Oh, this was fun to do. It has been a long time since I've done any punchneedle embroidery, and I enjoyed every minute of this. I've done a lot of my own designs but when I saw this pattern by Lori Brechlin of Notforgotten Farm I just couldn't resist.
I recognize this sentiment as being universal to all rug hookers and rug punchers. Here's a shot of the piece before it was framed:
After all, a hooker can never have too much wool.
Off I went today to a local b&b owned by one of the Quabbin Rug Hookers. We hooked from 11-2 and really enjoyed ourselves at her unique and beautiful house on a gorgeous spring day.
And here are a few of the rugs-in-progress:
Judy was beginning this fabulous Bea Brock pattern and I love the colors she's using. This is going to be a stunning rug.
Next (below), if you've been following the progress of Phyllis's "Zen Sand Garden" rug, here it is as of today. She's almost done! I'm loving this rug. It's Phyllis's original design, and she's been improvising with great success as she's been working on it.
Although we'd brought lunch, Lynda served a wonderful tomato soup and warm bread (yum). So filling. During lunch I had a chance to speak with Jane, a brand-new rug hooker. Here is Jane's maiden voyage (first rug); she was also testing out some frames today to decide which one she wants to buy...
I forgot to say that there were only five of us present today at Lynda's cozy house. I totally enjoyed being there and meeting her dogs Kiwi and Harry.
Here is the progress on Lynda's Peace Pagada rug:
With thanks to Lynda for hosting, for all the "eye candy" at her house, and for inspiration from the other Quabbin rug hookers. Good food, good conversation, and good work today.
A page from my journal today. Not a masterpiece but at least it got me tangling and drawing, and I completely enjoyed doing it.
And speaking of roses, kudos and roses to my buddy Cheryl the Rug Rescuer. She has just completed a commissioned rug rescue for someone she knows who brought her a half-finished rug. As I recall, there was no wool with it, just the unfinished rug, so Cheryl had to match wool as best she could. The pattern, I think, was drawn by a rug hooking teacher who was unable to continue hooking, so I believe it's an original. Anyway, I love this rug (below). Let's first look at the rug on the floor of Cheryl's drop-dead gorgeous Victorian living room; then I'll post a closer view.
That's the rug in the foreground above, but isn't the entire room just so beautiful? And here's a closer look at the rug itself:
What a beautiful design. Very sad that the designer wasn't able to complete it, but at least the Rug Rescuer got it done! Now here's the hard part: She has to give the rug away to the woman who brought it to her. I would have a lot of trouble giving something this lovely away.
Now Cheryl is working on this wide-cut rug below (a real departure for her as she's not enthusiastic about hooking with wide cuts). I don't know whose design this is but it's very pretty: And yes, this is another Rescue Rug, started by someone before it was abandoned and turned over to her.
Quite unusual. I don't recall ever seeing this design before. Go Cheryl!
I haven't seen either piece in person yet; another friend took these photos for me (thank you, Kathleen). I'm hoping to see the actual rugs in person in a couple of weeks.
A few years ago I was fortunate enough to go to a hook-in in Vermont and met Dana Psoinas from New York, one of the most extraordinary rug hookers and artists today. I had already been mesmerized by her "Guardian" rug in a photograph, and suddenly, there was the real thing, right in front of me on the floor in Shelburne Vermont.
And there was Dana herself. A more talented and nicer person you just cannot find. She specializes in rugs that tell stories, usually stories from fairy tales or myths.
I was star-struck. We hit it off and have corresponded occasionally since then. Lucky me.
I am still star-struck by her work, and so will you be. Read on!
She recently showed me three drawings she has done--freehand, mind you!--on linen, to sell as patterns for other rug hookers. One of them is at the top of this post, and the rest are below, along with a sketch she hasn't yet drawn on foundation.
More information about Dana and her process is at the end of this post.
She sold these through her Etsy site--but please be aware that these patterns are NOT FOR SALE now. They were/are one-of-a-kind. She is busy with her own rug making and does not stock or sell patterns all the time. There is a wonderful photo of her finished Guardian Rug on her Etsy site--please have a look to see just how phenomenal her rug hooking is. She works in 2-, 3-, and 4-cuts to achieve her extraordinary rugs.
Check her site from time to time in case she does post something to sell...who knows, you may get lucky!
If you wonder about her creative process and want to know a bit more about her, you can check this recently-written blog post with more photographs of her rugs. Enjoy.
With thanks to Dana for letting me post this!
On Sunday I went to my first-ever Quabbin Rug Group meeting. It was just great. No fewer than eleven people showed up--I was impressed. Here are some of the rugs I saw.
I only wish I were better at catching people's names. I'm terrible with names. therefore, I was only able to attribute a couple of these in-progress pieces.
Enjoy the eye candy!
I think this may have been by Judy Jewett (altho I certainly could be wrong)? It is from a pattern she purchased. Love the colors she is using. She was at the binding stage, so it should be done very soon.
