DRAWING FROM THE DAY
  • ...a blog on art, creativity, and mindfulness

Happy Errors and the Power of Practice

6/3/2021

 
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A tangleation of Tissooh. Done on a gray Zendala tile with 01 green Micron, PN Black Micron, graphite, General's chalk pencils, white gellyroll, gold gellyroll.


I love the life lessons I constantly learn from Zentangle®.  This was another big one.  I set out to draw one thing, ended up getting hopelessly lost, and by the time I finished the preliminary linework last night and forced myself to stop and go to bed, I was looking at a hot mess.  I didn't think it could be salvaged.

But this morning I just had to keep going to see what would happen, and ended up with this--which I quite like.  [Although it does bear a resemblance to "St Patrick's Day on Steroids," don't you think?  But that's ok, I like it anyway.]

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Here are the details for you tanglers out there (no need to read this part if you don't tangle--it could be boring for you):  I fell in love with an Emiko Kaneko CZT video (HERE)* and thought I'd give it a try.  But I misunderstood what it was:  She clearly labeled the video "A Tangleation of Tissooh," but all I saw was "Tissoooh," which is a high-focus tangle by Tomas Padros CZT that I've always wanted to attempt.

Emiko made it look so easy that I was sure I could do it and learn. 

Well.  I did indeed learn, but not as she intended! 

Mine has some resemblance to hers, but I ended up with a lot of weird space in the background, and things are not in the same places as on her tile.  So did I learn a lot?  You bet.  But now I need to go back and find a simple stepout for ONLY Tissooh and have a go at that one tangle--this tile combines Tissooh with something like Bales, Tripoli, and Orbs.  However, I do love my outcome.

For years I've heard that it's lways good to learn by copying the masters, and Eri is certainly a master of this art.

For me, the biggest learning is that no matter how bad something looks, it's highly likely that it's worth it to try and save the thing.  Or as the I Ching would say: "Perseverance furthers."

*Thank you to Susie Ngamsuwan for catching the fact that I'd attributed this tile and video to the wrong CZT.  Wow, much appreciated.


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Note:  I've been doing a LOT of copying lately, along with watching videos and going along with them.  I always credit people as I'm copying.  I'm on a mission to learn from a wide variety of tanglers whose skills I admire, and if that means I am copying for awhile, that's ok.  It's a powerful way to practice.

Here are three quotes about copying as an effective tool in learning art:

It would have been the equivalent of Jackson Pollock's attempts to copy the Sistine Chapel. (Malcolm Cowley)

But Shakespeare's magic could not copied be;
Within that circle none durst walk but he.
(John Dryden)

If my students seem to copy me when they are learning, that is good. It shows they are listening and trying to do what I tell them. They will develop their own style soon enough. (William Draper)

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Finally, I took these two photos only one minute apart.  The first one, on the left, was taking on a white background in indirect daylight.  The second one--using the same camera with no setting changed--was taken a minute later on the blue background and in direct sunlight.  WOW--look at the difference!  It might as well be two different pieces, but it isn't.  Isn't that incredible!  It never fails to amaze me how light and a different color in the background can make the same thing look totally different.

PS:  The one on the left is the actual coloring of the tile.

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Cottonwood Season

6/2/2021

 
Looking out the window this morning, I noticed the back yard appeared to be covered in light snow, but of course it was merely cottonwood puffs adhering to the grass. 

Everywhere.

It's that time of year again, when we have a blizzard of them floating gracefully down to earth.  As I look outside just now, I see them coming down at the rate of a snow-squall, despite the late spring warmth and the heavily leafed-out trees. 

From what I recall, this goes on for weeks.  Two weeks?  Three?  This area was (and still is) a major source of poplar wood.  The leaves of the poplar (another name for the Cottonwood) are somewhat heart-shaped and may have inspired the following tangle.  Or not.
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Tangles: Mooka, Orbs, 'Nzepple, Shattuck, random lines and a Celtic Knot. Micron PN and 01, white chalk pencil, graphite, colored pencils, gold gellyroll.
This was inspired by a class from this spring's "Artifex Eruditio," (Latin for "Art Learner").  Actually the class sample looked absolutely nothing like this--I went entirely off-road as usual, so mine doesn't look like anything that was taught in the class.  I did some of the line work yesterday, more this morning, and then added color this afternoon. 

I am not usually fond of using hearts in my pieces, so I'm blaming this on the fact that it's Cottonwood Season.

