A few years back, I was fortunate enough to get a copy of C.G. Jung's The Red Book. It is a gigantic, larger-than-coffee-table volume. I just acquired a music stand/lectern-type piece of cherry furniture on which I can finally display it and have begun looking through it. It is inspirational--just for the paintings, and I haven't even started to read yet. One of the paintings inspired me to do this sun-and-moon linework on a Zentangle® tile.
It's my second entry this week for Diva's Challenge #368, in which she asked us to focus on straight lines (see yesterday's post for the first version). It is so relaxing.
This is the original tile, without the rosy-glow added by the filter. I like them both.
The essence of drawing is the line exploring space.
This is Sonya Yencer CZT's lovely tangle SOULSTAR. Sonya created it when one of our other CZTs lost a beloved husband and a home because of a senseless crime resulting in a housefire and his tragic death. They caught the person responsible, but that is cold comfort. A sad story mitigated just a bit by this thoughtful gift of Sonya's tangle. I've tried a variation of it here which is like SoulStar "extended." I have done this tangle before, but it was calling to me today for some reason.
And here is the original linework, pre-shading. You can see I added some additional linework after the initial shading was done and then I shaded that. It is fun to see both the non-shaded work and then the end result. Sometimes I don't know which I like better.
I did this for Diva Challenge #368, in which Laura-the-Diva focused on drawing straight lines as one of the most meditative and soothing parts of Zentangle®. I totally agree with her on this and often remind myself that just doing plain linework is incredibly relaxing. Doing this tile certainly was. Thanks, Laura, for the reminder. And thanks to Sonya Yencer CZT for her inspirational tangle. Our thoughts of love and hope are still with Chris S-LT as she adjusts to her new circumstances.
Determined not to be late again for this week's challenge, I decided to do a second tile and post twice in a day. The challenge was to use tangle 'Nzeppel and/or Crazy 'Nzeppel on a tile. I believe these are the "least 'Nzepp-ly" 'Nzeppels I have ever drawn, partly because I thought I'd try both types ('Nzeppel and Crazy 'NZeppel) within an orb. The orb softened the grids so much the tangles are less recognizable than normal.
Here is the same tile set into a mosaic created with an iPhone app using the original photo above. Of course, this is only one possible way to rotate the tile.
The Diva (Laura Harms, CZT) of the I Am the Diva blog took the summer off from issuing tangle art challenges and a global groan was heard--people really missed her. But everyone deserves time off.
While I rarely get to participate, i wanted to participate in her "return challenge" to honor her and say thanks. (True to form, I'm very late and she's already issued #367. Arrgh!) Check out her challenge page here; scroll all the way down to the challenge (always at the bottom) and check out the wonderful tiles people produce and post. And if you read their comments to her, you'll see how loved she is.
Here's my tile for #366, which was a "back to basics" challenge with dots, string, and basic tangles. After doing the dots and string I decided I wanted to put the tangles (mostly) OUTSIDE the string, not inside. So, I did.
And below is a recently-finished Zentangle® journal cover. I've yet to seal it because my brand-new can of sealant isn't spraying right. Don't you hate when that happens...grrr.
After weeks of playing peek-a-boo, leaves are exploding on the trees here. Yesterday I could see houses clearly through the trees in my backyard. This morning when I looked out, all I could see was leaves. Overnight.
Of course, it's not actually overnight as budding and growing has been happening for weeks, but something in the weather of the last few days has caused an explosion of leaves from their buds. They are so green, tender, and beautiful.
I haven't deserted the blog; my lack of entries is only due to the fact that I have been focused on punch needle embroidery and am working on two large projects that I haven't been able to get permission to show. The designer is dead, unfortunately, and I've no idea how to get in touch with his estate. I'm still working on it.
But since I'm teaching a Zentangle® beginner's class in two weeks, I'm now focusing on that. I found out today that the class is full and has a waiting list. I warmed up this morning with the typical beginner's tile (including tangles always taught and one frequently taught in a first class. If was fun to go back to basics.
I'd hoped to use my new projector and ipad for teaching this time, but in trying them out over the last couple of days, I've been unable to make them work well. Argh! I'll figure it out.
My "beginner tile" above was done while I was holding up the projector with my left hand and tangling with my right. Talk about awkward...even so, I could feel myself slipping into the meditative state found when doing Zentangle.
Next I decided to try a new tangle:
The main tangle here is called Safflower, by Sarah Fowler. This is my (mis-)interpretation of her stepouts. Does not look anything like hers, but that's ok. Done with a Micron 01 and graphite on an Apprentice Tile. I snuck some Mooka in on the lower right and bordered it with a few dots. Shading was...a challenge!
