Hmmm, I appear to be working on a series of posts with titles named after Snow White and the Seven Dwarfs. Yesterday was Grumpy, today Happy.
A good night's sleep makes all the difference (oh no--I can foretell a forthcoming post with the title "Sleepy"). That plus the fact that last year at this time I was still unpacking, and would feel terribly guilty if I tried to find the time to do anything creative when I felt I "should" be working on the house.
If I know anything about myself it's that a day or two without time to do handwork or drawing renders me hyper-cranky and anxious. I'm afraid I'm addicted. It doesn't matter if the result is only mediocre; it's the act of creating that releases stress and puts me nearly into a state of bliss every time.
Today I was able to do some rug punching (for a pillow not a rug) and at the same time practice singing. My singing was absolutely horrible, but who cares? The combination was my idea of heaven. Start of punched pillow is below.
Contrast this punched version with the identical but traditionally hooked pillow (see my post from December 27th) to see the difference between punching and hooking. Both of which sound either violent or sleazy, eh?
But they are the polar opposite. So soothing.
In less than a week, 2018 is done. I'm doing my annual review by re-reading my journal and reflecting. It's always a bittersweet process.
That's not all that's winding up. On the right is yarn I over-dyed yesterday, preparing for my next project. I just finished winding it into this yarn cake.
Here it was in the dyepot just before I nuked it for the final time. And yes, the lighting was different. The color in the photo above is truer. The original yarn, a worsted weight, was beige. When I saw this in the dyepot It looked so much like spaghetti I couldn't believe it.
Also winding up--and now actually finished--is this hooked pillow I put together yesterday. The pattern is from a vintage piece of pottery, and I'm thrilled with how it came out.
The yarn I dyed above is actually going to be used in a twin of this piece--I will punch hook the same pattern, to illustrate the difference between traditional hooking and punch hooking.
I finally finished my "Red & Black" rug today. This piece feels as though it's been underway for years.
It's not a big rug, either; it's probably about 2'x3' at most.
After I finished the binding and then the final steaming, I laid it down on my tile floor to dry and went into my journal to search for the starting date of this rug. I couldn't find it, but it has to be either 2016 or 2017, early in the year*.
So in actuality, I don't know how long it did take me. But certainly over a year. Things got incredibly complicated when I bought the house, packed up after 40 years in one place, moved, started unpacking, and broke my wrist.
There were a lot of lessons in this rug, and good memories too.
I thought when I designed it (yes, it's my design) that I could use up all of my red and black wool. Well, that didn't work out! The wool apparently multiplied itself secretly overnight and I am left with what looks like the same amount of red and black wool as I finish the rug as I had when I began. So one lesson is that wool you want to use up never fully goes away, while wool you are worried about not having enough of will ALWAYS run out in a crucial spot. Guaranteed.
I thought hooking in straight lines would be a cinch. Surprise! Not so easy for me. I learned I am not good at hooking in straight lines at all. But...I kept on truckin'.
I started it while living in one place, and finished it in another. I miss my Woolies so much...and at the same time am forging new friendships out here. I feel fortunate to be making some new friends. (But still wish my other peeps weren't so far away...)
I had to put it down and pick it up about a zillion times, with long delays in between due to packing, moving, unpacking, and my damaged wrist and hand. There was a major lesson in patience and persistence to get it done.
But I got it done. That's the biggest lesson.
"Nevertheless, she persisted."
*Addendum: Checking my photos of this rug, I see that I started it in January of 2016, so over two years from start to finish. Yikes. (I may have put it aside to complete at least one other rug in the meantime, however.)
A HAPPY SUMMER SOLSTICE TO ALL
(in the northern hemisphere)
This was my way of celebrating the Solstice and our gorgeous weather. I took ten skeins of fingering-weight yarn, each ten ounces, and dyed around the color wheel using the Wooly Mason Jar Dyeing Technique. Below they look even better, dried and rolled into yarn cakes.
This is the first time I've ever dyed the entire color wheel in one go.
