well. I think I finished around 3 or 3.30 a.m. and was able to go right to sleep afterwards.
Of course this afternoon I was looking at it again and wondered what it would look like if I ran it thru an iPhone app, so I gave that a try using the same photo:
Rather reptilian, don't you think? And soooooo different. But interesting for sure.
I hadn't intended to draw today as I had too much else to do, but I just couldn't help myself.
Done on a ten-inch square tan Opus Tile with brown and black Micron 01s, General's colored chalk pencils, white gellyroll pen, and mucho graphite. Completed over several days for the #zenuari2018 project day 20, "Maze." (This is not a maze; it's a labyrinth--they are two different things but often incorrectly used as synonyms.)
It's been that kind of week--labyrinthine. So many twists and turns. We keep walking and we trust we will find our way in to the center and then out again on this challenging journey.
I hope we are in the center now and will soon find our way out to resume our lives.
I am still far from home, helping out my friend who is receiving daily treatments. She is close to the end, however--only three more and she will be done and we will return to our respective homes. A huge complicating factor has been the sudden illness of someone in her family; it certainly has increased the pressure on her to finish here and go home. There is much uncertainty.
And yet, we know we just need to keep walking along on the path before us, and trust we will get where we need to be. In fact, we are already where we need to be, and we just need to remember that.
It took me a few days to do this piece as it's so large. I learned a lot in the doing and will try again for better results.
My friend also tangles and finds it therapeutic as she waits for appointments. She is talented and here is one of her latest efforts, a Zendala done on a tile which she had pre-treated with a Fine-Tec paint gold wash. Isn't this spectacular? (I have her permission to publish this photo)
Those metallic Fine-Tec watercolors are so inspiring.
"A labyrinth is a symbolic journey … but it is a map we can really walk on, blurring the difference between map and world."
— Rebecca Solnit, in Wanderlust: A History of Walking
...we aren't having any where I am temporarily living in order to help out a friend. It's winter here but the ground is bare, although in my actual town, 400 miles north, there's plenty of snow.
Nevertheless, the Zenuary2019 project on day 18 had a prompt to tangle something based on a snowflake shape. Since I am way behind on this January challenge (I'll be working on it all thru February), I've just arrived at day 18. I cut out the following shape on some previously-used paper:
...traced around it on a Strathmore tile, and here's the end result:
And here they are side by side.
"There is no better designer than Nature."
"If your heart is broken, make art with the pieces."
Basically no time to write today. My friend is doing well but because of other circumstances (not my story to tell), we are still on the emotional rollercoaster.
My heart is broken by some of what I see of the other patients at the treatment center, especially the sick children. May they all heal, including their parents and caretakers. May all be at peace; may all be well.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class is not yet scheduled--stay tuned.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society