Just back from a workshop led by Martha Huggins and Molly Hollibaugh of the Zentangle® family. (If you are unfamiliar with Zentangle, click on that link and prepare to enjoy their well-done website loaded with art eye candy.) I was very fortunate to attend with a good friend, and we got to spend the whole weekend doing art. Such luxury!
I have many more photos to post but to start, here are examples of two tiles we did this morning. After both my own tiles, I'll post the mosaic from the group. Not familiar with this terminology? Not to worry, here's what I mean:
"tile" = a small piece of paper that we draw on, and
"mosaic" = the collection created when a class puts all their tiles together.
The fun of the mosaic is that everyone has heard the same instructions, but look at the assembled collections of tiles below (mosaic) to see how individual each tile is. And yet they go together wonderfully.
Here are my own two tiles, and the class mosaics follow.
The mosaic of most of the tiles based on Printemps. Some people used Renaissance tiles for this one; most people used white. Isn't this an amazing mosaic? Not everyone had time to contribute a tile but I think this was the majority of the class. We all heard the same instructions; note all the differences and yet they all work when put together.
Two of my good buddies have been wanting to learn Zentangle®, so I went over to their place and did a class today. They did great--have a look at these results:
Really well done.
Of course, I forgot the handouts I had carefully prepared and printed before the class. It's been about two years since I have had a chance to teach tangling, mostly because of buying a house, packing, moving, unpacking, and then the Great Broken Wrist Adventure.
So it was truly wonderful to be able to refresh my teaching skills today with kind friends. Mind you, I have NO idea what they thought about it, but I sure had fun, and am delighted with their results. I hope they are also.
Much of what I've been doing in the last month involves embroidery with punchneedle and wool yarns. Unfortunately, I can't really show it here because the designs I'm using, both of which came off t-shirts I own, are not mine and I can't reach the artist for permission. But I'll show a portion of one of them...the back end of a horse. Here it is. I am really in love with working with wool yarns (these are lace weight and/or sock yarns) in my punchneedle.
The pink-ish background is a single ply hand-dyed Malabrigo lace weight yarn. Really the possibilities are endless since sock and lace-weight yarns come in so many colors now.
One of the best things about this is that I can try out rug designs in punchneedle first, before going ahead with the dyeing for a large rug only to discover that the colors or the design are not working. Better to find that out in a small punchneedle piece than after spending money for wool yardage or expensive wool rug yarn.
It seems Spring is scarce as hen's teeth around here. It comes and then goes just as quickly. Fortunately last Saturday we had one glorious spring day, coinciding with our rug hooking meeting in Connecticut at Ann's farmhouse. The weather and sun smiled upon us; all of us were able to attend, and we had a blast.
I have only a few pictures (since many of us have been working on the same projects for quite a long time) but they'll be worth seeing.
Well, of course--those of you who've been reading the rug hooking category of this blog will recognize Cheryl the Rug Rescuer's name and title. Yes, this is ANOTHER rug rescue by our intrepid colleague. I believe the designer's name is Denise Mitchell...see this close-up below:
Apparently Denise (if I have her name correct) was a rug hooking teacher who died recently. Before her death she designed and hooked most of this rug, but was unable to finish it. Another rug hooker who didn't feel able to tackle the job approached Cheryl, asking her to do complete it, and gave her the remaining wool for the rug. Cheryl accepted the challenge and is basically done with the hooking now. Someone else will take care of the binding, and then the rug will go to the woman who asked Cheryl to finish it. Denise, wherever she's currently existing, would be proud to see her rug completed. A better photo is below.
Elizabeth was punching away on this beauty:
And Kathleen had brought along this pattern to work on for the day (K is in the middle of two other very complicated gorgeous rugs, too large to carry around):
That's it for the rug photos, but wait until you see what is coming next. Ann, our hostess, brought out a hand-embroidered tablecloth that had us all drooling down our shirts. One of her relatives (grandmother? uh-oh, I can't remember) had begun this, and I think Ann prevailed upon an aunt to complete it. It is just stunning. I took lots of photos. Here it is:
Here are more photos of various motifs, and some close-ups. What a labor of love.
