I've been feeling the itch to draw a bit again (other than tangles). One thing I know about drawing is that if you don't use it, you lose it. And I haven't used it in months, other than tangling.
This morning as I lay in bed I knew I wanted to sketch something--anything--quickly. So I got out of bed, grabbed a pencil and post-it note, and did a 4-minute sketch of the Buddha that a friend just brought me from her trip to Asia.
This was a straight-from-the-bed-into-a-sketch moment of madness. After all, we each have something we need to do first thing after getting out of bed, right? And I hadn't done that yet. So I guarantee it was very short. And not particularly good. But you gotta start somewhere.
Not a masterpiece, but could be worse after months and months of inactivity with drawing. Perhaps this is the start of something.
I've been participating in the "Gratitangles2018" project, an annual November event centered around the theme of Thanksgiving Day in the United States. I'd include a link to it, but honestly, I don't know who started this or where to find the right link. And I've looked. I don't even know who sent me the list this year.
But in this time when the United States feel less "united" than at any time since the 60s (meaning, the 1860s, when we had the Civil War), I really need to focus on what I can be grateful for...and that is still a lot.
Yesterday, Day 23 of the project, one of my least favorite tangles came up: Jonqal. I've never liked it and never ever tried it. However, I'd committed myself, so I put on some meditative music and gave it a try last night. Result:
Here's the thing: I still don't like it, but I'm glad I tried it. And I admit I like the result better than I expected. Even though mine is far from perfect (perfection is not what Zentangle® is about, anyway!) and doesn't look like the "classic" version. [See the "classic" images HERE.]
It will never be a go-to tangle, but I'm glad I gave it a try. Lesson learned! I'm thankful that I made the effort to attempt it, and the attempt was the major part of the lesson. I want to try more things in life, whether I think I'll like them or not. I also noticed that the process of doing this was just as relaxing as it is with all of the other tangles that I so strongly prefer. It got me to the same place, even if it's not--like the sketch at the top of today's post--any type of masterpiece.
It isn't about the masterpieces. It's all about the work.
It's now day 24 and I tried out a tangle I've only done once before. Click HERE to see my one-and-only previous try at it. I supersized it that time, and really like the effect. Today, though, I did the more classic version. It wasn't half as easy as the supersized one, and I messed up in places, but I like the result anyway:
was the inspiration for this:
At ZenAgain this week we experimented with tangling that was inspired by other people's work. This sea creature above is inspired by the work of Ernst Haeckel, and was it ever fun to draw.
Below is a mosaic of the class's work with this assignment. We were each given some General's Chalk Pencils to use--we each received different colors and were required to work with whatever colors we got. Once again, you can see that all of them were similar, and yet, each is distinctly different.
This was only one small portion of a much larger table with these tiles displayed.
Maria Thomas, one of the founders of Zentangle®, has a remarkable poster with her own version of Haeckel's sea creature on a portion of it. See her poster below. I believe this is for sale but am not certain. (UPDATE: Yup, it's for sale at the Zentangle® website.)
And finally, below, is a photo of a book about Haeckel's beautiful work (the master himself). There are many books available about him.
A few years back, I was fortunate enough to get a copy of C.G. Jung's The Red Book. It is a gigantic, larger-than-coffee-table volume. I just acquired a music stand/lectern-type piece of cherry furniture on which I can finally display it and have begun looking through it. It is inspirational--just for the paintings, and I haven't even started to read yet. One of the paintings inspired me to do this sun-and-moon linework on a Zentangle® tile.
It's my second entry this week for Diva's Challenge #368, in which she asked us to focus on straight lines (see yesterday's post for the first version). It is so relaxing.
This is the original tile, without the rosy-glow added by the filter. I like them both.
The essence of drawing is the line exploring space.
My friend Susie from Thailand and I were discussing images of Buddha and agreeing that one doesn't have to be religious or have any belief in Buddhism to enjoy the wonderful art inspired by his history. The art on its own is peaceful. She commented on this after seeing the white-clay Buddha in my previous post (July 20th).
I drew the picture above several years ago, probably around the time I bought that small white ceramic tile. It represents the "old" in the title of this post.
It's true--just looking at images of Buddha always makes me feel calmer, and I remember feeling that way when I drew this. As a long-time meditation practitioner, I'm interested in Buddhism for its psychological value--it is a truly wonderful way to challenge our own thoughts, and to learn kindness. I'm happy the West has finally discovered the wisdom of Buddhist thought, and at the same time, I never think of Buddhism as a religion and do not believe that the Buddha ever intended it would become a "religion" with all the attendant dogma.
Far from it.
After digging out that drawing today, I thought I'd spend some time tangling, trying out a tangle called Zonked, by Barbara Finwall. Susie had just done her version of Zonked (see the 3rd tile down in her post) which I loved, and she inspired me. While testing it out, I added Hanny Waldburger's tangle Namaste, in honor of of Buddha. This represents the "new" in today's post title. Here is the result.
If you are also a fan of Buddha-heads, you may want to check out Virginia Peck's lovely art here.
And now, it's time for me to go meditate.
...during which, I promptly fell completely asleep. Which suggested to me I needed to wake up and keep tangling. First I finished the meditation, then I did this. While not my greatest result, I like it on several levels.