End and Beginning

4/20/2021

 
The most closely-watched trial in this country in a long time ended today, with three guilty verdicts.  Perhaps this signals the beginning of some kind of reckoning for racial injustice in this country.  There is so much work ahead.  I put my head down and sobbed when I heard the convictions--relief, and sadness.  All mixed in.
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Allow me to change the subject completely, as I do not want to get into the habit of posting political thoughts--that's not the focus of this blog.  So there was another ending today:  I finished this rug, which I've been struggling with for quite a while.  I had one color scheme in mind, and it didn't work out. 

Not. At. All.  Which meant I had to rip out a large proportion of the rug, think about what else might work, and then re-hook a large proportion of it.  I did, and just finished binding it today.  Next I gave it a good steaming and took a picture.  Tonight I'll sew on the label.  Hurrah!
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The pattern is by Pearl McGown; I believe it's a very early design of hers, done while she was still in her "geometric phase" and before she started designing the florals for which she's better known.

I did the color planning--much trickier than it sounds, as I mentioned above--and of course I did the hooking using largely #8 strips (with a few 6s and maybe even some 5s) from my stash.  I bought a few scraps, but nearly all the wool (some of which I dyed) was from my stash so this rug didn't require more than perhaps a total of one yard of new wools.  If that.

There was a LONG period as I worked on this where I was aiming only to "get it done," thinking it was so ugly that I'd never want to see it again.  But now that I've changed the colors and done a lot of re-hooking, I like it.

My "Duncan" was inspired by one I saw in 2009 at a rug show of the late Lida Skilton Ives' work.  The show was held at UConn in Storrs CT and the "Duncan" Mrs. Ives did stopped me dead in my tracks--I fell in love on the spot and knew I would hook it one day.  Gee, it only took me twelve years to start my own version.  Mine doesn't resemble hers one bit, but she completely inspired me.  Thanks also to my friend Kathleen H who, when she saw the photo of the Ives rug, told me it was a McGown pattern--I would never have guessed.  And Kathleen had already hooked her own version before we ever met, and since then has hooked a second one.  Phew.

The beginning?  Time to begin cleaning up the mess the production of this rug generated.  And to begin a new rug.  I have just the one, ready to put on the frame.

Teabags and Tangling

4/17/2021

 
Here is the "mystery" from yesterday--solved.  Joanna Quincey of Zenjo taught a quick class on Teabag Tangling  Now you know what I was doing with that mess of teabags in my previous post. 

(PDS:  thanks so much for collecting for me, since I don't like or drink tea!  I have enough to keep me going for a while.) 

Jo is a terrific and inventive teacher.  Here are my first tangled teabags.
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The trio we completed in class today.
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Tangle = Boofont. This was our first practice teabag, to get us used to the surface and the "feel."
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Tangle = Columbine. This was our 2nd tangled teabag. Here we tried out hatching.
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Our final teabag. Tangles are Phicops, Mooka, and Orbs/Tipple. I used Microns, General's Pastel Pencils, White & Gold Gellyrolls, and some Derwent Graphitint colors on each teabag.
Massively fun to try out!  Thanks, Jo.

Better, Worse, or the Same?

4/1/2021

 
Here is the "before and after" on my first Ecoline Watercolor Map Tangled tile.  I'm curious to look at them side by side.  Is the tangled tile an improvement, not as good, or is it about the same in its appeal?  I had my doubts about tangling on it as I loved the plain tile.
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I like them both but think I'm favoring the tangled one.  Which surprises me.

Thanks, Annie Taylor CZT for great tile prep instructions and fun class!  I loved the room you gave students to use whatever tangles we wished, while making good suggestions.  And for your linguistic talents at teaching simultaneously in English AND Spanish!  Wow.

"If you've heard this story before, don't stop me, because I'd like to hear it again." --Groucho Marx

More on Map Tangling

2/4/2021

 
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A Zendala tile prepped and waiting to be tangled. I almost don't want to do any tangling on this one--I just love the look of adding metallics. I'm leaving it to think about for a good while. Watercolor paint and Fine-Tec Gold Metallic mixed a la MapTangling Method. I did this the day after a class on using the metallics with Map Tangling. Class details below.
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This is another MapTangled Zendala, mixing watercolor + metallics and then tangled with a new-to-me tangled called SeaWave. Done during a class with Nancy Domnauer on Metallic MapTangling.
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Another metallic MapTangle-prepped tile waiting for some decisions about what to tangle on it. Did this one on my own the following day.
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Also done during the class. Prepped with a pink watercolor MapTangled base and then mixed with Silver FineTec paint, then tangled using Crescent Moon. I added some Lemon General's Chalk Pencil to the very large white space surrounding the MapTangled part.

After taking the class with Nancy Domnauer, during which we prepped and completed the tangling on three tiles (I only showed two of those), I spent just a few minutes the following day to produce the two UN-tangled tiles above.  I'm learning as I go.  People get obsessed with MapTangling, and I can absolutely see why.  It's a surprise every time; results are always unexpected and ever-changing.