Isn't this one just the most fun? I can see the face of the wonderful woman who's making it, but I cannot for the life of me remember her name. Darn. I already want this rug and she's not even finished with it yet.
This rug is by Linda Faye of Amherst and is her own design--it's a tribute to the Peace Pagoda. You can see that she's begun by hooking the many prayer flags flying in the wind there. The Peace Pagoda has a good website here. I'll be interested to see how this rug develops.
Linda also had a wonderful dog rug with her, but I was unable to get a photo of that.
Not sure whose pattern this is but I heard the woman who is making this piece say that the original designer intended for it to be done in a fine-cut. However, she is more of a wide-cut person and is successfully doing it in a 6 or an 8 (probably an 8--I didn't hear that part).
She was making the point to one of the other participants that it's possible to take a fine-cut design and do it in a wider cut. It can be done with many (not all) fine-cuts. The results will look very different, but as you can see here, it still looks great.
How stunning is this??? Wowza. I believe the woman who is making this is named Sue, but I'm not certain. I do remember her saying that this is her first-ever hooked piece. Oh. My. God.
I don't know if she designed it herself or if it is a pattern.
(Hanging my head in shame--my first piece from years ago never looked anything like this one...) I was drawn to looking at this over and over.
Isn't this the cutest thing you've ever seen? I think this maker's name was Rebecca. She was a guest at the meeting, I believe. What really stands out for me about her--other than this truly wonderful folk-art rug which I believe is her own design--is that we were told she is "new to rug hooking." Whaaaa-aaaaat??? I love these cats!
I heard her say that she's only been hooking for 18 months. BUT...this is the 12th piece she has hooked in that short time. So she's certainly not "new" in my book. This is just great.
A talented woman named Penny (argh...I don't remember her last name either--was it Redfern?) sitting directly across from me was working on this rug, channeling Vincent himself. Talk about an ambitious project. I wish I had an off-the-frame photo of this; it's just wonderful.
Last but by NO means least is this really beautiful and striking piece inspired by Japanese rock gardens. Can I remember this woman's name? No, of course not, but I love her work. This is her own design.
I get that "ahhhhhhhh" feeling simply by looking at the sinuous lines of the carefully raked sand, which she's captured beautifully here. This is striking and I am loving the subtle colors.
I was definitely enchanted by all the rugs I saw. We met at the Wool & Dye Works Rug Hooking Shop in Florence, which is a treasure in itself.
I'll finish off with a DRAFT of a triquetra knot, which I tried for the first-time today. This says #3 because it's only my third try. I have a lot to learn about these, that's for sure.
Yesterday I made a 5-minute stop at one of my favorite rug hooking shops, just to gather inspiration. Even though I cannot hook at the moment (the broken wrist), I just wanted to connect with color, wool, and creativity. I needed to ogle some rugs. As it turns out, I was so glad I stopped by. I found this beauty on their floor:
I'm guessing it's about 3-4 feet long and 2-3 feet wide. The colors! Oh, the colors. Just wonderful. So vibrant.
About 2/3 of the rug is done, but as you can see there are two major central areas on each side that are still unhooked. The backing looked to be in great shape. When the shop acquired the rug, no wool came with it (no unhooked matching wool). They've had it for some time now. Here is a close-up of one of the to-be-finished areas, which includes the unusual finishing on one side; the original artist just folded over the backing and hooked through 2 layers to finish it.
I couldn't help wondering what happened to the original rug hooker--why did this get set aside when it was so nearly done? I'm tempted to try to finish it myself!
BUT...Cheryl the Rug Rescuer, are you reading this? This has your name all over it! Are you interested in maybe finishing this rug? If so, let me know and I'll put you in touch with the current owners.
Someone needs to finish this; it's on their floor and it's absolutely gorgeous. I don't know how much they would charge for it.
Yes, I am in the back of a police car here. You can see bars on the window (you can actually see them better in the reflection on the left side of the photo).
I was thrilled.
I think--I hope--this is the only time in my life that I will get to ride in a police car. So why was I happy? Because they were rescuing us. Me and my buddy K. We had set out that morning to drive to CT for a meeting of rug hookers at a good friend's house. While leaving Boston we hit a pothole on the Mass Turnpike and shredded the tire on my friend's car. Argh!!! Nasty.
We limped along on the Pike with hazard lights on and got off at the next exit, which was close, fortunately. I'll spare you the details of a long and somewhat harrowing wait for help (over an hour). The tow truck driver couldn't take 2 people in his truck, so a kindly policeman agreed to ferry us to the garage, and did.
I was in the side of the police car that was apparently for the hardened criminals--no door handle, bars on the windows, hard plastic seat (the better to hose off easily in case of unmentionable disgusting substances produced by anyone sitting there). My friend K was in the opposite seat; her door had a handle and her window had no bars on it. Between us (and also between us and the front seat) was a barrier of clear plexiglass, undoubtedly bullet-proof.
