Continuing on today with my drawing meditation (aka Zentangle®). I began tangling my journal cover last night. At first I thought I was done. Here is the first version.
Don't ask me to name all those tangles off the top of my head. I used a Micron 01 black, graphite, and a white chalk pencil on this.
But I knew I would need to seal the cover somehow. Otherwise, the two pencils (white and black) would smudge and wear off. So today I dug out the Mod Podge for Paper, since I wasn't sure what else to use. Meanwhile, in meditation this morning, it came to me that I wanted to add a tangle (created by me, no name yet) on the right hand part of the cover. So I did. Then I put 3 layers of Mod Podge on the cover, waiting at least a half hour between each. I hope this works! It seems duller (I used Matte Mod Podge) but then I also photographed it in a different light from yesterday, so it's hard to tell. Here's the finished journal cover.
Yup, big difference in light as the teal color on the binding of the first photo is accurate and it looks brown here. I think I like this.
So tonight I finished off the day with this tangle on the theme of "Striping."
I also did my usual silent meditation practice today, but I am always reminded, after a long session of tangling, how similar these two meditative practices are. They are each so calming. So grateful to have found Zentangle all those years ago, and to the truly wonderful people who teach it as a meditative practice. Thank you.
Really needing a break today, I just allowed myself to follow along while watching Zentangle® instructional videos. My plan was to follow instructions diligently, but somehow I just kept getting off track. I tangled for several hours though, and really enjoyed it. Here are the results.
Ummm, can we just stay that I went totally off-road (or into the river) for this tile, which was supposed to be entirely non-representational. It was supposed to be the tangle Bales, drawn in an oval string. But once I put that oval string down, all I could see was a fish. Black apprentice tile with White Gellyroll #10 and a touch of prismacolor pencil.
Sometimes ya just gotta allow for odd things to happen. This was one of those times.
Yes, I did it. I bought a hand drill. No big deal, you say? Then you don't know me well. I'm a disaster with hand tools. If you live anywhere in the northeastern United States, it might be time to consider moving away. You don't want to be around when I turn this thing on.
YouTube, here I come. I'm determined to learn how to use this.
More material that fits neatly into the "no-fail, no-learn" category: The Zentangle® folks put out a Project Pack recently that included lots of new goodies to try. New white Gellyroll pens from Sakura. New black apprentice tiles, new black triangular tiles (called 3-Zs). Plus a new tangle and some experimental techniques. And some very fine videos.
Along with everyone else, I've been experimenting. Here are a couple of initial results.
More to come from that Project Pack.
Last but not least today. I am pretty chuffed about this one. It has been eluding me for well over a week. I think I tried it a good 4 times and couldn't figure it out (and it looks soooooo simple!), but I kept looking at it and thinking about it. Today I decided to tackle it again--on crappy copy paper, but I was thinking there was a good possibility I'd fail again.
But no. I succeeded! I really failed my way to success with this one.
Now, of course, I wish I had used better paper. But succeeding came as a total surprise!
Just to make sure I got it, I tried it again on a tiny scale a couple of hours later--and once again, failed. But I know I *am* getting it and will continue to practice until I feel I've got a good handle on this. If I was able to do it once, I know I can do it again.
Two very quick drafts. I'm continuing to practice drawing Celtic Knots. These were done on incredibly cheap blue scratch paper. This first one I actually did not intend to ink--I thought I would do a quick pencil draft (and did), but then decided to spend the time inking it. This was freehand and done in a rush.
In the draft below, I used a technique from a YouTube video to create a classic border. Since this was my first attempt, I used the same super-cheap blue scratch paper. This one took longer only because it had so many knots, but I still thought I would leave it just as pencil practice. And just as in the other case, I decided to take the time to ink it in. There's something so irresistible about "correcting" the sloppy pencil lines. Once again, this was drafted very fast.
While this is far-from-perfect (see the spots of white where I've corrected some "blobby" lines, not to mention the different sizes of lines), I notice that the eye tends to smooth things out and make it look better than it actually is. That's ok with me!
In the spirit of "Progress, Not Perfection," I am viewing sloppy progress as being better than no progress at all.
i heard the sound of crickets last evening for the first time since last year.
to be more specific, i heard one lone cricket, and then about a block or so later, a second lone cricket. there is something about their sound that makes me so happy.
today i experimented with drawing a cricket (thus, the "hope" part of the title, as it was only the second day since i broke my wrist (mid-june) that i began to feel i was getting better. more about that later...
here is the very silly result--the first sketch is a cartoon cricket (from the jiminy cricket species), and the second one only a tad more realistic. both were done from youtube videos that i found when i typed in "how to draw a cricket."
below is my contribution to IAST 209 (the "it's a string thing" challenge). i was so happy to feel well enough to try this tonight. this makes two days of less swelling and pain, i'm almost afraid to feel hopeful, but i'm going with it tonight!
This was the original Compass Rose Mandala taught by Kate Lamontagne at Tangle U 16 a week or so ago. We were each given a selection of Prismacolor pencils and Moonlight Gellyroll 06 pens and Microns, along with a cool tool to create a basic mandala.
We all followed the same directions...and sure enough, everyone produced wildly-different pieces. I love that.
These are not "my" colors, but since I got them, I wanted to challenge myself to use them, and am glad that I did.
So naturally I couldn't leave that alone.
Well, I guess I could...and did--the original still looks exactly like the photo above. But I had to try a few experiments.
So I got out my iPhone and here's a slideshow of the results. Same photo run through 1) the mirror app and then 2) an app called Painteresque.
Hover over each photo below for a caption; then click on each photo to biggify it.