You may be wondering (but you probably aren't!!!), "Where's your rug?" My rug is so close to done that I've decided to wait until it is done to show the photo. Since I am moving at a snail's pace--too busy to work on it much--that could be another month, but I hope not. I'll try to get it done and on here sooner.
Instead, since Ann had been asking me about punchneedle, I did bring my latest punchneedle project. I finished it this morning. Still debating how to frame it. Below you can see the original tee-shirt I've had for at least ten years, if not more, with this design on the front. And next to it, my punchneedle version. The tee-shirt is fading, and I've loved this redwing blackbird image for so long that I cannot bear to lose it, so I wanted to immortalize it in punchneedle.
The one problem: I cannot find any contact information for the original artist, Rob McClellan. I believe I've traced him to Ohio, and have even found a gallery there that sells some of his work. But the most recent work they have is decades old. I wrote to the gallery to see if they could help me locate him, but they wrote back to say they have no idea how to do that. If anyone--anyone!--knows how to locate him (I suspect he may be long dead--I've found some photos of someone with that name on the internet but they too are decades old), PLEASE let me know. Clearly I did this for myself only and will not be selling or profiting in any way from the piece, but I would love to find him and thank him and credit him even more than I can by doing this.
A happy Spring to all. May it come, and stay for awhile, before the summer.
A lovely ride with new friends this morning to a rug hooking event at a church about an hour away. Very well organized, and 165 people in attendance. I only photographed a few rugs, but aren't these wonderful?
Good people, good food, good vendors. What's not to love? I even won a prize, and I never win stuff at these events. All in all a very satisfying day. We started out early in very cold weather and saw plenty of snow on the ground and gorgeous snow-laden trees. Driving home, all the snow was gone. Spring is on the way...if we can only hold out long enough!
Off I went today to a local b&b owned by one of the Quabbin Rug Hookers. We hooked from 11-2 and really enjoyed ourselves at her unique and beautiful house on a gorgeous spring day.
And here are a few of the rugs-in-progress:
Judy was beginning this fabulous Bea Brock pattern and I love the colors she's using. This is going to be a stunning rug.
Next (below), if you've been following the progress of Phyllis's "Zen Sand Garden" rug, here it is as of today. She's almost done! I'm loving this rug. It's Phyllis's original design, and she's been improvising with great success as she's been working on it.
Although we'd brought lunch, Lynda served a wonderful tomato soup and warm bread (yum). So filling. During lunch I had a chance to speak with Jane, a brand-new rug hooker. Here is Jane's maiden voyage (first rug); she was also testing out some frames today to decide which one she wants to buy...
I forgot to say that there were only five of us present today at Lynda's cozy house. I totally enjoyed being there and meeting her dogs Kiwi and Harry.
Here is the progress on Lynda's Peace Pagada rug:
With thanks to Lynda for hosting, for all the "eye candy" at her house, and for inspiration from the other Quabbin rug hookers. Good food, good conversation, and good work today.
A page from my journal today. Not a masterpiece but at least it got me tangling and drawing, and I completely enjoyed doing it.
And speaking of roses, kudos and roses to my buddy Cheryl the Rug Rescuer. She has just completed a commissioned rug rescue for someone she knows who brought her a half-finished rug. As I recall, there was no wool with it, just the unfinished rug, so Cheryl had to match wool as best she could. The pattern, I think, was drawn by a rug hooking teacher who was unable to continue hooking, so I believe it's an original. Anyway, I love this rug (below). Let's first look at the rug on the floor of Cheryl's drop-dead gorgeous Victorian living room; then I'll post a closer view.
