Here she is, the icon. 
The original. 
The exquisite.





But since nothing is sacred these days...

She apparently was photographed attending a party shortly after posing for Leonardo.

This is her "riotous party smile."

Uh-oh.  I know this is a sacrilege, right? 

But what fun to try.

Romi Marks had a wonderful workshop called "Zenovating the Mona Lisa," and since I'm in full-on learning-and-practice mode I wanted to take it.  My motivation actually was learning to tangle on photographs, especially on photographs with a lot of dark areas in them.  I want to try this out on pictures that I've taken, and I knew there were tips I needed to learn first.  Romi is a marvellous teacher and I learned a lot doing this.  Next I want to try some of my own photos to see what I can do.

So many art opportunities, so little time.

This was my interpretation of a well-done class by Vandana Krishna, CZT in Bengaluru, India, as a part of the Artifex series I mentioned in the last post.  While I'm not sure my version actually looks like a magnifying glass, I really enjoyed the process. 

On a night when--for no obvious reason--I simply could not get to sleep, working on this tangle was relaxing, fun, and absorbing.  I have occasional bouts of sleeplessness, and am so glad to have drawing to occupy me when it strikes.

Here's how it looked when I finished the linework, and then on the right is how it looks after adding some color and shading.  There's currently a big boo-boo in the center of the tangle (I'll probably fix it at some point), which I left in place for now.  You can see it in the large version--a misplaced black line.

I love the life lessons I constantly learn from Zentangle®.  This was another big one.  I set out to draw one thing, ended up getting hopelessly lost, and by the time I finished the preliminary linework last night and forced myself to stop and go to bed, I was looking at a hot mess.  I didn't think it could be salvaged.

But this morning I just had to keep going to see what would happen, and ended up with this--which I quite like.  [Although it does bear a resemblance to "St Patrick's Day on Steroids," don't you think?  But that's ok, I like it anyway.]

                                                                     ********************
Here are the details for you tanglers out there (no need to read this part if you don't tangle--it could be boring for you):  I fell in love with an Emiko Kaneko CZT video (HERE)* and thought I'd give it a try.  But I misunderstood what it was:  She clearly labeled the video "A Tangleation of Tissooh," but all I saw was "Tissoooh," which is a high-focus tangle by Tomas Padros CZT that I've always wanted to attempt.

Emiko made it look so easy that I was sure I could do it and learn. 

Well.  I did indeed learn, but not as she intended! 

Mine has some resemblance to hers, but I ended up with a lot of weird space in the background, and things are not in the same places as on her tile.  So did I learn a lot?  You bet.  But now I need to go back and find a simple stepout for ONLY Tissooh and have a go at that one tangle--this tile combines Tissooh with something like Bales, Tripoli, and Orbs.  However, I do love my outcome.

For years I've heard that it's lways good to learn by copying the masters, and Eri is certainly a master of this art.

For me, the biggest learning is that no matter how bad something looks, it's highly likely that it's worth it to try and save the thing.  Or as the I Ching would say: "Perseverance furthers."

*Thank you to Susie Ngamsuwan for catching the fact that I'd attributed this tile and video to the wrong CZT.  Wow, much appreciated.

                                                                    *******************
Note:  I've been doing a LOT of copying lately, along with watching videos and going along with them.  I always credit people as I'm copying.  I'm on a mission to learn from a wide variety of tanglers whose skills I admire, and if that means I am copying for awhile, that's ok.  It's a powerful way to practice.

Here are three quotes about copying as an effective tool in learning art:

It would have been the equivalent of Jackson Pollock's attempts to copy the Sistine Chapel. (Malcolm Cowley)

But Shakespeare's magic could not copied be;
Within that circle none durst walk but he. (John Dryden)

If my students seem to copy me when they are learning, that is good. It shows they are listening and trying to do what I tell them. They will develop their own style soon enough. (William Draper)

                                                                **********************

Finally, I took these two photos only one minute apart.  The first one, on the left, was taking on a white background in indirect daylight.  The second one--using the same camera with no setting changed--was taken a minute later on the blue background and in direct sunlight.  WOW--look at the difference!  It might as well be two different pieces, but it isn't.  Isn't that incredible!  It never fails to amaze me how light and a different color in the background can make the same thing look totally different.