Just like our day-to-day lives. 

But with MapTangling, results are likely to be beautiful every time, even if tangling on them can turn out to be tricky and challenging.  That's half the fun. 

Now, if I could only learn to be as calm in daily life when presented with a challenge as I am while doing this.
PictureWith a hint of Gold Gellyroll.

Here's a tiny tile I did just before bed last night.  It took about ten minutes.  This was done on a Bijou tile (2"x2") which I'd prepped a background on earlier in the day.  This is simply more linework from one of Jo Quincy's lovely soothing videos, just what I needed before trying to sleep after a wild couple of days in my life.  Once again I combined a video from Jo with my own "take" on it, by using MapTangling.  Ahhhhhhhhh.

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To finish up, here's an iPhone-app "distressed" version.  I can never resist those iPhone apps.

Subtle or Startling?

1/27/2021

 
PictureMonotangle (done in MapTangling style) of Betweed. Using Micron 01 in black; shaded with General Chalk pencils. Shadow tangling in the background just using a tortillion (same tortillion used for shading, so had some shadow color on it from the chalk pencils). Inspired by Zenjo's YouTube video.
I noticed my British friend and teacher extraordinaire,  Jo, has a YouTube channel (why didn't I know this before?) and I took a look today.  She did a lovely job demo-ing one of my old favorite tangles, Betweed.  I've loved this tangle forever and used to use it all the time.  Why did I stop?  Like a lot of things, it just passed out of my consciousness at some point and I haven't done it in years.  What a welcome reminder.

I had time to experiment this afternoon and decided to use her video to do this monotangle version of it.  Soooooooo relaxing.  But rather than do it plain, as she did, I used a tile I had previously prepped for MapTangling, and used that as a technique.  Well then I couldn't leave well-enough alone so I did some shadow work in a couple of the negative space surrounding the motif.  This was totally fun.  I liked the depth and subtlety.

Ah, but I thought I might run it through an app on my iPhone to see how it would look.  Holy crow!  It went from subtle to glaring.  You had better wear your darkest sunglasses for this version below (altered by the iPhone app).

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Same photo as above, altered by a filter on the iPhone app. Yikes! Very bright and the background shading is gone.
Once I start playing with the iPhone to alter a photo, it turns into a project all on its own.  Using another iPhone app, I came up with all of these:
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Variation #1. Like the distressed look of this one.
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Variation #2. Somewhat smeary but I like it, and can still see the shadows in the negative space.
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Variation #3. This was a surprise! Much smearier and closer to a painting, but I like the altered colors and negative space shadows.
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Variation #4. Also fun use of different colors and the effect it had not only on the tangle but also on the negative space.

There is something to be said for each of them.  Besides, it's so much fun being able to play with alternatives.  It's even more fun greeting an old friend--this tangle--one I haven't seen for awhile. 

I imagine we will all feel that way once the pandemic is over and we are able to see each other in person again.  We can Zoom, and that's helpful, but to be able to spend time with old friends and hug each other again...priceless.
“Friendship is the only cement that will ever hold the world together.”
– Woodrow Wilson
“A day without a friend is like a pot without a single drop of honey left inside.”
– Winnie the Pooh

Grand Canyon at Sunset

1/23/2021

 
Yes, it really looks this way. 

This exquisite photograph of the Grand Canyon at Sunset was taken on the Martin Luther King Holiday, 2021, by Michael Quinn, a fabulous National Park Service photographer who has lived at the Canyon forever. 

I think it speaks to his heart.

It certainly speaks to mine.
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Photograph by Michael Quinn of the National Park Service, January 2021. Grand Canyon Sunset.

Eating Fruit at the Grand Canyon - A song to make death easy


Since this great hole in earth is beyond
My comprehension and I am hungry,
I sit on the rim and eat fruit

The colors of the stone i see,
Strawberries of iron cliffs, sagebrush
melons, white sand apple, grapes

The barely purple of the stonewashed slopes,
And every color I eat is in my vision,
Colonized by my eye, by me and everyone

I have known, so vast, so remote,
That we can only gaze at ourselves, wondering
At our reaches, eat fat fruit while we

Grow calm if we can, our folded
Rocky interiors pressed upwards through
Our throats, side canyons seeming almost

Accessible, the grand river of blood
Carving us even as we sit, devouring
Color that will blush on our skin

Nourish us so that we may climb
The walls of the interior, bewildered,
Tremulous, but observant as we move

Down in, one foot, another,
careful not to fall, to fall,
The fruit fueling us in subtle

Surges of color in this vastly deep
Where birds make shadow and echo
And we have no idea

Why we cannot comprehend ourselves,
Each other, a place so deep and bright
It has no needs and we wonder

What we’re doing here on this fragment
Of galactic dust, spinning, cradled,
Awestruck, momentarily alive.”
― Diane Hume George

Gems on Black

1/16/2021

 
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Zengems on a black tile, using Prismacolor pencils in a wide variety of colors, General's Chalk Pencils in 3 colors, and a White Gellyroll Pen #10.
This is the result of a truly wonderful class with Stefanie vanLeeuwen this afternoon <@tanglestudiostefanie>.  There were students from Canada, the USA, Holland, Germany, the Carribean, and Spain.  We had such a good time and I certainly learned a lot.  I'll be trying this method again with other forms and colors. 