I was trying for variegated yarn, which I prefer. I didn't succeed with the three primary colors (check out the evenly-dyed red, yellow and blue skeins at one o'clock, five o'clock, and nine o'clock), but I adjusted my method and am very happy with the variegation in the other nine skeins. I'll be using this technique to dye for my punch needle embroidery work, and also for future rug hooking.
Thank you Lucy Richards! (originator of this technique) Lucy should be canonized for answering all my dumb questions up to this point. Unfortunately I'll undoubtedly be sending more dumb questions her way in the future. But what fun, and I think I've finally gotten the hang of this. It can only build my confidence for future dyeing adventures.
If you read the previous post titled "A Good Yarn With a Sad Story," you'll know that a few days ago a friend and I took a very confused-looking cone of wool yarn from WEBS, carefully turned it into skeins, and made it glamorous.
Well, I went back to WEBS for more of the Sad Story yarn, because there was just one cone of fingering-weight yarn that I knew would be perfect for punch needle embroidery. And if you didn't already believe me about the sign on the shelf, here is a photo of it:
Unbelievably, the cone that I bought was in even sadder shape than the cone my friend had bought last week. Here is my cone on the shelf as I saw it:
It was this very yarn that I turned into the color wheel above.
I know it's much happier now. Me too.
The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with base notes, or dark lake with the treble.
I don't yet have a new project to dye wool for, although I'll be starting one soon. But I do have a dear friend who was visiting and interested in learning to dye yarn, so I thought it would be a good time to try out Lucy Richard's Wooly Mason Jar Dye technique.
And it was--we had a lot of fun last Saturday, even though we went "off-road" and did our own thing rather than following Lucy's directions. Why? Because I'd had no time to read Lucy's instructions and so hadn't done any of the prep work. She has a very specific and relatively foolproof system that I'm interested in learning.
Although we didn't follow her method, we still got into the dyepot and had a lot of fun. Here are some photos from the day.
Oh, and where does the title of today's post come from? Read on; the story is after the photos. Pretty funny.
The Lucy Richard method involves making dye solutions in jars. One of the 3 "starter" primary colors is Warm Blue, and that's what you see here on the right. We didn't have time to mix up all the initial solutions for this very exact method, so we ad-libbed and tried our own thing, which you see in the pink jar.
THE STORY OF THIS YARN AND THE TITLE OF TODAY'S POST:
We had gone to WEBS on Friday. While there, my friend decided to pick up some white wool with which to practice dyeing. After walking around in the warehouse, she spotted a poor...unfortunate...very small cone of white wool yarn sitting all by its lonesome on a shelf with a few other assorted fibers. This cone of yarn was. very messy and disorganized, to say the least. The strands of yarn in the upper part seemed to be trying to jump off the top of the cone and run away.
It looked like a fiber in distress. The tag said 100% wool and the price was only $2.50.
Next we spotted a sign on the shelf that said (I'm not making this up):
"Good yarn with a sad story." ???!!
Well, what could we do? She HAD to buy it and take it home. So she did. We carefully took it off the cone and wound it into 3 skeins when we got home. There was only about 40 ounces total on the cone, but it was enough to play with in the dyepot.
And so, our "good yarn with a sad story" actually got to have a happy ending. It now looks far more glamorous, and my friend will incorporate it into one of her beautiful woven wall hangings.
A very happy ending indeed.
Oh, and did I mention that she is now addicted to dyeing yarn? Yup. She'll be fabulous at it.
When I went to my last local rug hooking meeting, I only expected to work on my rug and have fun.
I had NO IDEA what would be waiting for all of us who attended.
We were treated to an incredible show of rugs from Turkey, China, and Iran by one of the members, Elizabeth Vierling. Dr. Vierling is a Professor of Biochemistry and Molecular Biology at the University of Massachusetts at Amherst, but she is also a rug maker and clearly has a passion for textiles. I took a million photographs...unfortunately my memory of her very informative commentary on the origins and purposes of each piece is fading fast, but here are some of the photos. Enjoy!
I believe this first piece was from Turkey. It is very large and I think Elizabeth uses it as a rug in her home. It is embroidered, using a couching stitch I think (see detail in last photo). Probably circa mid 20th-century.