PS:  The one on the left is the actual coloring of the tile.

Looking out the window this morning, I noticed the back yard appeared to be covered in light snow, but of course it was merely cottonwood puffs adhering to the grass. 

Everywhere.

It's that time of year again, when we have a blizzard of them floating gracefully down to earth.  As I look outside just now, I see them coming down at the rate of a snow-squall, despite the late spring warmth and the heavily leafed-out trees. 

From what I recall, this goes on for weeks.  Two weeks?  Three?  This area was (and still is) a major source of poplar wood.  The leaves of the poplar (another name for the Cottonwood) are somewhat heart-shaped and may have inspired the following tangle.  Or not.

This was inspired by a class from this spring's "Artifex Eruditio," (Latin for "Art Learner").  Actually the class sample looked absolutely nothing like this--I went entirely off-road as usual, so mine doesn't look like anything that was taught in the class.  I did some of the line work yesterday, more this morning, and then added color this afternoon. 

I am not usually fond of using hearts in my pieces, so I'm blaming this on the fact that it's Cottonwood Season.

I am a very fortunate person.  Very.  Yesterday, a weekend day, I had to call for help twice:  My air conditioning broke in this very hot weather (mice in the compressor chewed thru the wires and blew a fuse) and later I had to call a plumber because of a leak in my kitchen faucet spewing water everywhere.  Why is that lucky?  Because when I called, both of them came within 60-90 minutes even though it was a weekend, both were wonderful and both problems got resolved completely.

I'm also very lucky because I have water.  And because I even have air conditioning.  But especially because I have water, when so many in the world do not have safe drinking water for miles, let alone in their homes.  I know how lucky I am.

Below are two pieces:  the first is my attempt to draw a tangle called Drawings (pronounced "Draw-Wings").  I've never been all that good at this tangle but I love the way others do it.  Yesterday I was determined to improve so I drew it on a post-it note and gave myself permission to mess up bigtime if that's what happened.  So of course it came out pretty well.

I was really interested to see how well it came out when I deliberately reminded myself that the outcome did not matter.  Just the practice.

After doing the post-it, I looked over at a tile I'd been stuck on for several days.  I mean, I was REALLY stuck.  I was planning to discard it.  It was not symmetrical.  The center sphere wasn't really a sphere.  I had no idea what to do next and most of it was blank.  I'd done the two tangles Snelly (as the "string" or container) and inserted the tangle Aleuba--this is a tile for Hanny Nura's Full Moon Mosaic on FB where each month she suggests a string and one or two tangles, always involving the moon somehow, and then everyone does what they like with them.  Including adding other tangles.  So I'd created the string and inserted the second tangle she suggested but the tile looked awful.

What the hell, I thought, I'll throw in some Drawings tangles in those big empty spaces.  Just for practice--this can't get any worse.   And then I'll add a bit of color.  What came out was this, which I quite like even though it's still asymmetrical.

Well of course the big lessons are:  Unless it's a life or death issue (just about never), give myself permission to screw up and see what happens.  And the typical, constant lesson from Zentangle® is:  don't give up on something.  Keep working.  If it fails, so what?  It's just a fifty-cent tile.  It's just practice.  I feel like I got lucky again.

Seems to me that all of life is just practice.  Right?

Where the heck did that come from?  Sometimes one cannot control what falls out of the pen.  This is the result of going to Amy Kam CZT's free, ongoing Sunday evening gatherings called Tangle Time, which I've mentioned in my previous post and several others.  Somehow I can never stick to the script and this oddity is the result of last Sunday's work.

I'm trying to get another rug underway and running into some design issues, so that explains the recent lack of tangling.  I'm missing it, have lots of things to explore and hope to get back on track this coming week.

I did this during a class with Debbie L. Huntington, CZT.  I was impressed by the wildly different results achieved by the students--each Zendala was completely unique.  It was my first try at watercolor pencils; it won't be my last.

Here is the "mystery" from yesterday--solved.  Joanna Quincey of Zenjo taught a quick class on Teabag Tangling  Now you know what I was doing with that mess of teabags in my previous post. 

(PDS:  thanks so much for collecting for me, since I don't like or drink tea!  I have enough to keep me going for a while.) 

