My last two posts have been on the Zentangle® workshop I attended last weekend with Martha Huggins and Molly Hollibaugh leading. All in all, we had over ten hours of drawing time. That's a lot of tangling! And oh, was it lovely.
In the previous posts, I've showed our first drawings and talked about why I liked the workshop. Yet another thing I liked was that we worked with "oldies but goodies," some of the most familiar tangles. Or early tangles that haven't had much attention recently. I love to revisit older tangles and see them in new ways.
So to continue with my own results from the workshop, plus the fabulous "mosaics" (everyone's tiles collected and displayed together), here are some more things we worked on. Today's post is not the end--there is at least one, if not two more posts about the weekend coming over the next couple of days.
Let's start with an old favorite, Bales, done on a Bijou tile (tiny tile) as a warmup:
And of course, once we had these done, we made a mosaic of them. Have a look at the cool similarities and differences:
Next we did another Bijou tile with the tangle Well, which many people have trouble doing. Frankly, I had forgotten all about this tangle and hadn't tried it in years. Loved the reminder and doing it after all this time.
...and of course, we made our mosaic of that also:
But of course we couldn't leave it there. Next we combined the two tangles onto one tile (Bales + Well = "Wales"). Oh, this was even more fun:
...and then of course the class mosaic:
Every collaboration helps you grow.
This was the final tile we did at the workshop that ended yesterday. I've referred to the Perfs (the official Tangle name) as "Pearls" in the title of today's post because they look that way to me.
Because the venue needed to ready the room for the next workshop, there was no time to do a class mosaic so I don't have a picture to show of what would undoubtedly have been a really magnificent collection of tiles. I really enjoyed creating this one, and would like to play more with this particular string. Thanks to Martha & Molly for a truly amazing experience.
When I got home last night it was smotheringly humid here, really unpleasant. But overnight the weather shifted. Here was Dave Hayes the Weather Nut's forecast this morning. It cracked me up!
"THE 411 FOR THE 413: SUNNY, WARM, SWEET, NICE, AWESOME, PLEASANT, KILLER, GREAT, LOVELY, FABULOUS, MORE PLEASE, AND THANK YOU..."
He turned out to be 110% accurate. Love him--so helpful. It is absolutely exquisite out there. I just took a long walk and spotted these phlox broadcasting their extraordinary color along the sidewalk. Most phlox here are shriveling up now, but because these are in shade for much of the day they're still going. In person, the color is nearly psychedelic, almost too much for the eyes.
This little beauty is a much smaller mosaic that the one I posted yesterday, but it is the same pattern I posted yesterday. I took this shot of "3-Z tiles" placed into a tiny four-person mosaic before everyone else at the workshop added their own tiles. Even though it's small, I had trouble remembering which was mine, but I finally determined it's at the lower left.
This is an even better illustration than yesterday's of how we all heard the same instructions, and we all used the same materials, and yet each person produced a unique result.
Life is like art - it is all about interpretation.
Just back from a workshop led by Martha Huggins and Molly Hollibaugh of the Zentangle® family. (If you are unfamiliar with Zentangle, click on that link and prepare to enjoy their well-done website loaded with art eye candy.) I was very fortunate to attend with a good friend, and we got to spend the whole weekend doing art. Such luxury!
I have many more photos to post but to start, here are examples of two tiles we did this morning. After both my own tiles, I'll post the mosaic from the group. Not familiar with this terminology? Not to worry, here's what I mean:
"tile" = a small piece of paper that we draw on, and
"mosaic" = the collection created when a class puts all their tiles together.
The fun of the mosaic is that everyone has heard the same instructions, but look at the assembled collections of tiles below (mosaic) to see how individual each tile is. And yet they go together wonderfully.
Here are my own two tiles, and the class mosaics follow.
The mosaic of most of the tiles based on Printemps. Some people used Renaissance tiles for this one; most people used white. Isn't this an amazing mosaic? Not everyone had time to contribute a tile but I think this was the majority of the class. We all heard the same instructions; note all the differences and yet they all work when put together.
A lovely ride with new friends this morning to a rug hooking event at a church about an hour away. Very well organized, and 165 people in attendance. I only photographed a few rugs, but aren't these wonderful?
Good people, good food, good vendors. What's not to love? I even won a prize, and I never win stuff at these events. All in all a very satisfying day. We started out early in very cold weather and saw plenty of snow on the ground and gorgeous snow-laden trees. Driving home, all the snow was gone. Spring is on the way...if we can only hold out long enough!
When I went to my last local rug hooking meeting, I only expected to work on my rug and have fun.
I had NO IDEA what would be waiting for all of us who attended.