That's the rug in the foreground above, but isn't the entire room just so beautiful? And here's a closer look at the rug itself:
What a beautiful design. Very sad that the designer wasn't able to complete it, but at least the Rug Rescuer got it done! Now here's the hard part: She has to give the rug away to the woman who brought it to her. I would have a lot of trouble giving something this lovely away.
Now Cheryl is working on this wide-cut rug below (a real departure for her as she's not enthusiastic about hooking with wide cuts). I don't know whose design this is but it's very pretty: And yes, this is another Rescue Rug, started by someone before it was abandoned and turned over to her.
Quite unusual. I don't recall ever seeing this design before. Go Cheryl!
I haven't seen either piece in person yet; another friend took these photos for me (thank you, Kathleen). I'm hoping to see the actual rugs in person in a couple of weeks.
When I went to my last local rug hooking meeting, I only expected to work on my rug and have fun.
I had NO IDEA what would be waiting for all of us who attended.
We were treated to an incredible show of rugs from Turkey, China, and Iran by one of the members, Elizabeth Vierling. Dr. Vierling is a Professor of Biochemistry and Molecular Biology at the University of Massachusetts at Amherst, but she is also a rug maker and clearly has a passion for textiles. I took a million photographs...unfortunately my memory of her very informative commentary on the origins and purposes of each piece is fading fast, but here are some of the photos. Enjoy!
I believe this first piece was from Turkey. It is very large and I think Elizabeth uses it as a rug in her home. It is embroidered, using a couching stitch I think (see detail in last photo). Probably circa mid 20th-century.
The color work is just sensational. After ogling the piece (above) for a good long while, we all decided we are not using enough orange in our own designs.
Apologies in advance to Elizabeth for how much I have already forgotten of what she said about each textile. Her commentary on where she located each one, where and how each was created, and what each may have been used for, was fascinating. But in the week since I saw these works, all of her commentary has started to slide right out of my head. Darn!
If memory serves me--which likely it doesn't--below are two clothing panels embroidered by the Miao people of China (one of China's long-suppressed minority groups, now finally beginning to emerge and be recognized for their rich history and cultural treasures).
And if that weren't enough, there was more, and more still...click on each thumbnail to progress through the items, or just hit "Play."
One of the most dramatic textiles was the one below. I loved these tiny aliens. The work is so beautiful, and the colors vibrant. Each thumbnail has a different view (or you can just hit "Play").
Elizabeth travels for academic conferences, and is occasionally able to extend the travel time in order to take in more of the culture of the countries she is in. This is why she has been able to explore and research textiles on some of her trips.
Aren't we fortunate--those of us who were there to see this show? With thanks to Elizabeth for letting me photograph and post the photos, for her lively talk and especially for lugging all the heavy, bulky textiles to the meeting. All of her hard work resulted in a fabulous experience for the rest of us.
A few years ago I was fortunate enough to go to a hook-in in Vermont and met Dana Psoinas from New York, one of the most extraordinary rug hookers and artists today. I had already been mesmerized by her "Guardian" rug in a photograph, and suddenly, there was the real thing, right in front of me on the floor in Shelburne Vermont.
And there was Dana herself. A more talented and nicer person you just cannot find. She specializes in rugs that tell stories, usually stories from fairy tales or myths.
I was star-struck. We hit it off and have corresponded occasionally since then. Lucky me.
I am still star-struck by her work, and so will you be. Read on!
She recently showed me three drawings she has done--freehand, mind you!--on linen, to sell as patterns for other rug hookers. One of them is at the top of this post, and the rest are below, along with a sketch she hasn't yet drawn on foundation.
More information about Dana and her process is at the end of this post.
She sold these through her Etsy site--but please be aware that these patterns are NOT FOR SALE now. They were/are one-of-a-kind. She is busy with her own rug making and does not stock or sell patterns all the time. There is a wonderful photo of her finished Guardian Rug on her Etsy site--please have a look to see just how phenomenal her rug hooking is. She works in 2-, 3-, and 4-cuts to achieve her extraordinary rugs.
