In the style of one of my idols, Mori Yuzan, a Japanese artist who lived in the late 19th and early 20th century:
Yuzan's work has always been irresistible to me because of the linework. Wave after wave. and so many tangles (not that he would have thought of them that way). Both of the above tiles are nearly copies - if not outright copies - of his spectacular work, which fortunately is now int he public domain. So relaxing to draw these and hopefully learn a bit from him.
Both were done for Zenuari2019 day 14, "idol tangle." I think I'll be doing a lot more idol tangles!
Sure enough, I had the thing laminated this afternoon (see yesterday's post for an explanation of "the thing") and then with the help of an x-acto knife and 3 minutes of work, cut a center hole and installed the works.
Voila, a completed Zentangle® Spinner.
As I mentioned yesterday, I'm thinking about wheels/mandalas, etc., of which this is only one.
The big one--the Full Moon--was shining in my bedroom window so brightly last night that I thought she was going to come right through the glass and join me. So I'll be calling this my Full Moon Spinner.
Now if we could all just learn from the quote below...
“You develop an instant global consciousness, a people orientation, an intense dissatisfaction with the state of the world, and a compulsion to do something about it. From out there on the moon, international politics look so petty. You want to grab a politician by the scruff of the neck and drag him a quarter of a million miles out and say, ‘Look at that, you son of a bitch.”
― Edgar Mitchell
This week's Solstice (yesterday) caused me to start thinking about wheels, as in the Wheel of the Year and how that wheel is turning once again. I've had wheels on the brain. For example, the Wheel in the tarot (see my previous post on the Wheel of Fortune card HERE), plus I just finished a Zentangle® project that had me creating a wheel, below.
The above wheel is going to grow up to be a "Spinner Board," once its spinner arm is inserted thru the hole in its center. Before I do that, I'm thinking I will need to laminate and back the piece. There are 55 different tangles on the piece, and I'm guessing it's about 9x9". It was fun to do and took twelve days, tangling for about a half hour each day. It's part of Zentangle's Project Pack 04 and all the relevant how-to videos are on YouTube.
In the process of doing this, my already messy desk grew completely out of control, so today I went on a massive cleaning binge. It should be noted that, for me, a "massive cleaning binge" is equivalent to picking up one piece of paper from the floor. I did not get the cleaning gene. I was happily raised in Lower Slobbovia.
But today I swept my large desk clean and forced myself to sort through things and create a semblance of order. It's quite shocking. More work has to be done tomorrow but here is the progress so far. (Wish me luck with maintenance...not a strength either)
Apparently the wheel turned into a Wheel of Progress for me. At least for the next 24 hours.
Happy Solstice to all...
Darn the wheel of the world! Why must it continually turn over? Where is the reverse gear?
I stand and rejoice every time I see a woman ride by on a wheel.
--Susan B. Anthony
A few days ago, I shared a post called "Inspired By Others," in which I showed some work done a la Ernst Haeckel at our recent zenAgain2018 conference. We didn't stop there, however, and today's post shows two very different artists whom we also explored. Talk about crazy fun--this was a highlight of the conference for me.
Indeed, Keith Haring, one of Molly Hollibaugh's favorite artists when she was a child. After wondering what, if anything, we could do with tangles and his work, Molly experimented and came up with this instruction at zenAgain2018, and below you see the tile I did as a result. I was SO surprised - and delighted - by this choice of artists!
My own version of a Keith Haring-style tile. Was this ever fun to do! Done on a black Zendala tile with White Gellyroll pen #10. Permission to break all the rules here, and just have a good time.
And if that alone wasn't enough, have a gander at the mosaic below. Bear in mind that this is only a partial photo of the whole mosaic.
Prepare to drool.
But wait--that's not all we did.
The next tile couldn't be more different. (As is true for the "Ernst Haeckel-style" tile we did which I presented a few days ago)
Yes indeed, Master Klimt himself. I couldn't do him justice--none of us could, really, but we all gave it our best shot and my tile's below, along with a partial picture of the group mosaic.
This is truly only a very small portion of the class mosaic, enlarged so that you can see the detail and the contrasts.
"What inspires me to paint? ...revisiting some old greats like Sargent, Homer, Whistler or local masters... thinking hard about a new approach or idea; or seeing a new painting on a friend's lounge room wall."
was the inspiration for this:
At ZenAgain this week we experimented with tangling that was inspired by other people's work. This sea creature above is inspired by the work of Ernst Haeckel, and was it ever fun to draw.
Below is a mosaic of the class's work with this assignment. We were each given some General's Chalk Pencils to use--we each received different colors and were required to work with whatever colors we got. Once again, you can see that all of them were similar, and yet, each is distinctly different.
This was only one small portion of a much larger table with these tiles displayed.
Maria Thomas, one of the founders of Zentangle®, has a remarkable poster with her own version of Haeckel's sea creature on a portion of it. See her poster below. I believe this is for sale but am not certain. (UPDATE: Yup, it's for sale at the Zentangle® website.)
And finally, below, is a photo of a book about Haeckel's beautiful work (the master himself). There are many books available about him.
"All my best thoughts were stolen by the ancients."
(Ralph Waldo Emerson)
Yes, this makes three blog posts in one day. It's true. Deal with it! <g>
Ratoon is a new tangle from Molly Hollibaugh CZT (one of Maria Thomas's talented daughters) released earlier this week. The title of the tangle actually comes from some research that Maria was doing to prepare for ZenAgain this week. A "ratoon" is described thus: "a new shoot or sprout springing from the base of a crop plant." The theme of workshop was SEEDS--all the seeds from our art-ancestors that we use in creating art today, and all the seeds we are sowing as we do our own art and as we teach others. You can see the seeds represented in the tangle above.