Jo is a terrific and inventive teacher.  Here are my first tangled teabags.

Massively fun to try out!  Thanks, Jo.

Done as of today.
(the insomnia is not related--have had that 3 nights in a row already)

I hope you'll help stop/slow this plague by getting vaccinated as well.

Truly, I am a lucky gal.

I did this tangle last night for a friend whom I think of as a  real gem.
 
  This woman has been my mentor for the last two years in a meditation teacher training program.  She has been unbelievably kind, sensitive, helpful, and has drawn liberally from and shared her own deep practice and her decades of experience teaching meditation to others.  In the process she has been a powerful example to me, as well as to the other four people in my small peer group for the last couple of years.  We have been fortunate to know her.

In Buddhism there are many lists, one of which is known as "The Three Jewels:  The Buddha, the Dharma, and and Sangha."  I mailed off this little Zentangle® Gem Portrait today with that in mind, to say thank you to her.  She has managed to embody the Buddha's teachings, transmitting the Dharma clearly and faithfully, and with patience and kindness has helped us to form a peer supervision group (the Sangha) that will continue long after the program ends.

Thank you, Adi.

"...You should understand that you are one of the Three Jewels. You shouldn't put the Three Jewels outside of yourselves; you should always think of yourselves as being one of the Three Jewels—and that includes your body, your speech, and your mind.”
― Dhomang Yangthang, The Union of Dzogchen and Mahamudra

This is the result of a truly wonderful class with Stefanie vanLeeuwen this afternoon <@tanglestudiostefanie>.  There were students from Canada, the USA, Holland, Germany, the Carribean, and Spain.  We had such a good time and I certainly learned a lot.  I'll be trying this method again with other forms and colors. 

Every person in the class produced something very beautiful--the sign of an excellent teacher.  Stefanie had everything extremely organized well in advance. 

I chuckle when I contrast the sense of control I have with colored pencils to the lack of control I have with watercolor; see yesterday's post for more on that.

Art is truly endless learning. 

"Regard everything as an experiment," said artist Corita Kent.  Words of wisdom.

Out my back window, immensely tall trees are swaying in a wind passing through the back yard.  I'm thinking about the way the light makes the sky at this moment--just before sunset--look like stainless steel.  Exactly the color of stainless steel.  Clouds have blocked the setting sun and as I watch, the tone of the clouds shifts slightly more towards blue.

I never tire of watching the changing sky, or the way the gray and brown tree branches dance across it, finding their own rhythm in the evening wind.  This light is moving us gradually from day to night.  It subtly alters the cloud colors in each passing moment. 

Just like thoughts change, and just the way life changes from moment to moment. 
I want to be fully present for this moment.  Just this moment.

When I finished typing and looked up, I could see a horizontal band of luscious rose-tinted light crossing the sky below the stainless steel and blue clouds.  And below that, a band of gold-white from the last rays of the sun. 

Exquisite, this moment.

It never stops, the learning.  Here I'm trying to learn a Zentangle® technique called TranZending--a form of layering one pattern over another.  I've never really gotten the hang of this before, but am happy with how it turned out.  I watched one of ZenLinea's videos and followed along.  What I learned:  for one thing, even tho she suggests some very very faint white colored pencil guidelines to start, and I did make them faint, the wax in the colored pencil still acts as a "resist" and doesn't really get colored over later on.  Which is fine -- even promising -- if it's a design element.  But here it wasn't meant to be a design element.  Now I know.

I may try this one again.  Lots to learn, and I'd like to try the guidelines in graphite and see what happens.  Once I figure this out, I can apply to my own future tangle designs.
Here are the beginning and mid-stages of this piece:

Bubble Gum Pink Anything is always a turnoff for me.  However, I discovered a blank but watercolor-washed tile that qualified as  that shade or something really close.  Someone else had done the wash, and it was in a pack of pre-colored blank tiles I bought from a vendor at a Zentangle® event a decade ago or so. 

I wondered what, if anything, I could do with it when I ran into it yesterday.  The color was hurting my eyes (as you'll read below, the photo actually drained out most of the eyeball-popping bright pink).