I loved working on the original, and then playing with it further. Now...since it's a Compass Rose Mandala, which "direction" is the favorite?
Well. It's almost done. The hooking is done. Next comes:
And you wonder why hand-hooked rugs are so expensive. Every time you buy a cheapo hooked rug from China (and they are out there, plenty of them), you are disempowering an American or Canadian artist. But it's not my intention to get on THAT soapbox today.
And now...the rewards:
So after all this hooking (not to mention the Big Yarn Dyeing Project over the last six days), I decided to self-indulge with some rewards. My new freaky shoes (see the post from two days ago), one of which is visible in the rug photo above, were the start of an orgy of self-indulgence.
Just today my new dye spoons arrived from Gene Shepherd's online store. These arrived with lightning speed. I think I may even have ordered them on Thanksgiving, just last Thursday, and it's only Monday. I love them. They have so many advantages in this form, and I love that the measures go from 1/128th to 1 full teaspoon.
They were expensive, as all good dye spoons are, but I know the value of top-of-the-line tools, and these are definitely in that category.
There's more though.
Here are Carrie Paris's beautiful new Relative Tarot Cards, which you can find more about here. I can't wait to begin using these. (They are sold out temporarily but she'll be reprinting soon.)
While I am taking a short break from dyeing massive quantities of yarn for my new Moon & Clouds rug, I'll really enjoy working with Carrie's cards. And of course, I will be working with tarot at the opening of the tarot rug show on Friday.
Well, after scaring the pants off of readers with yesterday's post on my new shoes, I thought I'd post something more subdued today.
I really needed those silly shoes yesterday as I was in a dark mood all day. Really not sure why, and that is very unusual for me. Part of it may have been weather-related as it was dark, gloomy, and rainy out, but normally that's not an issue. Who knows! The shoes cheered me up, and doing that tile cheered me up just before I went to bed.
BYDP (Big Yarn Dyeing Project) DAY 6:
After getting nothing done yesterday except cleaning the house, I was back in the dyepots today. Three more skeins are just about ready to come out of the oven, and with them, I will have officially finished 1/4 of the dyeing for the background for this large rug.
The background will be 4 colors of dark purple, and today's haul completes one of the four. I need at least 8 skeins of each. I have 6 more dyed of color #2 already, and 2 skeins of color #3, so I am nearly halfway there.
Doing a small batch and then cleaning up today was easier than just leaving my kitchen set up for dyeing for several days in a row. That was incredibly disruptive.
I will be busy for part of this week at the upcoming opening of the tarot rug show in Vermont (see my earlier posts for details on that); this means I needed to "park" the Big Yarn Dyeing Project today. It will be several days before I can resume.
I am in yarn dyeing heaven. Or hell. Depending how I look at it. Am not making my daily goal, and my house truly looks like a tornado has struck full-force. But more about that later. This is quick post just to record what I did for the Joey Challenge this week, the monotangle Yuma.
I have spirals on the brain this week, so wanted to use a spiral string. It's debatable whether I did a true form of Yuma here, but what the hey. Here's a mirrored version, using the iPhone app:
Back to the yarn dyeing saga: I only managed to get 3 skeins done again today. And I won't really be able to see them until daylight tomorrow. Next step: stop until I've spent a couple of hours coloring sketches, and make a semi-final decision about which lighter colors to use. Then, calculate how many of each color I will need, creating a map that will govern the rest of the process. I think I've done enough testing. Time to get down to business.
The Diva Challenge #245 this week is on Hollibaugh. Oh, how I love this tangle. I know there will be some fabulous renditions of it, so please click on that link and treat yourself to what others have done. Here is my quick version (on the left), very different from what I usually do.
And to round off the Hollibaugh celebration, here is the same tangle done by several first-time students, below. I had only 7 minutes to teach this tangle in a meditation class (all the students were training to be meditation teachers):
You can see the meditation chimes on the left. I do love Hollibaugh. Not bad for seven minutes of coaching. We were focused on the meditative aspect of the tangle.
And now on to the
BIG YARN DYEING PROJECT, Day 2.
Life is full of surprises and today is no exception. I will only get 3 skeins done today. My goal is six, but...not gonna happen. Much busyness with other people. And my car is in the shop. (Praying to the god of cars that it is an inexpensive fix) Plus, I have an afternoon commitment. I will end up dyeing yarn tonight, just to produce the third skein. As I write this in the early afternoon, I've just taken two out of the oven. So here are some photos of the process:
...and some of the results:
And of course, no dyeing process would be complete without what's in this last photo below. At least--that's true for me. I am apparently a dyeing slob. I get dye all over my hands, despite wearing good rubber gloves. It's a mystery how I do this; other people come out with pristine hands, but mine are always gross at the end. (No, the gloves do not leak. It's definitely something I am doing...but what?) Without this stuff, I wouldn't be able to go out in public for days afterwards.
Legend has it that Pearl McGown, the diva and doyenne of rug hooking in the 1950s, used to dye wool while dressed in an evening gown to demonstrate that it could be done without being messy. (NOTE: She is an entire story to herself--she singlehandedly kept rug hooking going in the U.S., but she was quite the dictator.)
Hey, if I owned an evening gown, I too could dye wool while wearing it without getting spots on it. I never get dye on my clothes either.
But I note that the legend of Pearl Dyeing in Her Evening Gown says nothing about her HANDS. Perhaps they were blue up to the elbows when she finished. Mine are all colors when I am done.
Long live ReDuRan. (No, I don't get a commission.)
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
No immediate group classes scheduled (I'm open to hearing about a good venue in Western Massachusetts. I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society