The Diva Challenge in mid-April involved two of my favorite tangles, Shattuck and Tripoli. A "duotangle." (Click on that link for eye candy--scroll down to the bottom of her blog for the location where everyone posts their response to her challenge) Here's my response. You really never know what will happen when you sit down to tangle, as this just proves. This one's just...odd. I like it though. Other than the two tangles requested for the challenge, the tile includes random linework.
I can't express how good it feels to be tangling again after several weeks of working on other art. Tangling has a unique place in my heart. Rug hooking can be so relaxing and meditative. Ditto with any type of drawing. Punch needle embroidery is also extremely relaxing. But tangling just takes me to another place, a quiet place, a place of focus and calmness. And it happens almost as soon as my pen hits the paper.
"The last time I checked, it was still legal to take long, deep breaths."
Sometimes things just surprise you. (Like every day, perhaps?)
They just don't turn out the way we expect, and we have to roll with the punches. Take this oddity:
After weeks of not being able to tangle because I was working on other projects, I had a few moments today to sit down. So how did I come up with this bizarre piece?
Well, before I get to the story of the dreaded putty, let me start with some tangles. Here are two entries for this week's Diva Challenge # 332, a square within a square.
Every tangle in each tile is brand-new to me, and it shows. I consider both tiles "first tries" and drafts. Not bad, but of course they'd get better with practice.
In the first tile, three totally new patterns:
On the lower right corner: Kinnggo by Susie Ngamsuwan. Don't blame her--this is my first attempt! I like it though, and will use it in future.
Center/right-ish: Andromeda by Lily Moon.
Upper left: Bealis, by Aurora's Artwork.
My square-within-a-square for the challenge was formed by the Andromeda tangle. This was a fun exercise, even though not very meditative since I was in learning mode. I would need to practice a lot more with each of these, and I intend to. I thought I would try them in this challenge since I'd been wanting to try each of them for a couple of weeks now.
Another brand-new (to me) tangle called Sunspots, by Rosemary Turpin. This is one repeat of the pattern; it's simple and meditative to draw. I figured it qualified for this challenge because there are 4 squares, visually, inside the one repeat.
It would make a great quilt, don't you think?
Lastly, here is the Dreaded Putty--the hand therapy material that is making my hand go crazy with pain, but it's also really helping. The two culprits are Red Putty (softer), and now my wonderful OT has added the dreaded Blue Putty (scarily harder). I have to squeeze the red one and do various torture-y exercises with the blue one. Ack. Ouch. But I know it's helping.
I want my hand back so I can end this "Broken Wrist Series" of tangles and get on with my life.
Impatience has taken over!
another tangle from "the broken wrist" series.
the hand is hurting, so i took this monotangle challenge from the weekly diva challenge (with a guest challenger this week) and vowed to keep things as simple as possible. here is my 'nzeppel. micron 01, graphite. period.
just about all i could manage today!
<--here is the reason i can't type much.
or type well. or use capital letters.
but this is a vast improvement over the first cast i was in, which included a sling. that meant i was totally one-handed. with this cast, i can cheat a little. not much.
in yesterday's post i discussed how i ran amok with the tangle peanuckle, which was this week's diva challenge. see that post for the details and result.
well...! one of the other participants, susie ngamsuwan, also ran amok, only much more effectively. not only did she produce two gorgeous tiles, but she came up with an easier way of drawing the same tangle. so creative. see her work and her step-out here. it's so worth reading--and check out the rest of her blog! fabulous.
after seeing how she did it, i had to try again. result:
on the left side of the tile i tried drawing it according to molly's original instructions (molly came up with the pattern), but did it very large. i liked it ok, but got lost near the end and had to fudge some embellishments.
on the upper right of the tile i tried it again, very small, but used susie ng's instructions. easy! not only did i not get lost but i experimented with the 'join' between the peas. i liked the effect.
i threw in a couple of mooka and then tried it a 3rd time, using susie's instructions, on the bottom of the tile, and this time fooled around with an inner spiral on the peas. once again, i never got lost and it was fun to draw.
thanks, susie! you're so clever. i'll actually be using this tangle now.
prepare for a tangle gone completely amok. this was in response to this week's "i am the diva challenge #325," from guest challenger Jessica Davies. click on that link to see what this tangle is SUPPOSED to look like. note: nothing like mine.
the challenge tangle is "pea-nuckle," one of my least favorites (sorry, molly!). rather than doing it in a solid block, i wondered what would happen if i 1) tried to bend it in a circle, 2) made the insides of the "peas" something other than straight lines, and 3) connected them to each other not using the usual straight lines. oh dear...
which begs the question, is this even the pea-nuckle tangle anymore? or just a hot mess?
i'm hoping i can use my current broken wrist as an excuse. though there's probably no excuse for this!
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class will be for a private group in October. That class is full.
I'll be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society