Since I am so rusty and trying to get my drawing mojo back, I'm studying instructions from other teachers whom I respect, and Zen Linea certainly qualifies.  So I went to SkillShare and logged onto one of her videos and tried this on the Bubble Gum Pink tile.

Interesting to note that in the light available when I took this photo, the "Bubble Gum" quality of the pink really calmed down.  Trust me:  in person, the pink is MUCH louder than it looks here.  And the violet color is much more subtle.  So interesting how color can photograph.

But here's the fun part.  At the end of the video I was using, there was a list of projects previous students had done.  Not only was I shocked to see I had done this video before, but I had done in exactly one year ago today. 

I had no memory of ever having done it before.  Not only did I do it then, I did a second, alternative version the next day.  So this version is my third.  Pretty comical.

Here is the start of a mandala, just the beginning linework. 

I drew this last night while studying one of Romi Marks' videos.  I screwed up the center--but luckily, there are "no mistakes!" in Zentangle® and so I just kept going and did my own thing in the center.  And I like the way that came out.  I also changed a few things in the next layer.

This is one major thing I learned about drawing since I've begun to draw regularly.  In fact once I began drawing in the Zentangle® tradition it was resoundingly, repeatedly, and overtly reinforced.:  There are no mistakes--keep going and see what you can make of what is in front of you.  90-95% of the time, not only can you work through whatever is there but you can actually surprise yourself with a good result. 

It's the same in meditation.  And, I believe, in much of life in general.  What about that other 5-10%?  Anywhere from "meh, or disappointing," to a genuine catastrophe.  But still, those odds sound pretty good to me.

So I persevered and began adding color.  Big difference!  Encouraged, I drew the outside of the tile and stopped there for a bit, having worn myself out for the day:

And here below is the finished tile.  I'm glad I stuck with it.

I did this last night just before I went to sleep.
My thought in this moment, this morning:
The Wheel of Change rolls on, every moment of every day. 
Let's roll.

Although it's too bad they are necessary (although they certainly are necessary!), a kind friend just sent me 3 masks that didn't fit her but will fit me.  Recognize the the fabrics?  Designer:  William Morris.  (A.K.A. "That wallpaper guy," as a good friend calls him, which cracks me up)  I adore Morris and will be so happy to wear these.

As mentioned in yesterday's entry, I went to a meeting with CZT Tomomi Galeano where she had us practicing the tangle Waybop.  Many people find it hard to do.  I knew it would be a fun practice.  We all just used scrap paper, and I used cheapo printer paper--in fact, I did this on the back of a bill, or what I thought was a bill, that I was planning on recycling. 

Tomomi just did this as a free meeting for anyone who wanted to come.  Another kind friend.  I feel very fortunate with the number of kind people in my life.

Want to see the plain unvarnished first version?  It's in yesterday's post.

The misshapen exterior is caused by my just cutting out the paper around the tangle.  I did this exercise as pure practice and you can tell by the wobbly lines I was making decisions as I went along.  I didn't expect any result, but was sort of charmed by it when it was done.

I finished it with some shading and color this morning.  It turned out to be a good day for Waybop, or "bopping around."  Suits my mood.  Of course we still have turmoil ahead, but I believe we are up to the task.  And today's weather where I am:  absolutely exquisite.  Warm but not hot, unexpectedly. 

Similar to meditation, where some days are a slog, and others are just full of unexpected delights.  Today is one of the latter.

Then, to my astonishment, when I finally flipped over the cheap paper, I realized I hadn't done it on a bill.  I'd done it on the back of an email a friend sent me with a list of Peace Songs we would be singing together (on Zoom, of course).  Interesting "coincidence" with the news today.  May we all find peace in the years ahead.

It's a day for relief, and delight.

Above is yet another tangle I have never particularly liked:  Rain (it's the outside tangle on that tile).  And yet I am surprised at how much I like the way it works as a border.  Challenging myself to use it was a good idea.

After trying that, I decided to try the tangle Waybop on a piece of scrap paper, so I stuck this on the back of a bill I had paid, and which I'd already tossed in my recycling bin.  It's on cheap copy paper and isn't even shaded.  Perhaps if I do shade it and the appearance changes dramatically, I'll repost the update on another day.  I had fun experimenting.

