When I went to my last local rug hooking meeting, I only expected to work on my rug and have fun.
I had NO IDEA what would be waiting for all of us who attended.
We were treated to an incredible show of rugs from Turkey, China, and Iran by one of the members, Elizabeth Vierling. Dr. Vierling is a Professor of Biochemistry and Molecular Biology at the University of Massachusetts at Amherst, but she is also a rug maker and clearly has a passion for textiles. I took a million photographs...unfortunately my memory of her very informative commentary on the origins and purposes of each piece is fading fast, but here are some of the photos. Enjoy!
I believe this first piece was from Turkey. It is very large and I think Elizabeth uses it as a rug in her home. It is embroidered, using a couching stitch I think (see detail in last photo). Probably circa mid 20th-century.
The color work is just sensational. After ogling the piece (above) for a good long while, we all decided we are not using enough orange in our own designs.
Apologies in advance to Elizabeth for how much I have already forgotten of what she said about each textile. Her commentary on where she located each one, where and how each was created, and what each may have been used for, was fascinating. But in the week since I saw these works, all of her commentary has started to slide right out of my head. Darn!
If memory serves me--which likely it doesn't--below are two clothing panels embroidered by the Miao people of China (one of China's long-suppressed minority groups, now finally beginning to emerge and be recognized for their rich history and cultural treasures).
And if that weren't enough, there was more, and more still...click on each thumbnail to progress through the items, or just hit "Play."
One of the most dramatic textiles was the one below. I loved these tiny aliens. The work is so beautiful, and the colors vibrant. Each thumbnail has a different view (or you can just hit "Play").
Elizabeth travels for academic conferences, and is occasionally able to extend the travel time in order to take in more of the culture of the countries she is in. This is why she has been able to explore and research textiles on some of her trips.
Aren't we fortunate--those of us who were there to see this show? With thanks to Elizabeth for letting me photograph and post the photos, for her lively talk and especially for lugging all the heavy, bulky textiles to the meeting. All of her hard work resulted in a fabulous experience for the rest of us.
A few years ago I was fortunate enough to go to a hook-in in Vermont and met Dana Psoinas from New York, one of the most extraordinary rug hookers and artists today. I had already been mesmerized by her "Guardian" rug in a photograph, and suddenly, there was the real thing, right in front of me on the floor in Shelburne Vermont.
And there was Dana herself. A more talented and nicer person you just cannot find. She specializes in rugs that tell stories, usually stories from fairy tales or myths.
I was star-struck. We hit it off and have corresponded occasionally since then. Lucky me.
I am still star-struck by her work, and so will you be. Read on!
She recently showed me three drawings she has done--freehand, mind you!--on linen, to sell as patterns for other rug hookers. One of them is at the top of this post, and the rest are below, along with a sketch she hasn't yet drawn on foundation.
More information about Dana and her process is at the end of this post.
She sold these through her Etsy site--but please be aware that these patterns are NOT FOR SALE now. They were/are one-of-a-kind. She is busy with her own rug making and does not stock or sell patterns all the time. There is a wonderful photo of her finished Guardian Rug on her Etsy site--please have a look to see just how phenomenal her rug hooking is. She works in 2-, 3-, and 4-cuts to achieve her extraordinary rugs.
Check her site from time to time in case she does post something to sell...who knows, you may get lucky!
If you wonder about her creative process and want to know a bit more about her, you can check this recently-written blog post with more photographs of her rugs. Enjoy.
With thanks to Dana for letting me post this!
In reading one of the Zentangle® blogs, I just spotted the most amazing photographs on--of all things--manufacturing pencils. They are in an article written for New York Times.
These amazing art photos were taken at the General Pencil Company (We who tangle love their pencils. And according to the Zentangle blog, the owner of the company is now a Certified Zentangle Teacher, which delighted me).
I cannot show the photos because of course they are copyrighted, but you won't believe how beautiful they are. Check them out HERE.
