"Nobody can discover the world for somebody else. Only when we discover it for ourselves does it become common ground and a common bond and we cease to be alone."
Earlier this week I was fortunate enough to spend four days in the company of over 200 artists, drawing. Meaning, doing Zentangle®. I really cannot describe the experience other than to say it was sheer heaven. Also exhausting. One thing I can say for sure is that I was scheduled to go with a good friend who was unable to come at the last minute due to illness. I really missed her.
This particular tile measures ten inches by ten inches and was one long moving meditation.
In October there was the "Inktober Challenge." In November, there is something called "Gratitangles2018." A challenge in the spirit of the American Thanksgiving holiday. I don't know if I will be able to fully participate, but here is Day One of this challenge. The tangle is Rain, and I did this on a Renaissance tile with brown and black microns and a white 08 gellyroll with graphite and a bit of General's white chalk pencil. Gratitude that my friend made it safely through her surgery.
Below is my version of a tangle called Pais, which is the Day 6 tangle in the Inktober2018 challenge. I'm curious as to why I seem to be keeping up with this challenge when I rarely can with others. Maybe because I'll be teaching a class soon and want to practice as much as I can, or maybe just because these tangles are "monotangles" (only one tangle requested per day, although there's no rule saying you cannot use as many as you wish). At any rate, I'm having fun.
Pais (the tangle name) used as a string with many other tangles inside--some Wud, Crescent Moon, Tipple, Striping, a hint of Diva Dance, Meer, and others. Done on a tan Zentangle® tile with a brown Micron 01, blue and white colored pencil, some chalk pencil. I had fun with the background on this one also.
Yesterday was an odd day. It's been a tough week politically (to say the least) and then I had a few additional major concerns about friends. I just couldn't settle myself, no matter what I tried.
Finally I dragged myself out of the house and went to see this wonderful art exhibit by Jen Luck Hale, below. I had seen the publicity and knew that colors would help me cheer up. And they did. If you are anywhere near Western MA in the next month or so, don't miss this one. It's not just "snowflake-y" cut paper, it's cut paper in great colors with nature as the theme. Plants, birds, fish, insects...it's all there. And oh, the colors! What a talented artist she is. From what I have read, she does NOT draw on the paper, but just "cuts by eyeing it." Wow. Read about her process HERE. Details and a couple of photos below.
Don't you feel better just looking at those colors?
This (below) is only a small portion of what is on display.
This is the final post in the series on the Zentangle® workshop I took last weekend with Martha Huggins and Molly Hollibaugh. I'd be the first to say how lucky I am that I had the chance to do this.
Here were the final tiles that we did, and their mosaics (if that language is foreign to you, have a look at the first post in the series, on May 20th).
Of course, we then put our tiles together into one large mosaic. Look at the variations.
And now for something completely different. After the above exercise, we went on and practiced doing "embedded letters." This was great fun. We could use our own initials, or someone else's initials, or just use initials of words with meaning to us. Here was mine:
Here's the wild mosaic that was made by everyone's embedded letters:
Such variation. Truly lovely.
And we finished - and ran a bit overtime, which meant we didn't get to do a mosaic on this one - with one tiny Bijou tile using Huggins:
It's no surprise that we were all exhausted after all that drawing. But good-exhausted. What a weekend. There was a surprise appearance by Rick and Maria, the founders of Zentangle, on Saturday afternoon, but the weekend was owned by Martha and Molly. Fabulous job, ladies. Thank you.
This was the final tile we did at the workshop that ended yesterday. I've referred to the Perfs (the official Tangle name) as "Pearls" in the title of today's post because they look that way to me.
Because the venue needed to ready the room for the next workshop, there was no time to do a class mosaic so I don't have a picture to show of what would undoubtedly have been a really magnificent collection of tiles. I really enjoyed creating this one, and would like to play more with this particular string. Thanks to Martha & Molly for a truly amazing experience.
When I got home last night it was smotheringly humid here, really unpleasant. But overnight the weather shifted. Here was Dave Hayes the Weather Nut's forecast this morning. It cracked me up!
"THE 411 FOR THE 413: SUNNY, WARM, SWEET, NICE, AWESOME, PLEASANT, KILLER, GREAT, LOVELY, FABULOUS, MORE PLEASE, AND THANK YOU..."
He turned out to be 110% accurate. Love him--so helpful. It is absolutely exquisite out there. I just took a long walk and spotted these phlox broadcasting their extraordinary color along the sidewalk. Most phlox here are shriveling up now, but because these are in shade for much of the day they're still going. In person, the color is nearly psychedelic, almost too much for the eyes.
This little beauty is a much smaller mosaic that the one I posted yesterday, but it is the same pattern I posted yesterday. I took this shot of "3-Z tiles" placed into a tiny four-person mosaic before everyone else at the workshop added their own tiles. Even though it's small, I had trouble remembering which was mine, but I finally determined it's at the lower left.
This is an even better illustration than yesterday's of how we all heard the same instructions, and we all used the same materials, and yet each person produced a unique result.
Life is like art - it is all about interpretation.
Just back from a workshop led by Martha Huggins and Molly Hollibaugh of the Zentangle® family. (If you are unfamiliar with Zentangle, click on that link and prepare to enjoy their well-done website loaded with art eye candy.) I was very fortunate to attend with a good friend, and we got to spend the whole weekend doing art. Such luxury!
