This CRAZY-CUTE lion toy was made by my next-door neighbor. It's an honor to be living next to someone who can produce something as wonderful as this.
A closer view:
OMG, that mane!!! Is that not just fabulous and hilarious. I love him. I bought him for a friend's baby boy, but honestly, how can I give him up? My covetous evil twin has taken over and I want to keep him.
This was so adorable that I thought it was worth two posts today.
One of the very kind Quabbin Rughookers invited us all to her lake house in Spencer on Sunday. What a house! And it has a wonderful history (too long to go into here but I delighted in hearing it). Anyway, we sat in a lovely room overlooking a gorgeous lake in beautiful weather--every moment was enjoyable. It was such a fun day. Here are the rugs people were working on (photos by permission, of course). With thanks to Diana for hosting us.
I spent the day today in Elaine Huffman's studio, learning to make these button-like zendalas from the wonderful Chris Titus. (Yes, Chris is the originator of the Zondom, the clear plastic sleeve to protect Zentangle® tiles. I use these all the time.)
We spent most of the day making the backgrounds; I had to leave a tad early so I only got to tangle this one, but others were able to get a second one done.
Full disclosure: Chris herself had made the backgrounds for all of these to make it easier for us, and we each did the same tangles on them. Here is the group mosaic, with one wonderful exception:
They matched so well with Elaine's pink flamingo tablecloth, don't you think?
Definitely a hugely fun day. Thanks to Chris and Elaine.
I don't yet have a new project to dye wool for, although I'll be starting one soon. But I do have a dear friend who was visiting and interested in learning to dye yarn, so I thought it would be a good time to try out Lucy Richard's Wooly Mason Jar Dye technique.
And it was--we had a lot of fun last Saturday, even though we went "off-road" and did our own thing rather than following Lucy's directions. Why? Because I'd had no time to read Lucy's instructions and so hadn't done any of the prep work. She has a very specific and relatively foolproof system that I'm interested in learning.
Although we didn't follow her method, we still got into the dyepot and had a lot of fun. Here are some photos from the day.
Oh, and where does the title of today's post come from? Read on; the story is after the photos. Pretty funny.
The Lucy Richard method involves making dye solutions in jars. One of the 3 "starter" primary colors is Warm Blue, and that's what you see here on the right. We didn't have time to mix up all the initial solutions for this very exact method, so we ad-libbed and tried our own thing, which you see in the pink jar.
THE STORY OF THIS YARN AND THE TITLE OF TODAY'S POST:
We had gone to WEBS on Friday. While there, my friend decided to pick up some white wool with which to practice dyeing. After walking around in the warehouse, she spotted a poor...unfortunate...very small cone of white wool yarn sitting all by its lonesome on a shelf with a few other assorted fibers. This cone of yarn was. very messy and disorganized, to say the least. The strands of yarn in the upper part seemed to be trying to jump off the top of the cone and run away.
It looked like a fiber in distress. The tag said 100% wool and the price was only $2.50.
Next we spotted a sign on the shelf that said (I'm not making this up):
"Good yarn with a sad story." ???!!
Well, what could we do? She HAD to buy it and take it home. So she did. We carefully took it off the cone and wound it into 3 skeins when we got home. There was only about 40 ounces total on the cone, but it was enough to play with in the dyepot.
And so, our "good yarn with a sad story" actually got to have a happy ending. It now looks far more glamorous, and my friend will incorporate it into one of her beautiful woven wall hangings.
A very happy ending indeed.
Oh, and did I mention that she is now addicted to dyeing yarn? Yup. She'll be fabulous at it.
Wow, stunningly beautiful weather this last little while--sunny, warm (but not hot), and no humidity! Today was lovely. I drove to a friend's house for a rug hooking event, and we were able to work outside in her gorgeous backyard. Perfect weather and no bugs! We hooked on her patio while viewing her colorful garden and listening to the din from hungry baby birds and their parents in a birdhouse not more than 4 feet over our heads. The birdy-parents came and went ceaselessly, trying to stuff food into the mouths of the kids. And were those kids noisy and demanding! Parenthood is never easy no matter who the parents are...