Every person in the class produced something very beautiful--the sign of an excellent teacher.  Stefanie had everything extremely organized well in advance. 

I chuckle when I contrast the sense of control I have with colored pencils to the lack of control I have with watercolor; see yesterday's post for more on that.

Art is truly endless learning. 

"Regard everything as an experiment," said artist Corita Kent.  Words of wisdom.

Tricky Tricky Tricky

1/14/2021

 
Or should that be, Rusty AND Tricky?  I did some watercolor yesterday and today and wow, was the it ever hard to handle.  What a mess!  The result is fun but not particularly good--I say that not to put myself down, only to say I can definitely get better with practice.  It's been about 3 years since I've done any watercolor practice, and it shows.  Did this one in a class by Sam Taylor (@Zenlapse on IG).

I'd gotten a new set of "tropical" colors and couldn't wait to try them out, so I tried them out on this warty fish:
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Watercolor on 140 lb cold pressed paper, 5x7". With a tad of gold Finetec paint and gold gellyroll. Tangles are Perfs, Printemps, Shattuck, Beetlejuice.
It's just amazing how that darned water can get away from me.  Or I would assume something was dry, only to discover it wasn't...so then I'd have one color running into the other.  Or I put my hand down to draw something and would feel that sickening wet feeling under my hand--I'd forgotten that part was still sopping wet and now I'd smeared it.  Yikes!  Hilarious, however.

Watercolor requires patience and plenty of mindfulness.  Looks like it's time for me to cultivate both. 

I think I'll try doing another fish.

Because watercolor actually moves on the paper, it is the most active of all mediums, almost a performance art.
                                                --Nita Engle

Map Tangling: First Attempt

1/5/2021

 
Picture6 tiles prepped in Map Tangling style (watercolor), two of which have been tangled.

For years I've heard about Map Tangling and while I had some idea what it was (see below), and had really admired it, I didn't have time to figure out how to create it.  Today I took a class with Nancy Domnauer.  Great fun!  She's an excellent teacher.

Here you can see my first attempts.  We spent time preparing the tiles with watercolor (that's where the Map Tangling technique really applies) and then completing two monotangle tiles. 

There appear to be at least two ways to prep a tile by Map Tangling.  Nancy's class focuses on one.  I think there is at least one other.  I will be playing with this technique for sure--I know I can get better at it with practice.

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As shown here and above, "Map Tangling" is when a watercolor wash is applied to a tile in such a way that the colored portion is left with ragged edges., and could be interspersed with lots of white space or just have white space surrounding it.  Only the colored space is then tangled.  The watercolor background frequently resembles the map of a continent or country--hence the name.

The process reminded me of gelli-printing.  There was lots of pressing going on before the tiles were done, and all results were inevitably surprises.

"Research is what I'm doing when I don't know what I'm doing."
— Werner von Braun


Looking Backward and Forward

12/26/2020

 
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Every year at this time I find myself looking backwards.  And forwards.  Today I was doing some cleaning in my art room, and I found these 12-month-old-tiles below.  Bittersweet, indeed.

In mid-December 2019, I was just back from a wonderful weekend with a good friend at Kripalu, drawing tangles with Martha Huggins (on the left) and Molly Hollibaugh (right) of the Zentangle® family.  If this year had been normal, I'm sure I'd have done the same.  But we all know it was not a normal year. 

So here is a short review of some of the work we did in December 2019, with the fond hope that we will be able to do something similar in 2021.  Looking at these tiles brought back so many good memories for me.

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Four Bijou (2") gray tiles; in these 3 photographs you can see the fun of turning them in a variety of ways.
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Mandala on a gray Zendala tile. This was made by folding the tile 4x to create a folded "string" to tangle on. I remember being distressed that we were folding our tiles, but now, a year later, I can barely see the folds.

