Tiles from today's work on the Zenuari2019 Project.
Zenuari2019 Project, day 6, "Use a Blind String" (a string you draw with your eyes closed). Micron 01, graphite, General's white chalk pencil. There is no purple on this tile--I ran it through a filter on this website and that's what created the tint. The original tile is black and white with gray graphite.
I titled this post "What Falls Out of the Pen" because whether I like the results or not, what ends up on my tiles always surprises me. As all three of these tiles did.
Interesting to see how the colors have washed out on this one as I uploaded it. It's actually both greener and bluer. I made some adjustments but still cannot capture the color.
I worked on this piece yesterday and today. It's part of the Grati-tangles2018 Project. As I worked I was thinking of how grateful I am when I am able to "change the frame" if things go wrong during the day. Not that I'm good at it yet! But I'm doing better.
"All my best thoughts were stolen by the ancients."
(Ralph Waldo Emerson)
Yes, this makes three blog posts in one day. It's true. Deal with it! <g>
Ratoon is a new tangle from Molly Hollibaugh CZT (one of Maria Thomas's talented daughters) released earlier this week. The title of the tangle actually comes from some research that Maria was doing to prepare for ZenAgain this week. A "ratoon" is described thus: "a new shoot or sprout springing from the base of a crop plant." The theme of workshop was SEEDS--all the seeds from our art-ancestors that we use in creating art today, and all the seeds we are sowing as we do our own art and as we teach others. You can see the seeds represented in the tangle above.
Just as those seeds have and will continue to sprout, so all art stands on the shoulders of all previous artists. In making our art--even if it's bad art!--we honor them. One of the many things I love about tangling is that I never know where something is going to go, how it will develop, and the highly calming effect of the process. We all get the same instructions, and yet all our pieces, while obviously related, are so delightfully different. I will put a partial mosaic of this tangle as an example of that below (partial because there were so many of us that I couldn't get the entire view).
There is really no time to write today so I am just posting this tile which was so relaxing to do. That is, after all, the point of Zentangle®. Ahhhhhhh...
A couple of beloved friends are struggling right now. How helpless we feel when time and distance conspire against our desire to be present and helpful.
There is not much I can do from here at this moment, except send love. With that in mind I did this tangle last night, and dedicate it to all who are suffering right now.
I've been pondering this quote from an anonymous source (I've seen it attributed to several people):
"Healing doesn't mean the damage never existed. It means the damage no longer controls our lives."
...and also this one, from Georges Braque:
""Art is a wound turned into light."
May it be so.
A page from my journal today. Not a masterpiece but at least it got me tangling and drawing, and I completely enjoyed doing it.
And speaking of roses, kudos and roses to my buddy Cheryl the Rug Rescuer. She has just completed a commissioned rug rescue for someone she knows who brought her a half-finished rug. As I recall, there was no wool with it, just the unfinished rug, so Cheryl had to match wool as best she could. The pattern, I think, was drawn by a rug hooking teacher who was unable to continue hooking, so I believe it's an original. Anyway, I love this rug (below). Let's first look at the rug on the floor of Cheryl's drop-dead gorgeous Victorian living room; then I'll post a closer view.
That's the rug in the foreground above, but isn't the entire room just so beautiful? And here's a closer look at the rug itself:
What a beautiful design. Very sad that the designer wasn't able to complete it, but at least the Rug Rescuer got it done! Now here's the hard part: She has to give the rug away to the woman who brought it to her. I would have a lot of trouble giving something this lovely away.
Now Cheryl is working on this wide-cut rug below (a real departure for her as she's not enthusiastic about hooking with wide cuts). I don't know whose design this is but it's very pretty: And yes, this is another Rescue Rug, started by someone before it was abandoned and turned over to her.
Quite unusual. I don't recall ever seeing this design before. Go Cheryl!
I haven't seen either piece in person yet; another friend took these photos for me (thank you, Kathleen). I'm hoping to see the actual rugs in person in a couple of weeks.
The thing about Zentangle® is that you never know where it's going to take you. Much like life. I began this tile 2-3 years ago--it didn't look anything like what you see here--and left it totally unfinished. Abandoned. I re-discovered it two days ago while unpacking (yes, I am still unpacking after 9 months of being here) and somehow just couldn't throw it out, though I was tempted. It stared at me and challenged me to reconstruct it or make it work in some way.
Basically it began life as a black tile which had been roughly shaded sort-of-white with the use of a soapstone, and then I think I had used some type of tool to see if I could score the tangle "Tripoli" into the soapstone background. It didn't work and I loathed the look of it. So put it away. I find it hard to believe that I didn't just toss it.
I finished it today in a very fast, sloppy way--because it was "just an experiment"--and now I rather like it. It has a pastel or oil paint-y look to it. I completely ignored the unpleasant beginning and re-built the entire concept.
This reminds me of something I learned in my childhood: A family member once accused me of "never finishing anything you start." I thought about it for awhile, got mad, and then decided she was right. So I made a major effort over the next few months to go around and finish all my unfinished projects. I must have been about ten, and I remember the resulting satisfaction. Although I hadn't liked the criticism, it spurred me to develop discipline.
Since then, it's rare for me to put something away unfinished. If anything, I've gone to the opposite extreme--I sometimes finish things immediately that might benefit from a longer pause.
(I do have one quilt that has been "paused" for 40 years. Er...it may be time to get back to that one!)
