Determined not to be late again for this week's challenge, I decided to do a second tile and post twice in a day. The challenge was to use tangle 'Nzeppel and/or Crazy 'Nzeppel on a tile. I believe these are the "least 'Nzepp-ly" 'Nzeppels I have ever drawn, partly because I thought I'd try both types ('Nzeppel and Crazy 'NZeppel) within an orb. The orb softened the grids so much the tangles are less recognizable than normal.
Here is the same tile set into a mosaic created with an iPhone app using the original photo above. Of course, this is only one possible way to rotate the tile.
I wanted to try out my new Gold (or yellow) General's Chalk Pencil to see what it could do. Very pleased with it.
Of course I couldn't leave well enough alone and had to take the original photo above and run it through some iPhone apps to see what would happen. The two resulting versions are below. I love them but I also just like the original tangle above.
And finally, at a meeting I went to last night there was a wonderful celebration of a special member, a woman who died last week. I had only met her once, but the other group members have all known her for years and just treasured her. Because I didn't know her, I couldn't contribute but the group told wonderful stories about her talents, loving kindness, generosity, and eccentricities. I think everyone had a terrific and healing time.
In her honor, someone had brought the floral arrangements (gathered from everyone's backyard gardens--she adored flowers) which had decorated her funeral service, and flowers were set around the room, including in the chair that she usually occupied.
At the end of the meeting, the flowers were offered to all of us and we were encouraged to take some home in her memory. I chose these beauties below, and felt lucky to have met this woman even once. This is just a tiny sample of all the floral bounty, one last gift from a woman who apparently never stopped giving to others.
This is what happens when there is no time to tangle, but you gotta tangle anyway no matter what. I'd been wondering what would happen if I put the tangles Punzel and Molygon together. But there was no time to try it today.
I thought I'd just try "refreshing my memory" on Punzel using a pencil and scrap paper for 5 minutes, and then I saw this tiny 3-Z tile and my White Gellyroll pen sitting there and couldn't contain myself. Good thing the tile was itty-bitty.
And if that wasn't enough, I played with the original on my iPhone mirror app, and got this, which is kind of fun. I prefer the original though.
Ok, I'm now way overdue with prepping for a meeting this evening...but feeling somewhat less crowded by all the tasks ahead. Ahhhhhhhhh...
"Off-center" describes how I've been feeling for the last couple of days. Sometimes we just feel that way, right?
This is actually drawn on a pie plate. I did the background on a spinner and then this morning added the tangles, some of which are more like tangleations.
Even though I'm off-center today, I am fond of this result.
I spent the day today in Elaine Huffman's studio, learning to make these button-like zendalas from the wonderful Chris Titus. (Yes, Chris is the originator of the Zondom, the clear plastic sleeve to protect Zentangle® tiles. I use these all the time.)
We spent most of the day making the backgrounds; I had to leave a tad early so I only got to tangle this one, but others were able to get a second one done.
Full disclosure: Chris herself had made the backgrounds for all of these to make it easier for us, and we each did the same tangles on them. Here is the group mosaic, with one wonderful exception:
They matched so well with Elaine's pink flamingo tablecloth, don't you think?
Definitely a hugely fun day. Thanks to Chris and Elaine.
This was the final tile we did at the workshop that ended yesterday. I've referred to the Perfs (the official Tangle name) as "Pearls" in the title of today's post because they look that way to me.
Because the venue needed to ready the room for the next workshop, there was no time to do a class mosaic so I don't have a picture to show of what would undoubtedly have been a really magnificent collection of tiles. I really enjoyed creating this one, and would like to play more with this particular string. Thanks to Martha & Molly for a truly amazing experience.
When I got home last night it was smotheringly humid here, really unpleasant. But overnight the weather shifted. Here was Dave Hayes the Weather Nut's forecast this morning. It cracked me up!
"THE 411 FOR THE 413: SUNNY, WARM, SWEET, NICE, AWESOME, PLEASANT, KILLER, GREAT, LOVELY, FABULOUS, MORE PLEASE, AND THANK YOU..."
He turned out to be 110% accurate. Love him--so helpful. It is absolutely exquisite out there. I just took a long walk and spotted these phlox broadcasting their extraordinary color along the sidewalk. Most phlox here are shriveling up now, but because these are in shade for much of the day they're still going. In person, the color is nearly psychedelic, almost too much for the eyes.
This little beauty is a much smaller mosaic that the one I posted yesterday, but it is the same pattern I posted yesterday. I took this shot of "3-Z tiles" placed into a tiny four-person mosaic before everyone else at the workshop added their own tiles. Even though it's small, I had trouble remembering which was mine, but I finally determined it's at the lower left.