Here are some of the rugs I saw (of course I got permission for these pictures--thank you all!):
And now for something completely different...
Diana had just gotten back from babysitting for four days while family members took a short vacation to Aruba (something they had won! What luck!). They brought back this amazing object for her. Even more amazing is the description of the artistic process that was used to create it--it may look painted, but it isn't. See the photograph right underneath it describing how it was done. I have never heard of this art before, but I love this little critter. Isn't he (or she) a beauty?
Truly impressive. I will have to google "mopa mopa," which I've never heard of before now.
I capped off the day by 1) treating myself to a wonderful documentary on David Hockney's 2012 and 2016 exhibitions of landscapes and portraits. More visual delight!
And then came home and finished a tense and good WWII-themed novel.
All in all, a delightful summer day. I am feeling fortunate indeed.
This is a quick post that falls squarely in my "Other People's Work" category.
Remember my blog post from 5/23/18 with the phenomenal mosaic that resulted when the entire class put its tiles together? Review the picture here. It's at the bottom of that post.
Well, my internet buddy Susie Ng from Thailand saw that photo and "couldn't resist" giving it a try herself. (Thank heavens.) So she recreated the original tile--putting her own unique spin on it--and then used Photoshop to create a mosaic, using her single tile as its basis. Check out this result. Fantastic! I'm so thrilled that she couldn't resist. We all benefit.
And--hold onto your hats--here is the mosaic she created from the above tile, using Photoshop. I absolutely love this!
Susie is one of the most original and creative tanglers I've ever run across. I read her blog avidly (find it here) and always learn something. I frequently go back and study her tangles to see how she has handled things I would like to learn. We've struck up a bit of a penpal relationship too, and she's just the nicest person. Don't miss her frequent postings in support of animals and animal rescues, often found at the very end of her blog posts. They are alternately funny and incredibly compelling. Enjoy.
Thanks to Susie for allowing me to post this.
"Resistance is futile."
Hey! Not bad! In fact, really great work by the 6 new students who learned Zentangle® from me this afternoon.
I'm guessing students ranged in age from 55+ to well into their 80s. All of them did just great.
In preparation for the class, I did these two tiles last night in case I had time to teach all this today--but of course we only got through one tile, the first one below. The second tile below I did "just in case," but I kept it in my back pocket. Below those is a photo of the lovely classroom. It was my first time using a document camera and projector, and I'm pleased to say that went really well and made it easier to teach.
And here's a look at our lovely classroom. Thanks to the Community Center.
Just back from a workshop led by Martha Huggins and Molly Hollibaugh of the Zentangle® family. (If you are unfamiliar with Zentangle, click on that link and prepare to enjoy their well-done website loaded with art eye candy.) I was very fortunate to attend with a good friend, and we got to spend the whole weekend doing art. Such luxury!
I have many more photos to post but to start, here are examples of two tiles we did this morning. After both my own tiles, I'll post the mosaic from the group. Not familiar with this terminology? Not to worry, here's what I mean:
"tile" = a small piece of paper that we draw on, and
"mosaic" = the collection created when a class puts all their tiles together.
The fun of the mosaic is that everyone has heard the same instructions, but look at the assembled collections of tiles below (mosaic) to see how individual each tile is. And yet they go together wonderfully.
Here are my own two tiles, and the class mosaics follow.
The mosaic of most of the tiles based on Printemps. Some people used Renaissance tiles for this one; most people used white. Isn't this an amazing mosaic? Not everyone had time to contribute a tile but I think this was the majority of the class. We all heard the same instructions; note all the differences and yet they all work when put together.
Two of my good buddies have been wanting to learn Zentangle®, so I went over to their place and did a class today. They did great--have a look at these results:
Really well done.
Of course, I forgot the handouts I had carefully prepared and printed before the class. It's been about two years since I have had a chance to teach tangling, mostly because of buying a house, packing, moving, unpacking, and then the Great Broken Wrist Adventure.