(Thank you to the Zentangle folks for publicizing this.)
On Sunday I went to my first-ever Quabbin Rug Group meeting. It was just great. No fewer than eleven people showed up--I was impressed. Here are some of the rugs I saw.
I only wish I were better at catching people's names. I'm terrible with names. therefore, I was only able to attribute a couple of these in-progress pieces.
Enjoy the eye candy!
I think this may have been by Judy Jewett (altho I certainly could be wrong)? It is from a pattern she purchased. Love the colors she is using. She was at the binding stage, so it should be done very soon.
Isn't this one just the most fun? I can see the face of the wonderful woman who's making it, but I cannot for the life of me remember her name. Darn. I already want this rug and she's not even finished with it yet.
This rug is by Linda Faye of Amherst and is her own design--it's a tribute to the Peace Pagoda. You can see that she's begun by hooking the many prayer flags flying in the wind there. The Peace Pagoda has a good website here. I'll be interested to see how this rug develops.
Linda also had a wonderful dog rug with her, but I was unable to get a photo of that.
Not sure whose pattern this is but I heard the woman who is making this piece say that the original designer intended for it to be done in a fine-cut. However, she is more of a wide-cut person and is successfully doing it in a 6 or an 8 (probably an 8--I didn't hear that part).
She was making the point to one of the other participants that it's possible to take a fine-cut design and do it in a wider cut. It can be done with many (not all) fine-cuts. The results will look very different, but as you can see here, it still looks great.
How stunning is this??? Wowza. I believe the woman who is making this is named Sue, but I'm not certain. I do remember her saying that this is her first-ever hooked piece. Oh. My. God.
I don't know if she designed it herself or if it is a pattern.
(Hanging my head in shame--my first piece from years ago never looked anything like this one...) I was drawn to looking at this over and over.
Isn't this the cutest thing you've ever seen? I think this maker's name was Rebecca. She was a guest at the meeting, I believe. What really stands out for me about her--other than this truly wonderful folk-art rug which I believe is her own design--is that we were told she is "new to rug hooking." Whaaaa-aaaaat??? I love these cats!
I heard her say that she's only been hooking for 18 months. BUT...this is the 12th piece she has hooked in that short time. So she's certainly not "new" in my book. This is just great.
A talented woman named Penny (argh...I don't remember her last name either--was it Redfern?) sitting directly across from me was working on this rug, channeling Vincent himself. Talk about an ambitious project. I wish I had an off-the-frame photo of this; it's just wonderful.
Last but by NO means least is this really beautiful and striking piece inspired by Japanese rock gardens. Can I remember this woman's name? No, of course not, but I love her work. This is her own design.
I get that "ahhhhhhhh" feeling simply by looking at the sinuous lines of the carefully raked sand, which she's captured beautifully here. This is striking and I am loving the subtle colors.
I was definitely enchanted by all the rugs I saw. We met at the Wool & Dye Works Rug Hooking Shop in Florence, which is a treasure in itself.
I'll finish off with a DRAFT of a triquetra knot, which I tried for the first-time today. This says #3 because it's only my third try. I have a lot to learn about these, that's for sure.
Following Maria's instructions and working with the small Bijou tiles from the Zentangle® folks' Project Pack 02 resulted in this tile. Yes, it's a mash of half a black Bijou tile and half a tan Bijou tile, using the tangle Mollygon. I used a black Micron PN pen, graphite, an 08 White Gellyroll pen, and a White General's Chalk Pencil. Such fun to do!
My second tile. Same type of mashup as above, same materials used. The tangle here has been named by a few people over the years but I know it as Curtinz by Kate LaMontaigne..
Of course, it was immediately obvious that one could put the 2 tiles ( = 2 Fragments) together and turn them different ways to achieve different effects. This was one way.
Now, of course, I had to make a couple of additional tiles--I wanted to make 4 and I had just enough supplies to do so. Here was tile #3.