The other tile I did today was this one below. I'll put the completed tile first and then include two photos of the very beginning and the middle stages. (I know the tile background looks different in the photos but it's all the same tile--just different lighting)
Some things--like unpacking--take me longer to finish, because I just don't like doing them. But eventually, that learned discipline from childhood takes over and they do get done. It just takes me 50 times longer to get to the finish line than it does if I enjoy what I'm doing.
As a non-holiday celebrator, I appreciate this quiet time of year (especially tonight, Christmas Eve, and tomorrow) and always give myself permission to do whatever the heck I feel like doing for a couple of days.
That does not include unpacking.
It does include reading, drawing, tangling, and general lollygagging.
Happy Holidays to all, and to all a good night!
This easy-to-draw tangle is brand new from the Zentangle® folks, and is named Rumpus. My version today is blindingly bright. Feel free to put your sunglasses on to view it.
This was done with a black Micron PN pen, graphite, and a Rainbow Lead Colored pencil.
I do hope my next version is a bit tamer! I think I'll be using this tangle a lot as it is so enjoyable to draw.
NOTE: If you are a fan of the Trump administration and its policies, you will NOT be happy reading the next section of today's post. It's your choice whether or not to keep reading.
While I rarely comment on politics--it is not what I choose to focus on here--what I'm showcasing below is actually a photograph of a hand-hooked rug which cannot be separated from the current political climate
On the left is Emily K Robertson's hand hooked rug, titled "Trumped." It is her contribution to a superb juried show of fiber art currently traveling across the United States to protest the Trump Administration's actions and policies.
The show is titled Threads of Resistance, and you can view details on its context and its current location by clicking on that title. A wonderfully produced catalog for the show is also available on amazon.
It's well worth your time. If you disagree with this political view, it will make you uncomfortable. BUT, even if you agree, the show will still make you uncomfortable.
It is a very challenging exhibit.
I highly recommend both show and catalog.
Most of the pieces in the show appear to be quilts. I spent time today looking at the catalog, and I see that it's possible Emmy has the only hooked rug in the show.
My only criticism of the catalog, which is beautifully produced and the next best thing to actually seeing the show in person, is that it's not clear to me on a first read what the medium is for each piece. Quilt? Photo? Painting? Hooked rug? The information may be in there, but I didn't see it. However, it's a minor criticism. The full title of the show is: "Threads of Resistance: A Juried Exhibition Created to Protest the Trump Administration's Actions and Policies."
A word about Emmy Robertson: I'm lucky to count her as a friend, having met her at the Green Mountain Rug Hooking Guild years ago. She's a past president of that guild, and a phenomenally talented rug designer and rug hooker. She's also extraordinarily prolific. When she lived in my area she was kind enough to join our rug hooking group and always served as a source of inspiration. Many of her rugs are designed around political topics. She is an ordained minister who chooses to pursue her ministry via political action. If I had to sum up her spiritual philosophy, it is captured in her favorite motto: "Love Kindness."
Thanks, Emmy, for letting me showcase your rug!
“The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind.”
Two very quick drafts. I'm continuing to practice drawing Celtic Knots. These were done on incredibly cheap blue scratch paper. This first one I actually did not intend to ink--I thought I would do a quick pencil draft (and did), but then decided to spend the time inking it. This was freehand and done in a rush.
In the draft below, I used a technique from a YouTube video to create a classic border. Since this was my first attempt, I used the same super-cheap blue scratch paper. This one took longer only because it had so many knots, but I still thought I would leave it just as pencil practice. And just as in the other case, I decided to take the time to ink it in. There's something so irresistible about "correcting" the sloppy pencil lines. Once again, this was drafted very fast.
While this is far-from-perfect (see the spots of white where I've corrected some "blobby" lines, not to mention the different sizes of lines), I notice that the eye tends to smooth things out and make it look better than it actually is. That's ok with me!
In the spirit of "Progress, Not Perfection," I am viewing sloppy progress as being better than no progress at all.
Well, before I get to the story of the dreaded putty, let me start with some tangles. Here are two entries for this week's Diva Challenge # 332, a square within a square.
Every tangle in each tile is brand-new to me, and it shows. I consider both tiles "first tries" and drafts. Not bad, but of course they'd get better with practice.
In the first tile, three totally new patterns:
On the lower right corner: Kinnggo by Susie Ngamsuwan. Don't blame her--this is my first attempt! I like it though, and will use it in future.
Center/right-ish: Andromeda by Lily Moon.
Upper left: Bealis, by Aurora's Artwork.
My square-within-a-square for the challenge was formed by the Andromeda tangle. This was a fun exercise, even though not very meditative since I was in learning mode. I would need to practice a lot more with each of these, and I intend to. I thought I would try them in this challenge since I'd been wanting to try each of them for a couple of weeks now.
Another brand-new (to me) tangle called Sunspots, by Rosemary Turpin. This is one repeat of the pattern; it's simple and meditative to draw. I figured it qualified for this challenge because there are 4 squares, visually, inside the one repeat.
It would make a great quilt, don't you think?
Lastly, here is the Dreaded Putty--the hand therapy material that is making my hand go crazy with pain, but it's also really helping. The two culprits are Red Putty (softer), and now my wonderful OT has added the dreaded Blue Putty (scarily harder). I have to squeeze the red one and do various torture-y exercises with the blue one. Ack. Ouch. But I know it's helping.
I want my hand back so I can end this "Broken Wrist Series" of tangles and get on with my life.
Impatience has taken over!
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class is not yet scheduled--stay tuned.
I may be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society