So it was truly wonderful to be able to refresh my teaching skills today with kind friends. Mind you, I have NO idea what they thought about it, but I sure had fun, and am delighted with their results. I hope they are also.
Much of what I've been doing in the last month involves embroidery with punchneedle and wool yarns. Unfortunately, I can't really show it here because the designs I'm using, both of which came off t-shirts I own, are not mine and I can't reach the artist for permission. But I'll show a portion of one of them...the back end of a horse. Here it is. I am really in love with working with wool yarns (these are lace weight and/or sock yarns) in my punchneedle.
The pink-ish background is a single ply hand-dyed Malabrigo lace weight yarn. Really the possibilities are endless since sock and lace-weight yarns come in so many colors now.
One of the best things about this is that I can try out rug designs in punchneedle first, before going ahead with the dyeing for a large rug only to discover that the colors or the design are not working. Better to find that out in a small punchneedle piece than after spending money for wool yardage or expensive wool rug yarn.
It seems Spring is scarce as hen's teeth around here. It comes and then goes just as quickly. Fortunately last Saturday we had one glorious spring day, coinciding with our rug hooking meeting in Connecticut at Ann's farmhouse. The weather and sun smiled upon us; all of us were able to attend, and we had a blast.
I have only a few pictures (since many of us have been working on the same projects for quite a long time) but they'll be worth seeing.
Well, of course--those of you who've been reading the rug hooking category of this blog will recognize Cheryl the Rug Rescuer's name and title. Yes, this is ANOTHER rug rescue by our intrepid colleague. I believe the designer's name is Denise Mitchell...see this close-up below:
Apparently Denise (if I have her name correct) was a rug hooking teacher who died recently. Before her death she designed and hooked most of this rug, but was unable to finish it. Another rug hooker who didn't feel able to tackle the job approached Cheryl, asking her to do complete it, and gave her the remaining wool for the rug. Cheryl accepted the challenge and is basically done with the hooking now. Someone else will take care of the binding, and then the rug will go to the woman who asked Cheryl to finish it. Denise, wherever she's currently existing, would be proud to see her rug completed. A better photo is below.
Elizabeth was punching away on this beauty:
And Kathleen had brought along this pattern to work on for the day (K is in the middle of two other very complicated gorgeous rugs, too large to carry around):
That's it for the rug photos, but wait until you see what is coming next. Ann, our hostess, brought out a hand-embroidered tablecloth that had us all drooling down our shirts. One of her relatives (grandmother? uh-oh, I can't remember) had begun this, and I think Ann prevailed upon an aunt to complete it. It is just stunning. I took lots of photos. Here it is:
Here are more photos of various motifs, and some close-ups. What a labor of love.
You may be wondering (but you probably aren't!!!), "Where's your rug?" My rug is so close to done that I've decided to wait until it is done to show the photo. Since I am moving at a snail's pace--too busy to work on it much--that could be another month, but I hope not. I'll try to get it done and on here sooner.
Instead, since Ann had been asking me about punchneedle, I did bring my latest punchneedle project. I finished it this morning. Still debating how to frame it. Below you can see the original tee-shirt I've had for at least ten years, if not more, with this design on the front. And next to it, my punchneedle version. The tee-shirt is fading, and I've loved this redwing blackbird image for so long that I cannot bear to lose it, so I wanted to immortalize it in punchneedle.
The one problem: I cannot find any contact information for the original artist, Rob McClellan. I believe I've traced him to Ohio, and have even found a gallery there that sells some of his work. But the most recent work they have is decades old. I wrote to the gallery to see if they could help me locate him, but they wrote back to say they have no idea how to do that. If anyone--anyone!--knows how to locate him (I suspect he may be long dead--I've found some photos of someone with that name on the internet but they too are decades old), PLEASE let me know. Clearly I did this for myself only and will not be selling or profiting in any way from the piece, but I would love to find him and thank him and credit him even more than I can by doing this.
A happy Spring to all. May it come, and stay for awhile, before the summer.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class will be for a private group in October. That class is full.
I'll be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society