Just as those seeds have and will continue to sprout, so all art stands on the shoulders of all previous artists. In making our art--even if it's bad art!--we honor them. One of the many things I love about tangling is that I never know where something is going to go, how it will develop, and the highly calming effect of the process. We all get the same instructions, and yet all our pieces, while obviously related, are so delightfully different. I will put a partial mosaic of this tangle as an example of that below (partial because there were so many of us that I couldn't get the entire view).
Another Inktober2018 inspiration. I had totally forgotten this one, and now I remember how much I loved it! That's been a big benefit of this challenge--recalling and enjoying tangles I'd only ever done once. This picture will serve to represent Inktober Day 28, but it's actually a picture I drew in 2015 and blogged about previously HERE.
The creator of this tangle says she named it Oybay because the orbs looked like pearls in an oy-ster and oysters live in the bay. Just looking at this 2015 first try makes me itch to try it again today, and perhaps I will.
Inktober was very productive for me and even though I was so ill for so long in the middle of the month, it was easy and fun to keep up or do a few tangles in one day to catch up. By now, coming off this intense illness, I had a fair amount of catching up to do. I decided to work in my pre-strung journal, as I noted yesterday. So far I'm not thrilled with working directly on the journal pages because it's hard to turn the entire journal (versus the ease of turning a tile and then pasting the tile into the journal).
So although I had a GREAT time doing these tangles, the page itself looks busier than I would like and some of these would have been nicer if I had been able to turn the journal more as I worked. Nevertheless, I am done with Inktober2018 and just loved the experience.
Whoops, one of the tangles isn't labeled, probably because I'm not quite done with it yet. Another oddity was the Yuma tangle (lower left thru the upper half of the rectangle), which I did with a Micron PN. I will have to take another look at that pen. It looks so blue. I used another PN in places on this page and it appears totally black. A mystery. I wonder if I have a blue Micron PN?
Below is my version of a tangle called Pais, which is the Day 6 tangle in the Inktober2018 challenge. I'm curious as to why I seem to be keeping up with this challenge when I rarely can with others. Maybe because I'll be teaching a class soon and want to practice as much as I can, or maybe just because these tangles are "monotangles" (only one tangle requested per day, although there's no rule saying you cannot use as many as you wish). At any rate, I'm having fun.
Pais (the tangle name) used as a string with many other tangles inside--some Wud, Crescent Moon, Tipple, Striping, a hint of Diva Dance, Meer, and others. Done on a tan Zentangle® tile with a brown Micron 01, blue and white colored pencil, some chalk pencil. I had fun with the background on this one also.
Yesterday was an odd day. It's been a tough week politically (to say the least) and then I had a few additional major concerns about friends. I just couldn't settle myself, no matter what I tried.
Finally I dragged myself out of the house and went to see this wonderful art exhibit by Jen Luck Hale, below. I had seen the publicity and knew that colors would help me cheer up. And they did. If you are anywhere near Western MA in the next month or so, don't miss this one. It's not just "snowflake-y" cut paper, it's cut paper in great colors with nature as the theme. Plants, birds, fish, insects...it's all there. And oh, the colors! What a talented artist she is. From what I have read, she does NOT draw on the paper, but just "cuts by eyeing it." Wow. Read about her process HERE. Details and a couple of photos below.
Don't you feel better just looking at those colors?
This (below) is only a small portion of what is on display.
Once upon a time, in a land far, far away, I bought three t-shirts, each with a different design I absolutely adored. Each one was like a mandala to me.
[Ok, so it was actually only 2 1/2 hours' drive from here and only about 20 years ago. But I do love these t-shirts.]
Slowly but surely they are all starting to wear out. I got the idea to use the designs for a series of 3 punchneedle embroidery pieces (see the other two designs below), and have just completed the last of the trio. The designer, Rob McLellan, gave his t-shirt designs titles, and the title of this one is "Elksong." Many thanks to the folks at University Silkscreen for giving me permission to interpret these designs in my needlework. I'm really happy to finally be able to share what I've been working on all summer.
Below are the two previous works in my series, Midnight Pony and Redwing Blackbird. Rob McClellan was an artist who lived in Ohio in the late 20th century. He died in a car accident around 2005. A fascinating man, he was adopted by the Cheyenne Tribe and much of his art reflects that.
I spent the day today in Elaine Huffman's studio, learning to make these button-like zendalas from the wonderful Chris Titus. (Yes, Chris is the originator of the Zondom, the clear plastic sleeve to protect Zentangle® tiles. I use these all the time.)
We spent most of the day making the backgrounds; I had to leave a tad early so I only got to tangle this one, but others were able to get a second one done.
Full disclosure: Chris herself had made the backgrounds for all of these to make it easier for us, and we each did the same tangles on them. Here is the group mosaic, with one wonderful exception:
They matched so well with Elaine's pink flamingo tablecloth, don't you think?
Definitely a hugely fun day. Thanks to Chris and Elaine.
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
My next Beginning Zentangle® class is not yet scheduled--stay tuned.
I may be teaching another beginning class at the Greenfield Community Center in the spring of 2019, date to be determined. They do not have a website so please call them for more information.
I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society