I was so interested to see what all this was like! It was the ONLY good thing about this adventure, trust me. Of course I couldn't keep my mouth shut and told the kind officer that he was giving two hookers a ride. Perhaps that is why I ended up on the "wrong side" of the back seat? I wish you could have seen his face, until I explained I was referring to rug hooking.
I thoroughly enjoyed myself. The short ride was mind-bogglingly uncomfortable as we bounced up and down over every tiny bump. Those hard-plastic seats are really torture.
I totally loved my ride in the Paddy Wagon.
After which we got the repair done and proceeded to CT. We had to--we were bringing lunch. We got to stay for only 3 hours before we had to go home, and had a great time as always, but I was so disappointed because we usually stay all day and the setting is absolutely gorgeous. Oh well, another time.
Yesterday I was able to move out of my studio here, with the help of a very kind friend, and bring it 90 miles west to my new home. We couldn't quite get everything in, but here is all that's left:
It will be a cinch to move these final things and I can just put them in my car.
Here is the most recent picture from my room-packing exploits:
Not too much left besides the kitchen, some clothing, and odds and ends. It's all beginning to become real. I'm curious to see what the next month brings, and how I will react to it. Which reminds me: it's time to meditate.
Lovely snow over the weekend, but oh-so-cold. As I walked through my freezing kitchen this morning I spotted this guy out my back door. I'll be thinking of him as the Snow Buddha from now on. He reminded me to make the best of things, including the chaos I'll be experiencing for the next few months.
I doubt I can live up to his attitude. But I'll do my best.
Meanwhile, in starting to pack yesterday I had to roll up one of the small rugs to make room for boxes. This is a tiny rug I hooked a long, long time ago. I haven't measured it in ages but I'm guessing it's something like 2.5 feet by 18". That's probably way off, but you get the idea--it's small. It's also a long-time favorite of mine. This is just a partial view of it. When I was making it, I was lucky enough to know and live relatively near to Pat Merikallio, a fabulously talented colorist, artist, and rug maker. She now lives on the West Coast, but she was kind enough to help me with the color planning and I am a forever fan of her color instincts and all her rugs. Thank you, Pat!
But alas, just look at the binding. Yikes. I confess I've known for awhile that it was disintegrating and have been too lazy to address it. Once I get myself moved I will make it a priority. I may even have some of the original wool.
It occurred to me as I was writing this that adjusting my attitude and "fixing things" are common themes for me. I was just reading this quote from Jack Kornfield about meditation, which has implications for both these themes: "Part of spiritual and emotional maturity is recognizing that it's not like you're going to try to fix yourself and become a different person. You remain the same person, but you become awakened."
Which I certainly am not. Maybe someday?
The exhibit is active and on the move. "Exploring the Tarot: 23 Artists Hook the Major Arcana" has traveled widely and still has far to go.
On February 4th, the exhibit is opening from 2-4 pm at the Barron Arts Center in Woodbridge Township, NJ.
To see previous posts on these rugs, including photographs and commentary on each, click HERE.
I have indeed been absent from writing for a long while.
It's nothing bad, nor have I abandoned my blog. Instead, life has been overly-full with good things, including two major projects. I'll write about one of them today.
I just returned from a less-than-24 hour trip to Cornwall, VT, where I stayed overnight at the Oxford Rug Hooking School and completed the requirements to become a Certified Teacher Punch Needle Rug Hooking. (!! Hurrah !!)
And as if that weren't wonderful enough, just look at the weather and views I had while I was there (even though I hardly had time to be outside).
There was earthy eye candy everywhere.
Here are some samples, a photo journey for your enjoyment:
Amy Oxford's school is a bit of heaven on earth, one of my favorite places to go and well worth the four-hour drive for me. (Although TWO four-hour drives in 24 hours just about did me in.)
And then there is Amy herself, one of the kindest and most generous people I know. A fabulous artist, teacher and businesswoman. And there is also Heidi the dye wizard, working her magic on both creative and administrative aspects of the school--and just as nice. (Heidi also can repair absolutely anything.)
It is sheer pleasure to be in residence there.
I am ready to collapse for the evening and try to take in the fact that I'm now certified...a fact which just makes me think, "But I have so much more to learn!"
My one regret is that I couldn't stay longer. Anyone who has been to the school and is reading this will know exactly what I mean.
As for the other project I'm involved in: that one is bigger, longer-term, and more disruptive, and may prevent me from writing much for a while.
It's all good. But it's also all-consuming.
To quote the old Beatles' move, Help: "I can say no more."
I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), long-time meditator and coach, focused on learning about the interplay of art, creativity, and mindfulness every day.
NEXT INTRO TO ZENTANGLE CLASS:
No immediate group classes scheduled (I'm open to hearing about a good venue in Western Massachusetts. I am always happy to teach 1-1 and/or in a small group in your home.)
Come and amaze yourself!
SITES TO WATCH:
Insight Meditation Society
Oxford Rug Hooking School
Zentangle: The Official Site
Green Mountain Rug Hooking
Massachusetts Tarot Society