And although I'm not a Christmas celebrator, I just happened to get some non-Christmas presents this year (the timing just worked out that they arrived at Christmastime).  Here are two that I'm thrilled by but haven't had time to try out yet. 
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This is a commemorative but perfectly functional Oxford Punchneedle, called The Peacock. Amy (Oxford) had only 1300 of these made from laminated wood, to commemorate her 25th year in business. It's a #13 Fine size and I cannot wait to try it out. Check out the bag, made of fabric to match the needle. I love it! I gifted this to myself from myself.
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And out of the blue, an outrageously kind friend I haven't seen in way too long just up & sent me these fabulous watercolor markers. Unbelievable. "They were on sale and I thought of you," was her comment. WOW. Cannot wait to try these out, hopefully in a day or two.

A friend is a gift you give yourself.

Robert Louis Stevenson

The Learning Continues

11/25/2020

 
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Tangles: Belle, Ratoon, Verve, Flux, Orbs, and a ZenGem. On a Renaissance (Tan) tile. Micron PN in black, Tombow Black Brushpen, General's Watercolor Pencils, White Gellyroll, White Prismacolor, White Signo Uniball.
It never stops, the learning.  Here I'm trying to learn a Zentangle® technique called TranZending--a form of layering one pattern over another.  I've never really gotten the hang of this before, but am happy with how it turned out.  I watched one of ZenLinea's videos and followed along.  What I learned:  for one thing, even tho she suggests some very very faint white colored pencil guidelines to start, and I did make them faint, the wax in the colored pencil still acts as a "resist" and doesn't really get colored over later on.  Which is fine -- even promising -- if it's a design element.  But here it wasn't meant to be a design element.  Now I know.

I may try this one again.  Lots to learn, and I'd like to try the guidelines in graphite and see what happens.  Once I figure this out, I can apply to my own future tangle designs.
Here are the beginning and mid-stages of this piece:

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The start. Those "lightly drawn" colored pencil lines at the edges and the diagonals never went away. Good to know for the future. Here's the white Gellyroll tangle Belle which underlies the piece. This is my first-ever attempt at "TranZending." And not the only way it can be done.
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At about the halfway point, with the overlay tangles drawn and coloring begun. And there's that pesky white colored pencil frame that resisted everything that went over it. Definitely want to try this again and change a few things, even tho I like the overall final piece.
I'm always open for people saying I'm wrong because most of the time I am.
- Prince William

What's Old Is New Again

11/24/2020

 
Bubble Gum Pink Anything is always a turnoff for me.  However, I discovered a blank but watercolor-washed tile that qualified as  that shade or something really close.  Someone else had done the wash, and it was in a pack of pre-colored blank tiles I bought from a vendor at a Zentangle® event a decade ago or so. 

I wondered what, if anything, I could do with it when I ran into it yesterday.  The color was hurting my eyes (as you'll read below, the photo actually drained out most of the eyeball-popping bright pink).

Since I am so rusty and trying to get my drawing mojo back, I'm studying instructions from other teachers whom I respect, and Zen Linea certainly qualifies.  So I went to SkillShare and logged onto one of her videos and tried this on the Bubble Gum Pink tile.
PictureAlas, this is much pinker in person. Tangles: Ratoon, A-Frame, Flux, Tipple. Based on a video by ZenLinea. The tile was previously watercolor washed by someone whose name I don't remember. Micron 01 and PN, Prismacolor Pencils, Signo Uniball Pen.
Interesting to note that in the light available when I took this photo, the "Bubble Gum" quality of the pink really calmed down.  Trust me:  in person, the pink is MUCH louder than it looks here.  And the violet color is much more subtle.  So interesting how color can photograph.

But here's the fun part.  At the end of the video I was using, there was a list of projects previous students had done.  Not only was I shocked to see I had done this video before, but I had done in exactly one year ago today. 

I had no memory of ever having done it before.  Not only did I do it then, I did a second, alternative version the next day.  So this version is my third.  Pretty comical.

Start to Finish

11/21/2020

 
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Here is the start of a mandala, just the beginning linework. 

I drew this last night while studying one of Romi Marks' videos.  I screwed up the center--but luckily, there are "no mistakes!" in Zentangle® and so I just kept going and did my own thing in the center.  And I like the way that came out.  I also changed a few things in the next layer.

This is one major thing I learned about drawing since I've begun to draw regularly.  In fact once I began drawing in the Zentangle® tradition it was resoundingly, repeatedly, and overtly reinforced.:  There are no mistakes--keep going and see what you can make of what is in front of you.  90-95% of the time, not only can you work through whatever is there but you can actually surprise yourself with a good result. 

It's the same in meditation.  And, I believe, in much of life in general.  What about that other 5-10%?  Anywhere from "meh, or disappointing," to a genuine catastrophe.  But still, those odds sound pretty good to me.

