“When I started counting my blessings, my whole life turned around.”
Another piece for the Grati-tangle2018 Project. This is the start of Thanksgiving Week here in the USA, and it's good to be actively looking for things to be thankful for in these very troubling times.
As I worked on this one, I really focused line-by-line and enjoyed the meditative aspect of the drawing. I was thinking about how fortunate I am to have a home, food, warm clothing, and good friends. All things that so many people in this world do not have. I was also thinking about how happy I am that my friend who has been dealing with a very tough health issue is on the mend...not that it will be speedy, but she is getting better.
Lastly, I was grateful for having found this Oriental rug at a local auction last Friday night and paying next to nothing for it. Only one other person bid on it and I won.
My friend Susie from Thailand and I were discussing images of Buddha and agreeing that one doesn't have to be religious or have any belief in Buddhism to enjoy the wonderful art inspired by his history. The art on its own is peaceful. She commented on this after seeing the white-clay Buddha in my previous post (July 20th).
I drew the picture above several years ago, probably around the time I bought that small white ceramic tile. It represents the "old" in the title of this post.
It's true--just looking at images of Buddha always makes me feel calmer, and I remember feeling that way when I drew this. As a long-time meditation practitioner, I'm interested in Buddhism for its psychological value--it is a truly wonderful way to challenge our own thoughts, and to learn kindness. I'm happy the West has finally discovered the wisdom of Buddhist thought, and at the same time, I never think of Buddhism as a religion and do not believe that the Buddha ever intended it would become a "religion" with all the attendant dogma.
Far from it.
After digging out that drawing today, I thought I'd spend some time tangling, trying out a tangle called Zonked, by Barbara Finwall. Susie had just done her version of Zonked (see the 3rd tile down in her post) which I loved, and she inspired me. While testing it out, I added Hanny Waldburger's tangle Namaste, in honor of of Buddha. This represents the "new" in today's post title. Here is the result.
If you are also a fan of Buddha-heads, you may want to check out Virginia Peck's lovely art here.
And now, it's time for me to go meditate.
...during which, I promptly fell completely asleep. Which suggested to me I needed to wake up and keep tangling. First I finished the meditation, then I did this. While not my greatest result, I like it on several levels.
I'm not blue, I just worked a bit with blue today. Two tangles totally new to me.
You know, I'm not much of a fan of drawing hearts. I like seeing them when others draw them, but somehow I am just not attracted to doing it myself.
But in trying to learn to draw knots, I was asked to do just that--draw a simple heart border and convert it to Celtic interlaced knots. And when I finished, I was most definitely thinking about hearts--our globally connected hearts--and how much pain the world is in today. The focus required to draw interconnecting bands on knots reminds me of how we forget every day that we are dependent on each other to survive, and dependent on each other's love and kindness. We forget and forget and forget.
I want to remember.
There was another school shooting in the US today. My heart breaks, and continues to break, because of these repetitive, mindless, violent, deadly shootings, the innocent victims, and their families.
It felt very right to be drawing hearts, and connecting them.
Here's what I ended up with:
Certainly the calligraphy isn't great because this is just a practice draft, but I am happy with the final result.
Here was where I began (Step One in pencil), and below that, here's what it looked like inked in (Step Two).:
I've been taking a fabulous SkillShare Course on Celtic Knots offered by Sadelle Wiltshire, of whom I am a fangirl. She makes wonderful art you can see on her webpages, HERE or HERE.
Interlaced. Interconnected. We are. We must be. When will we learn to remember?
"Having a soft heart in a cruel world is courage, not weakness."
Last week of the "Sketching and Watercolor" Course. It has been hard to keep up, although I can't exactly say why. Probably the fear of failure and fear of the blank page. Along with a healthy dose of "comparanoia," the paralyzing factor that happens when everyone's asked to post their pictures online--it's just too easy to start comparing, and often belittling one's own efforts.
So here's this final assignment, starting with the original object, a coffee pot.
I was looking at the pot from a slightly different angle than the photograph. I did a preliminary pencil sketch, inked it with waterproof ink, and then erased the pencil. After which, practically holding my breath, I picked up my waterbrush...
It ain't perfect, but I like it. Although I still feel verklempt about my progress with watercolor, I'm ok with this result. I may have whined at producing the weekly assignments, but it kept me working. And I know that when I'm working--practicing--some improvement will eventually happen.
I hope to keep working on my own. And yet...
Life does have a way of distracting us. Waiting in the wings and calling my name are (in no particular order):
"It is not enough to be busy. So are the ants. The question is: What are we busy about?"
--Henry David Thoreau
Here is the finish to yesterday's project:
Next came the homework for the sketching & watercolor course: painting a shoe. I'd done the prelminary sketching a few days ago (the November 4th post) and decided to re-draw and paint it from another angle. Here's the painting.
The drawing went fine, but as usual the painting didn't go well. The sole (the black thing under the shoe) did not end up looking like a sole. The real sandals are all-gray with a hint of gold where the light hits them. I feel "meh" about this painting.
Once the course is over (just another week) I'll be taking a more casual approach to learning watercolor. Something doesn't quite feel right for me with this course. She's a wonderful artist and teacher (I love her stuff), but perhaps she's beyond me at the moment. Still, I'm glad I did it. She's been great about providing feedback to every single one of a very large number of participants.