We were treated to an incredible show of rugs from Turkey, China, and Iran by one of the members, Elizabeth Vierling. Dr. Vierling is a Professor of Biochemistry and Molecular Biology at the University of Massachusetts at Amherst, but she is also a rug maker and clearly has a passion for textiles. I took a million photographs...unfortunately my memory of her very informative commentary on the origins and purposes of each piece is fading fast, but here are some of the photos. Enjoy!
I believe this first piece was from Turkey. It is very large and I think Elizabeth uses it as a rug in her home. It is embroidered, using a couching stitch I think (see detail in last photo). Probably circa mid 20th-century.
The color work is just sensational. After ogling the piece (above) for a good long while, we all decided we are not using enough orange in our own designs.
Apologies in advance to Elizabeth for how much I have already forgotten of what she said about each textile. Her commentary on where she located each one, where and how each was created, and what each may have been used for, was fascinating. But in the week since I saw these works, all of her commentary has started to slide right out of my head. Darn!
If memory serves me--which likely it doesn't--below are two clothing panels embroidered by the Miao people of China (one of China's long-suppressed minority groups, now finally beginning to emerge and be recognized for their rich history and cultural treasures).
And if that weren't enough, there was more, and more still...click on each thumbnail to progress through the items, or just hit "Play."
One of the most dramatic textiles was the one below. I loved these tiny aliens. The work is so beautiful, and the colors vibrant. Each thumbnail has a different view (or you can just hit "Play").
Elizabeth travels for academic conferences, and is occasionally able to extend the travel time in order to take in more of the culture of the countries she is in. This is why she has been able to explore and research textiles on some of her trips.
Aren't we fortunate--those of us who were there to see this show? With thanks to Elizabeth for letting me photograph and post the photos, for her lively talk and especially for lugging all the heavy, bulky textiles to the meeting. All of her hard work resulted in a fabulous experience for the rest of us.
A few years ago I was fortunate enough to go to a hook-in in Vermont and met Dana Psoinas from New York, one of the most extraordinary rug hookers and artists today. I had already been mesmerized by her "Guardian" rug in a photograph, and suddenly, there was the real thing, right in front of me on the floor in Shelburne Vermont.
And there was Dana herself. A more talented and nicer person you just cannot find. She specializes in rugs that tell stories, usually stories from fairy tales or myths.
I was star-struck. We hit it off and have corresponded occasionally since then. Lucky me.
I am still star-struck by her work, and so will you be. Read on!
She recently showed me three drawings she has done--freehand, mind you!--on linen, to sell as patterns for other rug hookers. One of them is at the top of this post, and the rest are below, along with a sketch she hasn't yet drawn on foundation.
More information about Dana and her process is at the end of this post.
She sold these through her Etsy site--but please be aware that these patterns are NOT FOR SALE now. They were/are one-of-a-kind. She is busy with her own rug making and does not stock or sell patterns all the time. There is a wonderful photo of her finished Guardian Rug on her Etsy site--please have a look to see just how phenomenal her rug hooking is. She works in 2-, 3-, and 4-cuts to achieve her extraordinary rugs.
Check her site from time to time in case she does post something to sell...who knows, you may get lucky!
If you wonder about her creative process and want to know a bit more about her, you can check this recently-written blog post with more photographs of her rugs. Enjoy.
With thanks to Dana for letting me post this!
In reading one of the Zentangle® blogs, I just spotted the most amazing photographs on--of all things--manufacturing pencils. They are in an article written for New York Times.
These amazing art photos were taken at the General Pencil Company (We who tangle love their pencils. And according to the Zentangle blog, the owner of the company is now a Certified Zentangle Teacher, which delighted me).
I cannot show the photos because of course they are copyrighted, but you won't believe how beautiful they are. Check them out HERE.
(Thank you to the Zentangle folks for publicizing this.)
On Sunday I went to my first-ever Quabbin Rug Group meeting. It was just great. No fewer than eleven people showed up--I was impressed. Here are some of the rugs I saw.
I only wish I were better at catching people's names. I'm terrible with names. therefore, I was only able to attribute a couple of these in-progress pieces.
Enjoy the eye candy!
I think this may have been by Judy Jewett (altho I certainly could be wrong)? It is from a pattern she purchased. Love the colors she is using. She was at the binding stage, so it should be done very soon.
Isn't this one just the most fun? I can see the face of the wonderful woman who's making it, but I cannot for the life of me remember her name. Darn. I already want this rug and she's not even finished with it yet.
This rug is by Linda Faye of Amherst and is her own design--it's a tribute to the Peace Pagoda. You can see that she's begun by hooking the many prayer flags flying in the wind there. The Peace Pagoda has a good website here. I'll be interested to see how this rug develops.
Linda also had a wonderful dog rug with her, but I was unable to get a photo of that.
Not sure whose pattern this is but I heard the woman who is making this piece say that the original designer intended for it to be done in a fine-cut. However, she is more of a wide-cut person and is successfully doing it in a 6 or an 8 (probably an 8--I didn't hear that part).