So I persevered and began adding color.  Big difference!  Encouraged, I drew the outside of the tile and stopped there for a bit, having worn myself out for the day:

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And here below is the finished tile.  I'm glad I stuck with it.
Picture Black Micron 01 and PN, assorted Prismacolor pencils, graphite, Signo Uniball White pen, White Prismacolor on a grey Zendala tile.

Whatever it is you are pursuing, whatever it is you are seeking, whatever it is you are creating, be careful not to quit too soon.
--Elizabeth Gilbert

Knotty Issues

11/21/2020

 
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Birthday bookmark, tangling on a piece of watercolor paper. I did not do this watercolor. Graphite, Flair Pen, Gold Gellyroll. Embedded initial technique.
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Above you see one classic type of pretzel knot.  On the left, when you think of it, is another type.  Those are washed and dried worsted weight yarn skeins from my wildly successful bargain hunting the other day--twisted into the kind of gentle "knotty looping" that is useful when storing yarn.

I drew the tangled piece as a bookmark for a friend having a birthday next week.  It's inspired by one of Sadelle Wiltshire's very nice freehand-knotting videos and this is what fell out of my pen.  Perhaps I should do a Celtic Knot punchneedle piece with that yarn.  These knots are very relaxing to draw. 
And given the knotty problems facing us all right now, with the pandemic and a planet dealing the climate change, political messes and human rights issues, I seem to have knots on the brain.

We learn the rope of life by untying its knots.
--Jean Toomer

Small Things

11/19/2020

 
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This was a tiny row of Celtic Knots I put on an envelope addressed to a friend who is experiencing a major loss. Micron 01, chalk pastel.
With a bit more time now, I'm back into mindful drawing techniques.  This is based on one of Sadelle Wiltshire's classes.  More of this to come.  Very easy, very mindful.  And very small, hence the title of today's post.
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My latest completed rug. This is one of only 4 rugs I've ever put up on a wall. For a closer look, see the October 1st post. Just to the left of it is the wonderful handmade mirror a dear friend created and gave me--I blogged about that on October 5. And on the side of the stairs you can just see my "Hooker" sign. Got that a few years ago and love seeing it every day.
I don't normally enjoy putting rugs on the wall--I prefer to walk on them.  But the colors in this one are so subtle I finally decided the wall would be safer.  It's all scrap wool that I had lying around.

I've also run out of room for rugs at the moment and may have to put a few more of my patiently-waiting rolled-up rugs on walls around the house.

Less than 3 minutes was all it took to hang this, once I had some assistance.  A very small amount of time (title of today's post), and something I've wanted to do for weeks.
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Preview of my current rug-in-progress. Just a small view (title of today's post)
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Today I made it (with mask on my face of course) to a new shop called Swanson's Fabrics in Western Massachusetts.  I'd heard about it but hadn't gone until today.  It was large enough to feel safe inside.  Part of the time it was just me and the owner, and there were never more than 2-3 others at any one time, all distanced.
But oh, the treasures!  Kathryn Swanson, the owner, has more than fabrics; she also has yarns, threads, sewing notions, and braiding equipment. 

NOTE:  All her fabrics are $4/yard.  No matter what they are made of.  Seriously!  Cottons, upholstery and lots of other fabrics, and even wool yardage (the wools go out the door nearly as soon as they arrive--I grabbed 1.5 yards of the light colored wool you see above on the right, for $6 total).

And I'm pretty certain she mail-orders, so feel free to contact her and ask.

All of her fabrics, yarns, and notions are rescued from people's basements or from fabric stores or yarn stores that have gone out of business.  You could go one day and find nothing, and go back the next day and find tons of wonderful new rescued goods.

When you click the link to her website above, be sure to go to her "About" tab and read her mission statement.  I'm in awe.

I also got seventeen 100-gram skeins of off-white, 100% wool yarns, very high quality if a bit grubby from being stored for quite a while.  I'm pretty sure they were originally from Sweden.  Some are worsted weight and some are DK.  I can overdye them all.  Very exciting.  I cleared her out of these, however, so you'll have to find your own treasures some other day.

This was a Big Find, and therefore doesn't fit the title of today's post.  But I didn't think any of you would mind...

23 of 31

10/22/2020

 
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This is my "Inktober 2020" challenge page so far. 23 out of 31 days are on here (I'm one day ahead of the date today).
My goodness, isn't that a busy page!  Yikes.  But the Inktober challenge is meant to be an annual sampling of a wide variety of tangles, so unless I do each one on its own tile, it's always going to be an "eye-crossing" visual experience.  And this one is certainly no exception.

The process is really fun, though.  I get to sample things I might not have considered otherwise. 