I have many more photos to post but to start, here are examples of two tiles we did this morning. After both my own tiles, I'll post the mosaic from the group. Not familiar with this terminology? Not to worry, here's what I mean:
"tile" = a small piece of paper that we draw on, and
"mosaic" = the collection created when a class puts all their tiles together.
The fun of the mosaic is that everyone has heard the same instructions, but look at the assembled collections of tiles below (mosaic) to see how individual each tile is. And yet they go together wonderfully.
Here are my own two tiles, and the class mosaics follow.
The mosaic of most of the tiles based on Printemps. Some people used Renaissance tiles for this one; most people used white. Isn't this an amazing mosaic? Not everyone had time to contribute a tile but I think this was the majority of the class. We all heard the same instructions; note all the differences and yet they all work when put together.
Following Maria's instructions and working with the small Bijou tiles from the Zentangle® folks' Project Pack 02 resulted in this tile. Yes, it's a mash of half a black Bijou tile and half a tan Bijou tile, using the tangle Mollygon. I used a black Micron PN pen, graphite, an 08 White Gellyroll pen, and a White General's Chalk Pencil. Such fun to do!
My second tile. Same type of mashup as above, same materials used. The tangle here has been named by a few people over the years but I know it as Curtinz by Kate LaMontaigne..
Of course, it was immediately obvious that one could put the 2 tiles ( = 2 Fragments) together and turn them different ways to achieve different effects. This was one way.
Now, of course, I had to make a couple of additional tiles--I wanted to make 4 and I had just enough supplies to do so. Here was tile #3.
Same materials used. This tangle is a seldom-used one called Sedgling. I wonder why it has been forgotten. I like it a lot and think I'll be using it more often.
The last tile I did was based on the tangle Toodles. I tried experimenting with Toodles and did 2 versions of it, one a kind of "Pokeroot-based" version and the other a kind of "Pokeleaf-based" version, mixing them together.
And now to put all four fragments together. This is where turning the four fragments created different effects. I'll spare you all the variations and limit it to just two. Here's the first mosaic with the black halves in the center:
...And then, just by turning the tiles, here's another effect with the light halves in the center. This is the power of working with fragments. Very fun indeed.
I'm enjoying the wonky look. I'll definitely want to do a few more of these.
The thing about Zentangle® is that you never know where it's going to take you. Much like life. I began this tile 2-3 years ago--it didn't look anything like what you see here--and left it totally unfinished. Abandoned. I re-discovered it two days ago while unpacking (yes, I am still unpacking after 9 months of being here) and somehow just couldn't throw it out, though I was tempted. It stared at me and challenged me to reconstruct it or make it work in some way.
Basically it began life as a black tile which had been roughly shaded sort-of-white with the use of a soapstone, and then I think I had used some type of tool to see if I could score the tangle "Tripoli" into the soapstone background. It didn't work and I loathed the look of it. So put it away. I find it hard to believe that I didn't just toss it.
I finished it today in a very fast, sloppy way--because it was "just an experiment"--and now I rather like it. It has a pastel or oil paint-y look to it. I completely ignored the unpleasant beginning and re-built the entire concept.
This reminds me of something I learned in my childhood: A family member once accused me of "never finishing anything you start." I thought about it for awhile, got mad, and then decided she was right. So I made a major effort over the next few months to go around and finish all my unfinished projects. I must have been about ten, and I remember the resulting satisfaction. Although I hadn't liked the criticism, it spurred me to develop discipline.
Since then, it's rare for me to put something away unfinished. If anything, I've gone to the opposite extreme--I sometimes finish things immediately that might benefit from a longer pause.
(I do have one quilt that has been "paused" for 40 years. Er...it may be time to get back to that one!)
The other tile I did today was this one below. I'll put the completed tile first and then include two photos of the very beginning and the middle stages. (I know the tile background looks different in the photos but it's all the same tile--just different lighting)
Some things--like unpacking--take me longer to finish, because I just don't like doing them. But eventually, that learned discipline from childhood takes over and they do get done. It just takes me 50 times longer to get to the finish line than it does if I enjoy what I'm doing.
As a non-holiday celebrator, I appreciate this quiet time of year (especially tonight, Christmas Eve, and tomorrow) and always give myself permission to do whatever the heck I feel like doing for a couple of days.
That does not include unpacking.
It does include reading, drawing, tangling, and general lollygagging.
Happy Holidays to all, and to all a good night!
In my family, we would say goodbye to someone by waving and cheerily calling out, "Toodles!" It always implied a merry, carefree departure.
The Zentangle® folks just came up with this tangle and one of their grandchildren named it Toodles. In the tangle context, it hardly seems related to any type of goodbye, and is just a very versatile and totally fun tangle to draw.
Here was my first attempt (not altogether successful, but I like it anyway):
And after yesterday's involved work, I thought I'd like to try to keep things simple today, so this was my second attempt at Toodles:
Definitely a fun piece to do and so very simple.
Simplicity is nature's first step, and the last of art.
--Philip James Bailey
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), a long-time meditator, a certified meditation teacher and coach, and focused on learning about the interplay of art, creativity, and mindfulness every day.
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society