She was making the point to one of the other participants that it's possible to take a fine-cut design and do it in a wider cut. It can be done with many (not all) fine-cuts. The results will look very different, but as you can see here, it still looks great.
How stunning is this??? Wowza. I believe the woman who is making this is named Sue, but I'm not certain. I do remember her saying that this is her first-ever hooked piece. Oh. My. God.
I don't know if she designed it herself or if it is a pattern.
(Hanging my head in shame--my first piece from years ago never looked anything like this one...) I was drawn to looking at this over and over.
Isn't this the cutest thing you've ever seen? I think this maker's name was Rebecca. She was a guest at the meeting, I believe. What really stands out for me about her--other than this truly wonderful folk-art rug which I believe is her own design--is that we were told she is "new to rug hooking." Whaaaa-aaaaat??? I love these cats!
I heard her say that she's only been hooking for 18 months. BUT...this is the 12th piece she has hooked in that short time. So she's certainly not "new" in my book. This is just great.
A talented woman named Penny (argh...I don't remember her last name either--was it Redfern?) sitting directly across from me was working on this rug, channeling Vincent himself. Talk about an ambitious project. I wish I had an off-the-frame photo of this; it's just wonderful.
Last but by NO means least is this really beautiful and striking piece inspired by Japanese rock gardens. Can I remember this woman's name? No, of course not, but I love her work. This is her own design.
I get that "ahhhhhhhh" feeling simply by looking at the sinuous lines of the carefully raked sand, which she's captured beautifully here. This is striking and I am loving the subtle colors.
I was definitely enchanted by all the rugs I saw. We met at the Wool & Dye Works Rug Hooking Shop in Florence, which is a treasure in itself.
I'll finish off with a DRAFT of a triquetra knot, which I tried for the first-time today. This says #3 because it's only my third try. I have a lot to learn about these, that's for sure.
Following Maria's instructions and working with the small Bijou tiles from the Zentangle® folks' Project Pack 02 resulted in this tile. Yes, it's a mash of half a black Bijou tile and half a tan Bijou tile, using the tangle Mollygon. I used a black Micron PN pen, graphite, an 08 White Gellyroll pen, and a White General's Chalk Pencil. Such fun to do!
My second tile. Same type of mashup as above, same materials used. The tangle here has been named by a few people over the years but I know it as Curtinz by Kate LaMontaigne..
Of course, it was immediately obvious that one could put the 2 tiles ( = 2 Fragments) together and turn them different ways to achieve different effects. This was one way.
Now, of course, I had to make a couple of additional tiles--I wanted to make 4 and I had just enough supplies to do so. Here was tile #3.
Same materials used. This tangle is a seldom-used one called Sedgling. I wonder why it has been forgotten. I like it a lot and think I'll be using it more often.
The last tile I did was based on the tangle Toodles. I tried experimenting with Toodles and did 2 versions of it, one a kind of "Pokeroot-based" version and the other a kind of "Pokeleaf-based" version, mixing them together.
And now to put all four fragments together. This is where turning the four fragments created different effects. I'll spare you all the variations and limit it to just two. Here's the first mosaic with the black halves in the center:
...And then, just by turning the tiles, here's another effect with the light halves in the center. This is the power of working with fragments. Very fun indeed.
I'm enjoying the wonky look. I'll definitely want to do a few more of these.
Yes, I did it. I bought a hand drill. No big deal, you say? Then you don't know me well. I'm a disaster with hand tools. If you live anywhere in the northeastern United States, it might be time to consider moving away. You don't want to be around when I turn this thing on.
YouTube, here I come. I'm determined to learn how to use this.
More material that fits neatly into the "no-fail, no-learn" category: The Zentangle® folks put out a Project Pack recently that included lots of new goodies to try. New white Gellyroll pens from Sakura. New black apprentice tiles, new black triangular tiles (called 3-Zs). Plus a new tangle and some experimental techniques. And some very fine videos.
Along with everyone else, I've been experimenting. Here are a couple of initial results.
More to come from that Project Pack.
Last but not least today. I am pretty chuffed about this one. It has been eluding me for well over a week. I think I tried it a good 4 times and couldn't figure it out (and it looks soooooo simple!), but I kept looking at it and thinking about it. Today I decided to tackle it again--on crappy copy paper, but I was thinking there was a good possibility I'd fail again.
But no. I succeeded! I really failed my way to success with this one.
Now, of course, I wish I had used better paper. But succeeding came as a total surprise!
Just to make sure I got it, I tried it again on a tiny scale a couple of hours later--and once again, failed. But I know I *am* getting it and will continue to practice until I feel I've got a good handle on this. If I was able to do it once, I know I can do it again.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
I'm teaching a Beginning Zentangle® class at the Greenfield Community Center on May 29th from 1-3 pm. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society