Here's another short post on OTHER PEOPLE'S WORK (not mine). My buddy Cheryl is a Rug Rescuer--she takes partially completed traditionally hooked rugs from people who cannot complete them (usually due to age, illness, or unknown reasons) and finds a way to finish them. She's a genius at it!
Here are a couple of her rescued rugs, then a 3rd rug that she hooked NOT as a rescue but just for fun for a grandchild. And finally, a rug in progress from another wonderful rug artist, Cynthia (not a rescue--her own design).
I believe this pattern is an old McGown or Moshimer pattern called "Frost Oriental," (after Edward Frost, an itinerant peddlar in the 1800s who figured out a way to transfer rug designs to burlap). Cheryl rescued this rug and finished it--I've long loved this pattern and have often thought of hooking it, but haven't gotten around to it yet. Love what she and the original artist did with this!
Also by Cheryl the Rescuer. Although I can't remember if she rescued this rug and finished it, or if she decided to hook it all herself and then ran out of wool part of the way through and had to scramble to finish. Either way, I love this rug. Both the pattern and the wonderful difference in values, giving it an antique look.
And last but not least, a rug by Cynthia (another traditional rug hooking artist in our group) of her own design. This isn't the first time I've featured one of Cynthia's rugs--she does all her own designs and dyes or recycles the wool she uses. The added bicyclist (lower right without any wool around it yet) and the boat (lower left center) both have special meaning for her family. She does wonderful work.
I got to see these lovely rugs, and others, at our meeting last Friday. It was hard to tell which was more fun--the rug hooking, the conversations, or the fabulous groan-inducing foods. We met at Cheryl's amazing and stunningly decorated old Victorian house.
"When life gives you hands, use 'em to make stuff."
None of these are my work. But I am a sucker for lotus flowers, and these are so stunning I have to share them.
First is a photograph taken by Paula Swenson at a botanical garden in Thailand:
I am in love with that photo.
Next, two images of lotuses in watercolor painted by Walter Cudnohufsky of Ashland MA:
I'm lucky enough to own both of these paintings.
They will help me to remember...
"No mud, no lotus."
--Thich Nhat Hanh
Remember the very strange story of the hula girl figure from last August/September ? (click here to refresh your memory) She mysteriously appeared atop our mailboxes one day, stayed a few weeks, then disappeared. But she reappeared in September (it's all in the link above).
Here is a photo of how she looked then (just below).
But read on to see how she looked as of this morning...
She was appropriately (if scantily) dressed back then.
It is now November and we have already had two snowstorms...and winter's barely begun.
On my way to do some errands this morning I stopped at the mailbox and...
I nearly swallowed my tongue laughing when I spotted this:
A few days ago, I shared a post called "Inspired By Others," in which I showed some work done a la Ernst Haeckel at our recent zenAgain2018 conference. We didn't stop there, however, and today's post shows two very different artists whom we also explored. Talk about crazy fun--this was a highlight of the conference for me.
Indeed, Keith Haring, one of Molly Hollibaugh's favorite artists when she was a child. After wondering what, if anything, we could do with tangles and his work, Molly experimented and came up with this instruction at zenAgain2018, and below you see the tile I did as a result. I was SO surprised - and delighted - by this choice of artists!
My own version of a Keith Haring-style tile. Was this ever fun to do! Done on a black Zendala tile with White Gellyroll pen #10. Permission to break all the rules here, and just have a good time.
And if that alone wasn't enough, have a gander at the mosaic below. Bear in mind that this is only a partial photo of the whole mosaic.
Prepare to drool.
But wait--that's not all we did.
The next tile couldn't be more different. (As is true for the "Ernst Haeckel-style" tile we did which I presented a few days ago)
Yes indeed, Master Klimt himself. I couldn't do him justice--none of us could, really, but we all gave it our best shot and my tile's below, along with a partial picture of the group mosaic.
This is truly only a very small portion of the class mosaic, enlarged so that you can see the detail and the contrasts.
"What inspires me to paint? ...revisiting some old greats like Sargent, Homer, Whistler or local masters... thinking hard about a new approach or idea; or seeing a new painting on a friend's lounge room wall."
was the inspiration for this:
At ZenAgain this week we experimented with tangling that was inspired by other people's work. This sea creature above is inspired by the work of Ernst Haeckel, and was it ever fun to draw.
Below is a mosaic of the class's work with this assignment. We were each given some General's Chalk Pencils to use--we each received different colors and were required to work with whatever colors we got. Once again, you can see that all of them were similar, and yet, each is distinctly different.
This was only one small portion of a much larger table with these tiles displayed.
Maria Thomas, one of the founders of Zentangle®, has a remarkable poster with her own version of Haeckel's sea creature on a portion of it. See her poster below. I believe this is for sale but am not certain. (UPDATE: Yup, it's for sale at the Zentangle® website.)
And finally, below, is a photo of a book about Haeckel's beautiful work (the master himself). There are many books available about him.
"All my best thoughts were stolen by the ancients."