Same materials used. This tangle is a seldom-used one called Sedgling. I wonder why it has been forgotten. I like it a lot and think I'll be using it more often.
The last tile I did was based on the tangle Toodles. I tried experimenting with Toodles and did 2 versions of it, one a kind of "Pokeroot-based" version and the other a kind of "Pokeleaf-based" version, mixing them together.
And now to put all four fragments together. This is where turning the four fragments created different effects. I'll spare you all the variations and limit it to just two. Here's the first mosaic with the black halves in the center:
...And then, just by turning the tiles, here's another effect with the light halves in the center. This is the power of working with fragments. Very fun indeed.
I'm enjoying the wonky look. I'll definitely want to do a few more of these.
Yes, I did it. I bought a hand drill. No big deal, you say? Then you don't know me well. I'm a disaster with hand tools. If you live anywhere in the northeastern United States, it might be time to consider moving away. You don't want to be around when I turn this thing on.
YouTube, here I come. I'm determined to learn how to use this.
More material that fits neatly into the "no-fail, no-learn" category: The Zentangle® folks put out a Project Pack recently that included lots of new goodies to try. New white Gellyroll pens from Sakura. New black apprentice tiles, new black triangular tiles (called 3-Zs). Plus a new tangle and some experimental techniques. And some very fine videos.
Along with everyone else, I've been experimenting. Here are a couple of initial results.
More to come from that Project Pack.
Last but not least today. I am pretty chuffed about this one. It has been eluding me for well over a week. I think I tried it a good 4 times and couldn't figure it out (and it looks soooooo simple!), but I kept looking at it and thinking about it. Today I decided to tackle it again--on crappy copy paper, but I was thinking there was a good possibility I'd fail again.
But no. I succeeded! I really failed my way to success with this one.
Now, of course, I wish I had used better paper. But succeeding came as a total surprise!
Just to make sure I got it, I tried it again on a tiny scale a couple of hours later--and once again, failed. But I know I *am* getting it and will continue to practice until I feel I've got a good handle on this. If I was able to do it once, I know I can do it again.
A friend in Thailand who knows I make rugs sent me this utterly hilarious (but scary) link to a Black Hole Rug. I laughed out loud when I saw it...not that I'd want one! Check it out.
I finished a long-cherished old journal last night and started a new one today. I'm consciously trying to incorporate a lot of drawing into my journals, and it was hard to say goodbye to the old one as it's chock full of drawings.
But then I looked at the cover for my new journal and somehow I ended up doing this little drawing as an opener for it.
Inspiration posted below. Everyone has to start somewhere. Right?
This is my first try at an assignment to sketch and paint some fruit for Jane LaFazio's course. I think it's going to be a lot of fun.
Hey, I can only get better, right?
That just has to be true. This is not my best work, to put it mildly. Ha. i assume I'll improve with practice.
After all, Oscar Wilde said: "Bad art is better than no art at all." Thank you, Oscar.
I hope you will take a careful look at the above piece. It's made from 28 triangular tiles placed together. Each tile is unique, and was tangled by my good friend AE. The overall effect is stunning. And, they can all be moved around easily for a completely different look.
Take another moment to look at each individual triangle and you'll see the level of creativity at work here.
* * *
This afternoon I returned from spending five days with AE.. She's been dealing with a particularly challenging and confusing illness for months now, and coincidentally (or was it...?), she learned Zentangle right around the time that the illness announced itself. For the last several weeks she has been receiving intensive and intrusive treatments, and I can't emphasize how often she has mentioned that tangling has enabled her to cope.
And while coping, she has been producing these mini-beauties. Here are a few more examples (with thanks to her for letting me post these):
The meditative nature of Zentangle has been extremely helpful while she has been in treatment. Tiles are the perfect size for portability and for tangling while waiting to be seen in a doctor's office. One of the things I truly love about tangling is that it is a form of moving meditation, and enables a person to focus completely on the present, line by line, and not get caught up in past or future. This is a huge advantage if you are waiting for a treatment session, a doctor's appointment or any stressful situation. AE has been making the best of her time, as you can see here.