"Try things against your grain to find out just what your grain really is."
--Irwin Greenberg

We have no choice but to start from wherever we are, yes?  I've finally had the time to start tangling again, but my recent lack of practice means I've gotten very rusty.  No matter.  It's just where I am in this moment.  The tile at left is not one of my favorites but it's the truth of things.

The tangle is Auraknot, one that I've never quite "gotten," always making mistakes.  In the past its' been frustrating!  This time I finally got it, and did it successfully.  One time as the frame, and then five additional times inside the frame.  I was excited and pleased for myself!

But here's the thing:  I'll probably never like this tangle.  Even now that I know what I'm doing with it, it's just not that attractive to me.  Maybe with more practice?  We'll see. 

It does make me think of the old saying from the I Ching, however:  "Perseverance furthers."  It was so satisfying to figure out how I'd been going off-course and correct myself.  Now this tangle comes easily to me.

Many lessons for me here.  We really can only begin anything from right where we are in that moment.  And repetition can really pay off--in daily life and in formal meditation.  Finally, we each have our preferences, and it's important to notice them.

With all that is going on externally in this country, tangling provides such a lovely respite and rest.  And the more I do it, the more begins to come back to me.  I'm working my way through Gratitangles2020 and I'm way ahead in the month already because I'm enjoying the process so much.  At this rate I'll be done early.  Here are two more tangles.

Ah, here it is.  The prime example of Don't-know Mind, that shocking moment of extreme uncertainty.  I write this the day after the election, during a time when we still don't know the results. 

Here we sit. 

It's not comfortable.  But that is the truth of this moment. 

Even once a decision is clear, we still will not know what happens next.  In fact, we never can know what happens next.  We are always in Don't-know Mind; it's simply more obvious today than usual.  Since we are wired to prefer certainty, it's so much more convenient to ignore the reality that Don't-know Mind is our continuous state. 

Another thing I don't know :  who stained or painted the small square of watercolor paper I used to tangle on last night.  To whomever you are:  thank you.  The staining was faint but spread in lovely fashion across the paper and provided a wonderful smear-y background for linework and bits of color that I added.  I like the way the original background spreads out beyond the border here.

I rarely do either of these tangles, so every line on this square is a product of Don't-know Mind.

Thank goodness for Zentangle®, which is amazingly relaxing, even in the most uncertain times.

I was able to spend more time practicing yesterday and working out the rust and kinks from not having tangled much in the past months.

And here on the right is my pre-practice Palrevo "Mini-Me" with instructions and information noted on it:

Palrevo is definitely a high focus tangle, but very rewarding.  I completely enjoyed myself.  I warmed up by doing the tangles I posted yesterday.  It is totally wonderful to be tangling again, now that I have a bit more time.

Every day I make time for meditation practice.  I realize I need to make time every day to draw.  It's not called "practice" for nothing.  It makes all the difference in meditation, and in everything else.

Practice doesn't make perfect. Practice reduces the imperfection.
--Toba Beta

Finally my schedule is starting to clear, so get ready for some "bad tangling."  I'm amazingly out of practice but happy to be starting up again, and here are the so-so results. 

Why am I posting these?  Because they are true.  This is where I am now.

Just as in daily meditation, I am essentially beginning again.  We all do this hundreds of times every day, with many issues, without realizing it.  A meditation practice is cultivated over time, time each day.  And with Zentangle®, just like with meditation, lack of practice will show. 

But in essence, WHO CARES?  There are no meditation police, and there are no Zentangle police either.

Julia Child's motto (The French Chef on PBS for so many years) applies here:  "Who's going to know?" she chortles in her fabulous high-pitched voice, as she picks up the raw chicken she just dropped on the floor as she's being filmed and goes on preparing to cook it.  As she pointed out, the oven would take care of any germs.  I have always loved this moment of her show.  She was always beginning again, with humor and enthusiasm.**  Someone undoubtedly ate that cooked chicken, and no one got sick or died.

So FINALLY--yay!!!!--I am getting to begin again after months of not being able to tangle.  Here is what that looks like.

It's "Inktober" again, so tanglers are embarking on a daily draw.  This is an experiment with the tangle Flux, drawn on a tan tile.  No pen used, only General's Chalk Pencils in olive green, white, and a scoche of blue.