A few of these have become new loves; a few really left me cold. 
A few that I've always had trouble drawing just smoothed right out and were easy. 
And a few that I know very well somehow turned into hot messes on the page as I ran into unexpected trouble with them!

Sort of like the experience of a daily meditation practice.  Or to quote Forrest Gump, "...you never know what you're going to get."

Meanwhile, our fall foliage season is rapidly winding down, but for some reason, this sugar maple didn't get that memo and is just getting started.  Sooooo pretty.
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Late-to-the-party sugar maple. So glad it took its own time.

Matisse erized

10/10/2020

 
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See description of this workshop below. This was the result for me; I ran my black & white photo of the cutouts I did during the workshop through the Painnt app on my phone, with this result. I used construction paper and then parked the cutouts in this arrangement on a sheet of white background. Painnt did the rest. I converted the photo to b&w in order to let Painnt do its job.
 
I am in love with the London Drawing Group, a trio of women dedicated to doing and teaching art.  When I saw this workshop on Matisse's cutouts--only £7 or about eleven bucks, and only 1 hour--I thought, what a great way to stimulate creativity.  So I signed up and had an absolute blast.  We made a number of cutouts in only 60 minutes, only a few of which I used for this photo.  Here's the black and white version from my phone before I ran it through the Painnt app posted above this paragraph:
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But I wasn't alone in attending.  There were people from all over the globe.  Two of them were good friends from my rug hooking groups--I had contacted them to tip them off in advance to the workshop and they both signed up.  We all knew it would have immediate uses for rug design.  And it certainly did.

Here is the work of one of my buddies, Kathleen K., who also attended.  Rather than cutting paper, she cut her shapes directly from wool fabric.  I love her results.  She gave me permission to post this:
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Cutouts of wool cloth, laid on a white wool cloth. One advantage to this technique is that these "templates" can be switched around into any type of display. Photo used by permission of Kathleen H. K.
And below is the contribution from Lynda F, another rug hooking buddy who also gave me permission to use her photo:
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Construction paper cutouts--they can be arranged in so many different ways. Thanks to Lynda F for allowing me to use her results and this photo! If you notice similarities between our cutouts in these photos, it's because we all worked from the same photo models during the workshop. Only our individual cutting techniques created differences. But the possibilities are truly endless.

"I wouldn't mind turning into a vermilion goldfish."

-Henri Matisse

Construction Zone

10/6/2020

 
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A page from my tangle journal--the first 11 days of "Inktober 2020."

I hope to fill up this page further, while still leaving enough white space.  Here are tangles from the first 11 days of Inktober 2020, using only a black Micron 01 and graphite.  I will likely need a second page to complete the 31 days without making things look horribly overcrowded.  This page is already far too busy but I don't care--the experience is such fun.

Most of these tangles are new to me, so this is really more in order of a "scratch sheet," for practice, rather than anything finished.  Inktober is a terrific way to get back in the game.  I've got a long way to go but I have to say that this kind of practice is a big help--and anyway, my primary motivation is always the relaxation that comes along with tangling, rather than the results.

Out of Practice But Happy

10/2/2020

 
Finally my schedule is starting to clear, so get ready for some "bad tangling."  I'm amazingly out of practice but happy to be starting up again, and here are the so-so results. 

Why am I posting these?  Because they are true.  This is where I am now.

Just as in daily meditation, I am essentially beginning again.  We all do this hundreds of times every day, with many issues, without realizing it.  A meditation practice is cultivated over time, time each day.  And with Zentangle®, just like with meditation, lack of practice will show. 

But in essence, WHO CARES?  There are no meditation police, and there are no Zentangle police either.

Julia Child's motto (The French Chef on PBS for so many years) applies here:  "Who's going to know?" she chortles in her fabulous high-pitched voice, as she picks up the raw chicken she just dropped on the floor as she's being filmed and goes on preparing to cook it.  As she pointed out, the oven would take care of any germs.  I have always loved this moment of her show.  She was always beginning again, with humor and enthusiasm.**  Someone undoubtedly ate that cooked chicken, and no one got sick or died.

So FINALLY--yay!!!!--I am getting to begin again after months of not being able to tangle.  Here is what that looks like.
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It's "Inktober" again, so tanglers are embarking on a daily draw.  This is an experiment with the tangle Flux, drawn on a tan tile.  No pen used, only General's Chalk Pencils in olive green, white, and a scoche of blue.

I was curious about what would happen without the hard line from a pen, using a lot of blending.  This is the result.  I nicknamed this one, "It's only a dream," and went to sleep shortly after finishing it.  Sure enough, I had vivid dreams all night long, and they were just as vague and ethereal as my tangling before bed.