This is an even better illustration than yesterday's of how we all heard the same instructions, and we all used the same materials, and yet each person produced a unique result.
Life is like art - it is all about interpretation.
A page from my journal today. Not a masterpiece but at least it got me tangling and drawing, and I completely enjoyed doing it.
And speaking of roses, kudos and roses to my buddy Cheryl the Rug Rescuer. She has just completed a commissioned rug rescue for someone she knows who brought her a half-finished rug. As I recall, there was no wool with it, just the unfinished rug, so Cheryl had to match wool as best she could. The pattern, I think, was drawn by a rug hooking teacher who was unable to continue hooking, so I believe it's an original. Anyway, I love this rug (below). Let's first look at the rug on the floor of Cheryl's drop-dead gorgeous Victorian living room; then I'll post a closer view.
That's the rug in the foreground above, but isn't the entire room just so beautiful? And here's a closer look at the rug itself:
What a beautiful design. Very sad that the designer wasn't able to complete it, but at least the Rug Rescuer got it done! Now here's the hard part: She has to give the rug away to the woman who brought it to her. I would have a lot of trouble giving something this lovely away.
Now Cheryl is working on this wide-cut rug below (a real departure for her as she's not enthusiastic about hooking with wide cuts). I don't know whose design this is but it's very pretty: And yes, this is another Rescue Rug, started by someone before it was abandoned and turned over to her.
Quite unusual. I don't recall ever seeing this design before. Go Cheryl!
I haven't seen either piece in person yet; another friend took these photos for me (thank you, Kathleen). I'm hoping to see the actual rugs in person in a couple of weeks.
Starting about 2.30 this morning--a bad case of insomnia resulted in this tile. And then once I began, I couldn't stop tangling as the day wore on.
Yesterday I finished unpacking the house (after "only" ten months, 4-5 of which I was useless because of the broken wrist. But still!
I next need to hang pictures, and organize supplies and furniture in my studio. But it feels fabulous to be unpacked finally, and to know in general where things are.
I haven't been allowing myself to indulge in art in order to get the house stuff done. But starting with the above tile--and now that I know where most of my art supplies are--I couldn't help myself today. So I went a little nuts.
WHEN A GOOD TILE GOES BAD...
Oh my, the above tile was meant to be a practice of the Delft technique. But it fell apart when I thought I'd use Copic Markers (about which I clearly know nothing!) to shade a bit under the bands. The result: uneven shading and a "hard line"--I tried to save it with graphite and a tortillion, but really it was a hot mess.
But hey. No fail, no learn, right? So I'm posting it.
JUST KEEP ON GOING...
Once I finished that one I just couldn't stop, and did this one (I left off the Copics until I learn more about them). Enjoying the blue-and-white a lot.
And if that wasn't enough, I indulged myself in some glitter markers that were recommended by an artist friend (see her review of them here):
Have not tried these yet but will certainly report back when I do. They are very inexpensive (About $10 or so for all these)--and the package even arrives with refills.
You can see the refills above the markers. I got these on amazon.
Tomorrow I have to "stuff the art genie back in the bottle" in order to get some required tasks done...and I have to keep her there for awhile, probably. But today was a total indulgence.
Following Maria's instructions and working with the small Bijou tiles from the Zentangle® folks' Project Pack 02 resulted in this tile. Yes, it's a mash of half a black Bijou tile and half a tan Bijou tile, using the tangle Mollygon. I used a black Micron PN pen, graphite, an 08 White Gellyroll pen, and a White General's Chalk Pencil. Such fun to do!
My second tile. Same type of mashup as above, same materials used. The tangle here has been named by a few people over the years but I know it as Curtinz by Kate LaMontaigne..
Of course, it was immediately obvious that one could put the 2 tiles ( = 2 Fragments) together and turn them different ways to achieve different effects. This was one way.
Now, of course, I had to make a couple of additional tiles--I wanted to make 4 and I had just enough supplies to do so. Here was tile #3.
Same materials used. This tangle is a seldom-used one called Sedgling. I wonder why it has been forgotten. I like it a lot and think I'll be using it more often.
The last tile I did was based on the tangle Toodles. I tried experimenting with Toodles and did 2 versions of it, one a kind of "Pokeroot-based" version and the other a kind of "Pokeleaf-based" version, mixing them together.
And now to put all four fragments together. This is where turning the four fragments created different effects. I'll spare you all the variations and limit it to just two. Here's the first mosaic with the black halves in the center:
...And then, just by turning the tiles, here's another effect with the light halves in the center. This is the power of working with fragments. Very fun indeed.
I'm enjoying the wonky look. I'll definitely want to do a few more of these.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class will be for a private group in October. That class is full.
I'll be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society