Check her site from time to time in case she does post something to sell...who knows, you may get lucky!
If you wonder about her creative process and want to know a bit more about her, you can check this recently-written blog post with more photographs of her rugs. Enjoy.
With thanks to Dana for letting me post this!
In reading one of the Zentangle® blogs, I just spotted the most amazing photographs on--of all things--manufacturing pencils. They are in an article written for New York Times.
These amazing art photos were taken at the General Pencil Company (We who tangle love their pencils. And according to the Zentangle blog, the owner of the company is now a Certified Zentangle Teacher, which delighted me).
I cannot show the photos because of course they are copyrighted, but you won't believe how beautiful they are. Check them out HERE.
(Thank you to the Zentangle folks for publicizing this.)
On Sunday I went to my first-ever Quabbin Rug Group meeting. It was just great. No fewer than eleven people showed up--I was impressed. Here are some of the rugs I saw.
I only wish I were better at catching people's names. I'm terrible with names. therefore, I was only able to attribute a couple of these in-progress pieces.
Enjoy the eye candy!
I think this may have been by Judy Jewett (altho I certainly could be wrong)? It is from a pattern she purchased. Love the colors she is using. She was at the binding stage, so it should be done very soon.
Isn't this one just the most fun? I can see the face of the wonderful woman who's making it, but I cannot for the life of me remember her name. Darn. I already want this rug and she's not even finished with it yet.
This rug is by Linda Faye of Amherst and is her own design--it's a tribute to the Peace Pagoda. You can see that she's begun by hooking the many prayer flags flying in the wind there. The Peace Pagoda has a good website here. I'll be interested to see how this rug develops.
Linda also had a wonderful dog rug with her, but I was unable to get a photo of that.
Not sure whose pattern this is but I heard the woman who is making this piece say that the original designer intended for it to be done in a fine-cut. However, she is more of a wide-cut person and is successfully doing it in a 6 or an 8 (probably an 8--I didn't hear that part).
She was making the point to one of the other participants that it's possible to take a fine-cut design and do it in a wider cut. It can be done with many (not all) fine-cuts. The results will look very different, but as you can see here, it still looks great.
How stunning is this??? Wowza. I believe the woman who is making this is named Sue, but I'm not certain. I do remember her saying that this is her first-ever hooked piece. Oh. My. God.
I don't know if she designed it herself or if it is a pattern.
(Hanging my head in shame--my first piece from years ago never looked anything like this one...) I was drawn to looking at this over and over.
Isn't this the cutest thing you've ever seen? I think this maker's name was Rebecca. She was a guest at the meeting, I believe. What really stands out for me about her--other than this truly wonderful folk-art rug which I believe is her own design--is that we were told she is "new to rug hooking." Whaaaa-aaaaat??? I love these cats!
I heard her say that she's only been hooking for 18 months. BUT...this is the 12th piece she has hooked in that short time. So she's certainly not "new" in my book. This is just great.
A talented woman named Penny (argh...I don't remember her last name either--was it Redfern?) sitting directly across from me was working on this rug, channeling Vincent himself. Talk about an ambitious project. I wish I had an off-the-frame photo of this; it's just wonderful.
Last but by NO means least is this really beautiful and striking piece inspired by Japanese rock gardens. Can I remember this woman's name? No, of course not, but I love her work. This is her own design.
I get that "ahhhhhhhh" feeling simply by looking at the sinuous lines of the carefully raked sand, which she's captured beautifully here. This is striking and I am loving the subtle colors.
I was definitely enchanted by all the rugs I saw. We met at the Wool & Dye Works Rug Hooking Shop in Florence, which is a treasure in itself.
I'll finish off with a DRAFT of a triquetra knot, which I tried for the first-time today. This says #3 because it's only my third try. I have a lot to learn about these, that's for sure.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
I'm teaching a Beginning Zentangle® class at the Greenfield Community Center on May 29th from 1-3 pm. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society