* * *
We have known each other for almost 40 years (how the hell did that happen?) and have a lot of shared interests. We met while pursuing a particular spiritual tradition and soon discovered a mutual love of art and crafts. For years we both did bead work (she focused on loom work, I focused on bead embroidery) and between us we accrued enough beads to open a bead store. Not that that was our intention; as we are both "tool hoarders," we never considered selling our stock and each still have pounds of seed beads. We are constant knitters and each have huge yarn stashes. We both enjoy writing and have blogs; she has also written a novel. We've each accumulated way too many art supplies. We each meditate daily. We both read constantly, and our home libraries have many similar books. I wouldn't even want to speculate about how many books each of our homes contain...too many.
I have to laugh at the similarities--we are each hopelessly determined and obsessive in pursuing our interests. In just a few short months, she's produced as many tangles as I have in all the years I've been tangling. She has taken her tangling kit to every doctor's appointment and treatment session, and used that time well. It's an honor to share some of her work here.
And yet we are also very different, something I also enjoy. I value our discussions, whether we are agreeing or disagreeing.
I am fortunate to have her as a friend, and hope we continue our crazy, obscure, satisfying interests for years to come. She is kind, resilient, talented, hilarious and courageous. A gift in my life.
"Lots of people want to ride with you in the limo, but what you want is someone who will take the bus with you when the limo breaks down."
– Oprah Winfrey
"There is nothing better than a friend, unless it is a friend with chocolate."
― Linda Grayson
In my previous post (9/20/17), I showed pictures from the workshop on Tangled Fans I attended last Sunday morning at Connecticut Tangle Time (CTT).***
That was the morning. And then came the afternoon. It was all about Kelly Barone and her Tangled Clocks. Here are a few of the ones Kelly has created, some of which she brought as samples to inspire us:
Tangled Paper Clocks...yes!
So as I was saying, in the afternoon, we were taught by Kelly Barone, CZT, owner of Whimsy by Kelly (that's a link to her Etsy shop; she sells the clock kits inexpensively in her shop, folks...this is my evil attempt to enable all you tanglers...).
Kelly was highly organized and her prepared kit was terrific. She began by explaining how she got started on clocks: she had seen a tangled clock made by someone in Germany. She was captivated and immediately tried to track down the source for the materials, but the manufacturer had stopped making them. She looked for months for another source, with no luck.
So...she decided to make her own kit. And she did. Once she got the bumps worked out, she began putting kits together (you can find them on her Etsy site, link above). And we each got a kit at the workshop--so we could start tangling immediately.
This was a project we all started but I only saw one person finish a clock during the workshop. The rest of us had to take the pieces home and work on them, putting the clocks together afterwards. I'll post some of the finished beauties at the end. Note that all of these are other people's work, not mine, except where noted. My own clock is finally finished and is near the bottom of the post.
EXAMPLES OF CLOCKS THE PARTICIPANTS CREATED AFTER THE WORKSHOP:
(Below I've posted some of the clocks that participants have been finishing since the workshop ended--check back for more as people finish and I add to this post.)
I hope you'll visit Kelly's Etsy site (the link is near the top of this post) to see what else she does. She is incredibly creative. Thank you, Kelly, for another great class.
All in all, this was one mind-bogglingly wonderful day. I cannot wait to finish working on my own clock. It may be awhile, but I'll post it when I get it done.
*** "CTT" is an organization for the continuing education of CZTs (Certified Zentangle Teachers) in New England and beyond. If you are a CZT, consider joining them on their Facebook page. You don't have to live in Connecticut, and teachers often make kits available for CZTs who cannot travel to attend the workshops. To join, go to their Facebook page and request membership (you'll have to prove you are a CZT so get out your certificate).
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
No immediate group classes scheduled (I'm open to hearing about a good venue in Western Massachusetts. I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society