On the upside: I'm continuing to make progress on the kitchen and am actually finished. Until I live with it for a few weeks and begin to get a sense of where I would be better off moving things. That needs time, but everything's in an initial place for now. No more boxes! I cannot believe what a difference unpacking this room has made to me. I suddenly feel more optimistic and have a lot more mental space. Everything feels better. This is the half of the kitchen that has all the supplies for dyeing wool in one place:
"Organizing is what you do before you do something, so that when you do it, it's not all mixed up."
~A.A. Milne, Winnie the Pooh
"In any household, junk accumulates to fill the space available for its storage."
~Boston's Irreversible Law of Clutter
"Don't own so much clutter that you will be relieved to see your house catch fire." ~Wendell Berry
As I've mentioned in previous posts, I've been in intensive learning mode--taking a course on sketching and watercolor. I've been failing regularly in my attempts. And I'm also learning a lot. You can see previous entries on this experience HERE (the start of the series), HERE (scroll down to the bottom to see that one), HERE, and HERE.
It seems I can only do one thing at a time, though, so no tangling has been happening. I look forward to getting back to that. I am able to knit in the evenings, so I've been making Knitted Knockers (soft knitted prostheses for breast cancer survivors) and will soon have about 60 of them to ship out for distribution. Today I went to the local yarn shop and picked up these yarns for future Knockers: [If you knit, I hope you will seriously consider making Knockers for women who need them post surgery.]
I have also been unpacking and the kitchen is nearly ready. Given that I do not know how to cook, how ready does it need to be? Well, once I get back to rug hooking, it needs to be ready for me to dye yarn and wool. Today I moved my "dye chest" into the kitchen, and more equipment will come. I'm very encouraged about this.
Here are my most recent drawings and watercolors. I hesitate to even term these "watercolors" as I'm truly struggling with the waterbrush and trying to resist going back to regular brushes.
Let me begin with a photo of the actual roses I was trying to capture, in their vase. Both roses were well-past their prime and beginning to die by the time I finally got to start drawing them.
Here is my teacher's comment on this painting--and I agree with it:
"In this version, the vase became the focal point, rather than the rose. Another really lovely drawing and color, but I think what is missing is the whites of the page and the lights on the flower. Well done!"
The final compliment was kind of her, but the analysis about the vase becoming the focal point is exactly right.
Before I saw her comment, though, I had decided to go back and try to add to this with another layer of color, to better shade it...
The teacher hasn't commented on this drawing yet.
I was so frustrated working on it. Once again I had the sense that the paint got away from me despite my best efforts.
And yet...it's overworked, but I think it's also stronger.
More importantly, every time I try this, and fail in epic fashion as I have so far, I do learn something.
In fact, I am chronicling this in public all because I so strongly believe that we often learn best by failing. Certainly we can choose to resist learning from failures, but usually the lessons are so "loud and clear," they can lead to real success if we can heed them.
Or so I hope! Ha.
Which brings me to one of my all-time favorite quotes:
"Success consists of going from failure to failure, without lost of enthusiasm."
Some simple warm-ups and practices from the online course I'm taking. I have a long way to go but I'm having fun and quite like a few of these.
And finally, because I can't resist: we are seeing some autumnal colors arriving very late in the season. Here is the tiny tree out my front window. It was green as recently as 48 hours ago, and then suddenly...
This is a photo of a spirit rock. No, it doesn't refer to the remarkable meditation center in California. But it certainly it relates to meditation. A dear friend made it, covering the tiny stone with her hand-netting and adding those tiny beads She gave it to me as a housewarming gift. Both of us know that doing this kind of work is highly meditative--it's why I'm so drawn to art at this point in my life, along with a daily meditation practice.
Stones have always held a lot of symbolism for me, especially river rocks with their smooth round shapes and heft. They are symbols of wholeness, endurance, and comfort.
I will enjoy this sweet gift for a long time. It is so lovely to connect with much-valued old friends.
"A rugged stone grows smooth from hand to hand."
"Our lives are unique stones in the mosaic of human experience--priceless and irreplaceable."
--Henri J.M. Nouwen
Meanwhile, I cannot decide if I'm enjoying the "sketching and watercolor" course or not. I'm a bit puzzled by why I'm having so much trouble with the watercolor and specifically with the brush (watercolor brush). If it weren't the 2nd brush I've tried--with similar issues--I'd say the brush is leaking. Too much water swishing around, and you can see it's leaking outside the bounds of the apple (yes, apple...not a tomato) above. I could go on and on, but I won't. Let's just say I haven't had this experience before, not that I've had much experience at all. I'll keep going with this and see what happens. It's tough not to just grab my colored pencils, though.
In watercolor, if you are not in trouble, then you're in trouble.
In watercolour, particularly, it's almost always better to chuck than fix.
--Joe Joseph P. Blodgett
...Really? Guess I'll find out.
This is my first try at an assignment to sketch and paint some fruit for Jane LaFazio's course. I think it's going to be a lot of fun.
Hey, I can only get better, right?
That just has to be true. This is not my best work, to put it mildly. Ha. i assume I'll improve with practice.
After all, Oscar Wilde said: "Bad art is better than no art at all." Thank you, Oscar.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class will be for a private group in October. That class is full.
I'll be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society