The color work is just sensational. After ogling the piece (above) for a good long while, we all decided we are not using enough orange in our own designs.
Apologies in advance to Elizabeth for how much I have already forgotten of what she said about each textile. Her commentary on where she located each one, where and how each was created, and what each may have been used for, was fascinating. But in the week since I saw these works, all of her commentary has started to slide right out of my head. Darn!
If memory serves me--which likely it doesn't--below are two clothing panels embroidered by the Miao people of China (one of China's long-suppressed minority groups, now finally beginning to emerge and be recognized for their rich history and cultural treasures).
And if that weren't enough, there was more, and more still...click on each thumbnail to progress through the items, or just hit "Play."
One of the most dramatic textiles was the one below. I loved these tiny aliens. The work is so beautiful, and the colors vibrant. Each thumbnail has a different view (or you can just hit "Play").
Elizabeth travels for academic conferences, and is occasionally able to extend the travel time in order to take in more of the culture of the countries she is in. This is why she has been able to explore and research textiles on some of her trips.
Aren't we fortunate--those of us who were there to see this show? With thanks to Elizabeth for letting me photograph and post the photos, for her lively talk and especially for lugging all the heavy, bulky textiles to the meeting. All of her hard work resulted in a fabulous experience for the rest of us.
I have indeed been absent from writing for a long while.
It's nothing bad, nor have I abandoned my blog. Instead, life has been overly-full with good things, including two major projects. I'll write about one of them today.
I just returned from a less-than-24 hour trip to Cornwall, VT, where I stayed overnight at the Oxford Rug Hooking School and completed the requirements to become a Certified Teacher Punch Needle Rug Hooking. (!! Hurrah !!)
And as if that weren't wonderful enough, just look at the weather and views I had while I was there (even though I hardly had time to be outside).
There was earthy eye candy everywhere.
Here are some samples, a photo journey for your enjoyment:
Amy Oxford's school is a bit of heaven on earth, one of my favorite places to go and well worth the four-hour drive for me. (Although TWO four-hour drives in 24 hours just about did me in.)
And then there is Amy herself, one of the kindest and most generous people I know. A fabulous artist, teacher and businesswoman. And there is also Heidi the dye wizard, working her magic on both creative and administrative aspects of the school--and just as nice. (Heidi also can repair absolutely anything.)
It is sheer pleasure to be in residence there.
I am ready to collapse for the evening and try to take in the fact that I'm now certified...a fact which just makes me think, "But I have so much more to learn!"
My one regret is that I couldn't stay longer. Anyone who has been to the school and is reading this will know exactly what I mean.
As for the other project I'm involved in: that one is bigger, longer-term, and more disruptive, and may prevent me from writing much for a while.
It's all good. But it's also all-consuming.
To quote the old Beatles' move, Help: "I can say no more."
I have been busy today, despite excessive heat and humidity. Although it hardly seems possible that I actually needed to dye more gold yarn for my current rug (after all the excess I had at the finish of the last one), I did.
But dyeing during the heat of August is not my idea of fun. So what to do?
I woke at 5 a.m. and it was only 70 degrees outside, so I zipped into the kitchen and dyed four skeins before the heat could build. Hopefully this will be enough to finish the rug. After hanging the skeins to dry, I spent a few hours punching also and am coming close to finishing everything but the borders. on the rug Well, perhaps that's pushing it just a little bit...but I'm definitely making good progress and I think the above statement will be true after one more day of work.
Once I wound the yarn, I amused myself by making a yarn-cake mandala on my iPhone. Love these fun iPhone apps...
It's too early to show my rug design, but a took a photo of a small part of the rug and ran it through another iPhone app to make a spiral.
Wow, these apps are powerful...I love this and only wish my rug could look like this! Quite amazing. (Indeed, my rug looks nothing like this at all.)
And a happy Fourth of July to all in the USA. I am lazing about and having a quiet one; I'm also tidying up some of the many tasks on my to-do list. Everyone has left town. It's extremely quiet, and one telltale sign that it's a holiday weekend is the lack of traffic and a plethora of parking spots everywhere.