I was curious about what would happen without the hard line from a pen, using a lot of blending.  This is the result.  I nicknamed this one, "It's only a dream," and went to sleep shortly after finishing it.  Sure enough, I had vivid dreams all night long, and they were just as vague and ethereal as my tangling before bed.

Here's the Inktober link for tanglers (meaning, this is specific to tangling).  Inktober has a number of genres--sketching, writing, etc.  There is a prompt for every day during the month of October every year.  I'm following the one for tanglers, but you may want to google some of the other genres if it interests you.

** According to Snopes, that episode was slightly-but-not-very different from what I remember:
"She was cutting the poultry up (which, as I recall, was a chicken), and it slid off the table onto the floor. She picked it up and said either, 'We’ll pretend that didn’t happen,' or 'Just pretend you didn’t see that.”' She continued cutting the chicken up."

To continue:
Sure enough, the rust in my hand shows up even more here. 

Once I sat down this morning I couldn't stop tangling.  Although it's only the 2nd day of October, I have tangles from the prompts for Days 1-5 on this page so far.  If I keep on, the page could turn into a hot mess, but hey.  I'll keep on anyway. 

The ONLY tangle here that I knew before this morning was Flux (upper border).  Every other tangle was completely new for me. 

Oops, I take that back--I know and love Pepper (day 5).  But Anthem (day 3), Jackstripes (day 2) and Unbirthday (day 4) are all tangles I've never heard of before.  These are all first-attempts.

You can also see some pencil-drawn string lines on the page; we'll see if I do anything with those.

As my idol Julia would say, "Just pretend you didn't see that."

Sometimes we are dealing with circumstances that beg for a focus on equanimity or calm.  (And who doesn't need that these days?)

I've been taking a 3-session class with Alina Smolyansky of Vancouver called Neurographica for Artists.  Very, very interesting.  Today we did the final class, a Tree of Life with a theme, and my theme was "Calm" or "Equanimity."  We had just a small introduction to this method of art and healing, and it was fascinating.  While I'm probably not able to take a Basics for Users class right now--just too busy--I intend to at some point.  Another wonderful form of art to explore!  Eventually. 

Equanimity requires some practice, and practice requires time.  In order to achieve my own equanimity, I need to cut down on commitments for a while.  Otherwise I would have signed right up for her "Basics" class.  Thanks, Alina.

Another insomnia tile, drawn one night and added to a bit the following day,  then finished 2-3 days later.

Here is the tile as I finished drawing it, with no shading or color.

I think I do some of my best tangling when I can't sleep--and I rarely have consequences (tiredness) the following day.  If I can't sleep and don't tangle, I'm often exhausted the next day.  Hmmm.

Hotter than Hades where I live this week; I'm lucky to have good air conditioning or I would be prostrate on my floor. 

Instead, I have been too busy to tangle or do any textile art.  It's all been great--I am engaged in teaching two meditation classes each week in July.  Both are practicums for my 2-year Teacher Training Program and the outcome will determine whether I get certified to teach mindfulness meditation or not.  When my in-person practicums fell apart due to the pandemic, my kind and generous fellow CZTs rescued me by signing up in droves for the two online courses I hastily put together. 

CZTs are incredibly nice people.  I was amazed by the level of interest in learning mindfulness meditation and will probably teach a couple of additional courses to try to accommodate those on the waiting list--and the global time zones of the would-be participants.  They came to my rescue from all over the globe!  Thank you from the bottom of my heart, my friends.

This has meant that I haven't done any art in weeks.  So about 4 nights ago, not having the energy to think, I decided to just draw lines on a tile that I had begun years ago; I had used a leftover "snowflake" paper cut-out I'd made years back and then it just sat there for a few years.  I found it the other night and my first three nights were spent just drawing random relaxing lines inside the string.  I did not use any tangles except Tipple.  And perhaps a case could be made for Pokeleaf but I wasn't even aware of or intending to draw that.

Here is the initial finished black and white tile:

It's possible I should have just left it plain like that, with some shading.  But today I did add color and shading and ended up with this.

I'm not sure what I think, or even if it matters; I am only sure that I enjoyed every line I put into this, so whatever the outcome, the process was very relaxing.