Here's the Inktober link for tanglers (meaning, this is specific to tangling).  Inktober has a number of genres--sketching, writing, etc.  There is a prompt for every day during the month of October every year.  I'm following the one for tanglers, but you may want to google some of the other genres if it interests you.

** According to Snopes, that episode was slightly-but-not-very different from what I remember:
"She was cutting the poultry up (which, as I recall, was a chicken), and it slid off the table onto the floor. She picked it up and said either, 'We’ll pretend that didn’t happen,' or 'Just pretend you didn’t see that.”' She continued cutting the chicken up."
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To continue:
Sure enough, the rust in my hand shows up even more here. 

Once I sat down this morning I couldn't stop tangling.  Although it's only the 2nd day of October, I have tangles from the prompts for Days 1-5 on this page so far.  If I keep on, the page could turn into a hot mess, but hey.  I'll keep on anyway. 

The ONLY tangle here that I knew before this morning was Flux (upper border).  Every other tangle was completely new for me. 

Oops, I take that back--I know and love Pepper (day 5).  But Anthem (day 3), Jackstripes (day 2) and Unbirthday (day 4) are all tangles I've never heard of before.  These are all first-attempts.

You can also see some pencil-drawn string lines on the page; we'll see if I do anything with those.

As my idol Julia would say, "Just pretend you didn't see that."

Tree of Equanimity

9/28/2020

 
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This is a Tree of Life drawn in the Neurographic style. Flair black pen, chalk pencils, on cheap printer paper.
Sometimes we are dealing with circumstances that beg for a focus on equanimity or calm.  (And who doesn't need that these days?)

I've been taking a 3-session class with Alina Smolyansky of Vancouver called Neurographica for Artists.  Very, very interesting.  Today we did the final class, a Tree of Life with a theme, and my theme was "Calm" or "Equanimity."  We had just a small introduction to this method of art and healing, and it was fascinating.  While I'm probably not able to take a Basics for Users class right now--just too busy--I intend to at some point.  Another wonderful form of art to explore!  Eventually. 

Equanimity requires some practice, and practice requires time.  In order to achieve my own equanimity, I need to cut down on commitments for a while.  Otherwise I would have signed right up for her "Basics" class.  Thanks, Alina.

Deerfield 6

8/23/2020

 
The final photos from Deerfield's (MA) Memorial Hall Museum.  Enjoy.  See the previous 5 posts for the rest. 

This post has some additional textiles and some non-textile surprises.
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Dragonflies. I loved this one but I don't have the title or year. Probably late 19th or early 20th c. In the permanent collection.
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Another very large and amazing embroidery. This one is on the cover of the book I showed in a previous post (day 5).
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Another set of fabulous embroideries from the permanent collection. For their true colors, see the photo in the larger picture above; I'm not sure why the colors are so altered here.
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Wonderful design and execution of embroidery from the permanent collection.
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So much amazing blue and white embroidery on display. The permanent collection.
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These embroideries are so lovely and so well designed. All of them. Permanent collection.
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And last but not last, some arts & crafts style furniture with a trompe l'oeil effect. Wonderful!
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The final quilt photo from the August exhibit and some Arts and Crafts style furniture.

Deerfield 5

8/23/2020

 
PictureThis is one of the publications I forced myself to resist buying while I was there ogling quilts, beadwork, blue and white embroidery work, furniture, and antique sewing machines. Even the sewing machines are individual works of art.





More photos from the recent show which included pieces from their permanent collection, at the Memorial Hall Museum in Deerfield, MA.


See the previous four posts for more goodies.


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I'm pretty sure this was called "The Last Rose of Summer," and is in their permanent collection.  Embroidered.
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Embroidered Tree of Life, with appliqué
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Another exquisite embroidered Tree of Life from the permanent collection.
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Linen on linen blue & white embroidered drawstring bag, acanthus leaf, circa 1900. Part of permanent collection.
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Even the permanent collection of early sewing machines are works of art, and this isn't even a decorated one. I just liked the shape. Most have elaborate gold scrollwork painted on.

Deerfield 4

8/22/2020

 
Beautiful textiles from Deerfield's Memorial Hall Museum continued.  This is the fourth installment--and there will be at least two, possibly three more.
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Iriquois bead embroidery. I believe this is a needle case. Late 19th or early 20th century.
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Another beautiful piece of bead embroidery.
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Not bad for a 7 year old...
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Quite tongue-in-cheek for the 19th century.
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This quilt (1885) was magnificent.
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    ABOUT ME

     I'm a textile artist (traditional rug hooking, punch needle rug hooking, and other textile arts), a long-time meditator, a certified meditation teacher and coach, and focused on learning about the interplay of art, creativity, and mindfulness every day. 

    I am also a Certified Zentangle® Teacher (CZT 11) and a student of drawing and of the tarot.

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