One of the tidying-up things was that I ran out of background yarn for an 8" sampler I was making (on the left above). So close...and yet so far. So, I dyed up a skein of yarn to match yesterday morning, and this morning I finished the punching:
I've gotten two other big tasks off my to-do list today, and made a good start on a third. This is one reason I love long lazy holiday weekends. Although I define them as "lazy" because I don't go out and do events, I usually get a tremendous amount done at home with minimum effort. I don't feel that I've been pushing at all, and yet I've accomplished a lot.
Long live holiday weekends. Especially summer holiday weekends when the weather is just perfect.
"Deep summer is when laziness finds respectability."
This is the last installment in the series on my experience at the week-long certification workshop at the Oxford Rug Hooking School in Cornwall Vermont last week.
I'll start with some pictures again--these are from Chris H, with his permission. They are photos he took on a brief walk he took up the dirt road just to the side of Amy's property. (I did not take a walk all week--unusual--and I lived to regret it, but that's another story. Note to self: Always take at least one walk a day...)
It really was that beautiful there, and it was that way all week. Sunny, warm but not too hot, low humidity, Kind of staggeringly beautiful.
Amy is a genius as an instructor. She had the entire week so well-planned...we introduced ourselves, talked about what makes a good instructor, and set goals. And then we set about meeting our goals for the week. Amy modeled the type of teacher we all hope to be. She was completely organized, but not rigid. She was great at time management, without making us feel we were on a "regimen." She told us what we'd be learning for each day--and then we actually learned it. And she had great handouts, clear and useful. The kind of handouts we can use with our own students.
At one point, the wonderful Diane Burgess came in for an entire morning to teach traditional rug hooking to those of us who had never tried our hands at that. Diane specializes in teaching traditional hooking to newbies.
Amy even managed to squeeze in a thorough lesson on photographing rugs, something I think we all needed to learn. (She's not mad here--the sun was so extraordinarily bright that she is squinting)
Every day she gave us tip after tip, provided lots of time to punch and to teach, taught new techniques, and then ended with a hilarious graduation ceremony. I managed to photograph most of us at graduation, but unfortunately couldn't photograph myself and because Kathleen came right after me, I couldn't get her photo either.
Here are the graduation pictures. Note the kazoo in Amy's mouth as we go through the process!
Since we didn't have caps and gowns, we pitched balls of novelty yarn in the air to finalize the celebration. And speaking of yarns:
Chris dyed up these colors before coming to the workshop and they caused a sensation. I think all of us used some of his yarns in our work last week, and I also think all of us took home one of the colors. Here are the colors he gifted us with.
I got to go home with the blue one, and just today used more of it to finish one of my homework assignments. Chris raises sheep at his home, and spins; he also has the fleece commercially spun into rug yarn, but the hand-dyed yarns he dyed that are pictured above were, I think, from KnitPicks; they weren't from his own sheep. Thanks, Chris, for letting us all take one of these home.
After graduation Amy gave us each a tiny charm, as well as our diplomas. I loved the charm and am already using it on my keychain.
When I left on Saturday, I left with inspiration, with a good-sized manual for techniques, with the work I'd completed during the week, with plenty of resources, with plenty of homework ahead of me to complete the certification, and with the confidence that I could continue to improve and to pass on this technique as needed.
I forgot to mention that part of the homework is to complete a rug of our own design within the next four months. We had all sketched out our designs in advance, and one of my very favorite parts of the workshop was when we shared them with each other. I think we were all stunned by the level of creativity shown. I was impressed and inspired by what I saw and can't wait to see the completed rugs.
Because we had worked so hard, had bonded, and had so much fun, we were all pretty emotional as we were leaving. I saw tears (and had a few myself) and although we were all eager to get home after such a long time away, there was substantial foot-dragging as we said goodbye.
My thanks to Amy, our incredible teacher, and to the school manager (and dyer extraordinaire) Heidi, who kept everything organized and running smoothly while we were there.
Final thoughts on all the inspirational, dear, creative people I met last week:
"When I find myself fading, I close my eyes and realize my friends are my energy." (Anonymous)
Thanks to all of you for making this such a wonderful experience.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class is not yet scheduled--stay tuned.
I may be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society