I did the above piece last night just before bed, using CZT Sadelle Wiltshire's Creative Calm Circle video for what she called a "Flora Vine" piece. It's a variation of the tangle Verdigogh. So calming. I went straight to sleep afterwards. The repetitive nature of the drawing here allows for genuine mindfulness. I'll be trying this again!
Just drawing repetitive lines is soooooooo relaxing. Any excuse to just do some linework and I can feel my breathing slow, my focus deepen, and the world falls away.
A good thing to know about in these troubled times.
At the museum, a troubled woman destroys a sand painting meticulously created over days by Tibetan monks. The monks are not disturbed. The work is a meditation. They simply begin again.
After doing my regular meditation this morning, I watched a recent "Creative Calm Circle" led by Sadelle Wiltshire of Vermont. As I've mentioned before on this blog, Sadelle specializes in meditative arts. This particular exercise was another continuous line drawing--the task was to NOT lift the pen from the page, and meditatively draw a tree. I really enjoyed it. In all, I think I lifted my pen up no more than 4 or 5 times while drawing steadily for about 25 minutes.
I didn't choose a real tree; this is an imaginary one. But the lightning scar comes from my childhood--there was a wonderful huge old oak tree in my front yard and it had survived being struck by lightning twice. It had a large lightning scar down the front of its skyscraping trunk. Sadly, the tree was removed about 20 years ago, but it lives forever in my memory as "The Survivor Tree." I loved that tree and its wisdom. When I was a child and troubled, it always comforted me.
The tree I drew today is not an oak. And the tree from my childhood did not have any vines on it. So without trying to recreate any particular tree, I added the lightning scar simply as a grateful memory in this drawing.
Continuous line work gives me the chance to let go and not worry about something "looking right." There's plenty wrong with the look of this one, but I just don't care. It was relaxing, meditative, and poignant to draw. Thanks, Sadelle!
A few years ago I was fortunate enough to go to a hook-in in Vermont and met Dana Psoinas from New York, one of the most extraordinary rug hookers and artists today. I had already been mesmerized by her "Guardian" rug in a photograph, and suddenly, there was the real thing, right in front of me on the floor in Shelburne Vermont.
And there was Dana herself. A more talented and nicer person you just cannot find. She specializes in rugs that tell stories, usually stories from fairy tales or myths.
I was star-struck. We hit it off and have corresponded occasionally since then. Lucky me.
I am still star-struck by her work, and so will you be. Read on!
She recently showed me three drawings she has done--freehand, mind you!--on linen, to sell as patterns for other rug hookers. One of them is at the top of this post, and the rest are below, along with a sketch she hasn't yet drawn on foundation.
More information about Dana and her process is at the end of this post.
She sold these through her Etsy site--but please be aware that these patterns are NOT FOR SALE now. They were/are one-of-a-kind. She is busy with her own rug making and does not stock or sell patterns all the time. There is a wonderful photo of her finished Guardian Rug on her Etsy site--please have a look to see just how phenomenal her rug hooking is. She works in 2-, 3-, and 4-cuts to achieve her extraordinary rugs.
Check her site from time to time in case she does post something to sell...who knows, you may get lucky!
If you wonder about her creative process and want to know a bit more about her, you can check this recently-written blog post with more photographs of her rugs. Enjoy.
With thanks to Dana for letting me post this!
In reading one of the Zentangle® blogs, I just spotted the most amazing photographs on--of all things--manufacturing pencils. They are in an article written for New York Times.
These amazing art photos were taken at the General Pencil Company (We who tangle love their pencils. And according to the Zentangle blog, the owner of the company is now a Certified Zentangle Teacher, which delighted me).
I cannot show the photos because of course they are copyrighted, but you won't believe how beautiful they are. Check them out HERE.
(Thank you to the Zentangle folks for publicizing this.)
Indeed I have not posted in a while. I'm in the final frenzy of unpacking, having moved late last March and then having had to wait/wait/wait for a post-move broken bone to heal. Now I'm crazed to be done. The end is in sight! Once I'm finished, I will actually get to put pictures on my walls. I miss my pictures very much.
No art at all is going on while I'm in this phase. But today I attended a free 1-hour "Creative Calm Online Circle" by my buddy Sadelle Wiltshire (well done, Sadelle!) and she led us through this meditative "continuous line exercise." The above is the wonky but fun result. Continuous line drawing is exactly what it sounds like: you never lift your pen off the page; you just meander along with pen on paper and see where the line takes you. It's not Zentangle®. It's not supposed to "look like" anything...just see where the pen goes. It's a very old art "warm-up" technique. Fun and calming. I did a second one in about three minutes, below:
I welcomed any chance to do something calming today, as yesterday a neighbor slipped and fell on black ice near my house and cracked his head (he's fine--no concussion or real damage). He spent hours in the ER and it must have been scary. It was scary just to hear about it. I'm glad he's ok.
Then this morning I discovered my credit card had fraudulent charges on it, and had to cancel that. Immediately after that unpleasantness, I tuned into the online Creative Calm Circle; it was just what I needed.
Need some relaxation?
Aaaaaaaaaahhhhhhh...doesn't that feel better?
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class is not yet scheduled--stay tuned.
I may be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society