Another tile for the Grati-tangle2018 project. This one has a variation of Fracas and also the tangle Marasu.
While working on this tile I was grateful for all the things I've been given that allow me the luxury of time and tools to practice this form of meditative art. I am lucky indeed.
And one last tile for today, same project. The tangle is Cyme and it's for day 10.
While working on this tile, I was thinking that I am grateful that I know a posse of women who are skilled healers and ready/able to work on a friend who's in need of help. Gratitude to these friends. We are geographically scattered but I trust them all and love them all.
Here is a quote that captures the nature of the work we've done together over the years:
“I dreamt we walked together along the shore. We made satisfying small talk and laughed. This morning I found sand in my shoe and a seashell in my pocket. Was I only dreaming?”
― Maya Angelou
was the inspiration for this:
At ZenAgain this week we experimented with tangling that was inspired by other people's work. This sea creature above is inspired by the work of Ernst Haeckel, and was it ever fun to draw.
Below is a mosaic of the class's work with this assignment. We were each given some General's Chalk Pencils to use--we each received different colors and were required to work with whatever colors we got. Once again, you can see that all of them were similar, and yet, each is distinctly different.
This was only one small portion of a much larger table with these tiles displayed.
Maria Thomas, one of the founders of Zentangle®, has a remarkable poster with her own version of Haeckel's sea creature on a portion of it. See her poster below. I believe this is for sale but am not certain. (UPDATE: Yup, it's for sale at the Zentangle® website.)
And finally, below, is a photo of a book about Haeckel's beautiful work (the master himself). There are many books available about him.
This was the very first tile we did at the opening of the workshop last Sunday. An old favorite and often the first tangle taught to new students, Crescent Moon.
A tiny tile is all I can manage to post today; it's been a busy weekend and frankly, I have overdone it. Apparently I may have contracted a second head cold on the heels of the first one, so I am really dragging.
Keeping things small and simple this evening.
"'Space' seems to be such a confusing term. The closer we look at something, like what we are made of, the more space there seems to be."
"All my best thoughts were stolen by the ancients."
(Ralph Waldo Emerson)
Yes, this makes three blog posts in one day. It's true. Deal with it! <g>
Ratoon is a new tangle from Molly Hollibaugh CZT (one of Maria Thomas's talented daughters) released earlier this week. The title of the tangle actually comes from some research that Maria was doing to prepare for ZenAgain this week. A "ratoon" is described thus: "a new shoot or sprout springing from the base of a crop plant." The theme of workshop was SEEDS--all the seeds from our art-ancestors that we use in creating art today, and all the seeds we are sowing as we do our own art and as we teach others. You can see the seeds represented in the tangle above.
Just as those seeds have and will continue to sprout, so all art stands on the shoulders of all previous artists. In making our art--even if it's bad art!--we honor them. One of the many things I love about tangling is that I never know where something is going to go, how it will develop, and the highly calming effect of the process. We all get the same instructions, and yet all our pieces, while obviously related, are so delightfully different. I will put a partial mosaic of this tangle as an example of that below (partial because there were so many of us that I couldn't get the entire view).
Here is a completely WRONG version of the tangle Cadent. This is what happens when you're so tired you can't see straight. It's drawn incorrectly from start to finish. Things don't connect as they should. I was aware of it while I was drawing but did not care one bit, had fun, then shaded it and called it done. It's for the Gratitangles2018 Project, Day 5.
While I was doing it I was being grateful for all that I have been given in life.
This one's an old favorite called Verdigogh, and represents Day 6 of the Gratitangles2018 Project. Once again I was aware of how tired I was as I was working on this, and so while I was tangling I was very grateful that I'm at a point in life where I have a lot of control over my own schedule (in other words, if I'm overscheduled it's usually because I do it to myself). I am grateful that I have the personal choice and luxury of changing this. So...why don't I? Because I hate to miss ANYTHING. Jeez.
"Nobody can discover the world for somebody else. Only when we discover it for ourselves does it become common ground and a common bond and we cease to be alone."
Earlier this week I was fortunate enough to spend four days in the company of over 200 artists, drawing. Meaning, doing Zentangle®. I really cannot describe the experience other than to say it was sheer heaven. Also exhausting. One thing I can say for sure is that I was scheduled to go with a good friend who was unable to come at the last minute due to illness. I really missed her.
This particular tile measures ten inches by ten inches and was one long moving meditation.
Heavy rain both last night and this morning, followed by high winds. I sat in front of my picture window and watched as every last leaf blew off the many trees outside. It is now officially November, with denuded trees. In the back of my house, where yesterday I saw nothing but colorful fall leaves on the trees, I now see only tree trunks and the houses on the next street over. Yesterday those houses were still invisible.
It is November in every way, after the gusty winds took the leaves from the trees and plastered them onto wet streets, sidewalks, and lawns.
Something is off in that photo--the lighting, for sure! It's done on a white Zentangle® tile which surely doesn't look white. Micron 01 pen and graphite, white gellyroll pen to add the dots and a few highlights. Tangles are Opus and Jetties. Part of the November Gratitangle Project, Days 3 and 4.
While tangling, I focused on being grateful for:
My good friend in the hospital who is now just beginning to recover. I know it will take time, but I'm grateful she is ok and that she has access to world-class healthcare.
I'm leaving shortly for four days of tangling heaven--I particularly appreciate the opportunity to attend an art workshop while the American mid-term election is going on (next Tuesday). And yes, I have already voted via absentee ballot since I won't be here. But if I were here, my doorbell would be ringing and I'd be barraged by television ads on how to vote. It will be a massive relief to escape to art-land until after it's over. And I desperately hope we move in the direction of civility, sanity, and kindness.
Yesterday's tangle was titled Rain, and as if invoked, it has been pouring all day today, including thunder and lightning. We've had a rainy spring, a heavily rainy summer, and now a very rainy autumn. We have had more than enough rain.
So for today's tangling I decided to use a Bronze Stardust Gellyroll pen in an effort to invoke the sun. It's still pouring, and heavy rain is forecast for tomorrow so I'm not hopeful.
This is still part of the "Gratitangles2018" challenge.
Today I am grateful that my friend who just had surgery is beginning to feel better. And that the heavy cold I have had for weeks now is beginning to lift.
Just for fun I ran the original photo above through my iPhone app and got this, which I like equally well:
In October there was the "Inktober Challenge." In November, there is something called "Gratitangles2018." A challenge in the spirit of the American Thanksgiving holiday. I don't know if I will be able to fully participate, but here is Day One of this challenge. The tangle is Rain, and I did this on a Renaissance tile with brown and black microns and a white 08 gellyroll with graphite and a bit of General's white chalk pencil. Gratitude that my friend made it safely through her surgery.
Yesterday morning I taught a beginner class in the Zentangle® method. What a fun group--these were all rug hookers and they were really enthusiastic since they area already so creative in their textile designs. We had a great time.
I used the inexpensive portable projector for the first time, and it was "good enough" to get the job done, much to my relief. While I wish it were brighter, it was clear enough that everyone could see what I was doing.
In order to create a full mosaic, I included 2 of my own tiles. On the far right of the bottom row is the tile I did during the workshop yesterday. My other tile was from a previous beginner workshop that I taught. I included these to avoid gaps in the class mosaic because we didn't have an even number of students, but I think if you look at each of the other tiles you will see what a great job the students did. Hopefully, I have created a few more enthusiastic tanglers.
We finished up with some very plain linework on a Bijou tile (2"x2"):
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class will be for a private group in October. That class is full.
I'll be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society