(Ralph Waldo Emerson)
Yes, this makes three blog posts in one day. It's true. Deal with it! <g>
Ratoon is a new tangle from Molly Hollibaugh CZT (one of Maria Thomas's talented daughters) released earlier this week. The title of the tangle actually comes from some research that Maria was doing to prepare for ZenAgain this week. A "ratoon" is described thus: "a new shoot or sprout springing from the base of a crop plant." The theme of workshop was SEEDS--all the seeds from our art-ancestors that we use in creating art today, and all the seeds we are sowing as we do our own art and as we teach others. You can see the seeds represented in the tangle above.
Just as those seeds have and will continue to sprout, so all art stands on the shoulders of all previous artists. In making our art--even if it's bad art!--we honor them. One of the many things I love about tangling is that I never know where something is going to go, how it will develop, and the highly calming effect of the process. We all get the same instructions, and yet all our pieces, while obviously related, are so delightfully different. I will put a partial mosaic of this tangle as an example of that below (partial because there were so many of us that I couldn't get the entire view).
Yesterday morning I taught a beginner class in the Zentangle® method. What a fun group--these were all rug hookers and they were really enthusiastic since they area already so creative in their textile designs. We had a great time.
I used the inexpensive portable projector for the first time, and it was "good enough" to get the job done, much to my relief. While I wish it were brighter, it was clear enough that everyone could see what I was doing.
In order to create a full mosaic, I included 2 of my own tiles. On the far right of the bottom row is the tile I did during the workshop yesterday. My other tile was from a previous beginner workshop that I taught. I included these to avoid gaps in the class mosaic because we didn't have an even number of students, but I think if you look at each of the other tiles you will see what a great job the students did. Hopefully, I have created a few more enthusiastic tanglers.
We finished up with some very plain linework on a Bijou tile (2"x2"):
Below is my version of a tangle called Pais, which is the Day 6 tangle in the Inktober2018 challenge. I'm curious as to why I seem to be keeping up with this challenge when I rarely can with others. Maybe because I'll be teaching a class soon and want to practice as much as I can, or maybe just because these tangles are "monotangles" (only one tangle requested per day, although there's no rule saying you cannot use as many as you wish). At any rate, I'm having fun.
Pais (the tangle name) used as a string with many other tangles inside--some Wud, Crescent Moon, Tipple, Striping, a hint of Diva Dance, Meer, and others. Done on a tan Zentangle® tile with a brown Micron 01, blue and white colored pencil, some chalk pencil. I had fun with the background on this one also.
Yesterday was an odd day. It's been a tough week politically (to say the least) and then I had a few additional major concerns about friends. I just couldn't settle myself, no matter what I tried.
Finally I dragged myself out of the house and went to see this wonderful art exhibit by Jen Luck Hale, below. I had seen the publicity and knew that colors would help me cheer up. And they did. If you are anywhere near Western MA in the next month or so, don't miss this one. It's not just "snowflake-y" cut paper, it's cut paper in great colors with nature as the theme. Plants, birds, fish, insects...it's all there. And oh, the colors! What a talented artist she is. From what I have read, she does NOT draw on the paper, but just "cuts by eyeing it." Wow. Read about her process HERE. Details and a couple of photos below.
Don't you feel better just looking at those colors?
This (below) is only a small portion of what is on display.
Once upon a time, in a land far, far away, I bought three t-shirts, each with a different design I absolutely adored. Each one was like a mandala to me.
[Ok, so it was actually only 2 1/2 hours' drive from here and only about 20 years ago. But I do love these t-shirts.]
Slowly but surely they are all starting to wear out. I got the idea to use the designs for a series of 3 punchneedle embroidery pieces (see the other two designs below), and have just completed the last of the trio. The designer, Rob McLellan, gave his t-shirt designs titles, and the title of this one is "Elksong." Many thanks to the folks at University Silkscreen for giving me permission to interpret these designs in my needlework. I'm really happy to finally be able to share what I've been working on all summer.
Below are the two previous works in my series, Midnight Pony and Redwing Blackbird. Rob McClellan was an artist who lived in Ohio in the late 20th century. He died in a car accident around 2005. A fascinating man, he was adopted by the Cheyenne Tribe and much of his art reflects that.
I admit I am somewhat mixing my religions and cultures here. Hanuman is the Hindu monkey-god known for his strength and devotion (and much loved by Ram Dass, the longtime meditation teacher, author, and speaker). Hanuman is normally depicted with a human body, but I hope we can cut him a little slack here. And then of course, there's Buddha. Actually, Hanuman is also found in some Buddhist teachings as well, but not as commonly as in Hinduism.
I put Buddha in Hanuman's lap because I thought this "alternative version of Hanuman" might need a dose of equanimity before he got crammed into a box and mailed off to a friend as a gift to her 8 month old son. So, Hindu and Buddhist figures are playing together in this photo.
[NOTE: Hanuman is now on his way to his next adventure - he's in the mail - and I've no doubt he is fully up to it.]
This is another wonderful toy made by my next-door neighbor. She has a large assortment of hand-knitted toys--penguins, ducks, dogs, kitties, dinosaurs, you name it. All beautifully made. And then there is all her other lovely knitting, but since I don't have pictures, I won't go into that. But you can imagine how kids react to these toys! It's pandemonium when she sells them at fairs. She is so clever.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class is not yet scheduled--stay tuned.
I may be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society