From the same workshop I mentioned in yesterday's post.  One of the things we did was to decorate a junk journal (defined as, "a handmade book filled with personal and recycled materials to store memories and ideas").  Our leader for this section of the workshop was Jill Dailey, a CZT from Connecticut.  She had made each of us a plain vanilla journal in advance (because of time constraints) and therefore we had the fun of just decorating them, not having to make one first.  (She sent each of us a video on how to make one for those of us who want to continue making them ourselves)

I used a decorative paper and that black-and-gold washi tape on the front of mine, and we did some very fun "bleeding tissue paper" dyeing on the edges and added the coordinating button.  I'll show some of the work we did in our journals in subsequent posts.  Jill was unbelievably generous with the amount of materials she put in our kits and even had boxes of extras for us to play in and take home.  Enormous fun.

A new one on me:  the tangle "Curvy Baton," from Cheryl Cianci, CZT.  Carol Ohl, another CZT, created the tangle "Baton" years ago and Cheryl used that as a base but curved all the lines.  Wow is this ever fun to draw.  This is my first try from yesterday--I learned it from Cheryl at an annual Zentangle Retreat in Connecticut where I had an incredibly fun day of drawing and reconnecting with old friends.

A final drawing from Kelly Barone's free 2024 Botanical Drawing course <whimsybykelly.com>, done using graphite, black Micron 01, and General's chalk pencils.

I just watched the scene from the 1937 movie, Stage Door, with Katherine Hepburn (and so many other luminaries!) where Hepburn says the famous line, "The calla lillies are in bloom again..."  While I'm sure I've seen the film, I don't remember it well.  What I do remember is that she says the line many times, rehearsing it for a performance, and most of the time she says it really badly.  A tragedy that befalls one of her friends in the film is the only reason she finally says it with genuine feeling in the actual performance.

I can relate.  As I was drawing this calla lily under the excellent online guidance of watercolor artist Kelly Barone (a remarkable teacher who just wrapped up her annual free 5-day "Botanical Drawing" online offering), I realized that while I'm excited to be drawing again, I'd be making better drawings if I were referring to an actual flower to draw from.  When I watch someone drawing on a blank page, and just follow each line as they draw, I cannot get a sense of how the various lines will come together in relation to each other...until the actual drawing is complete.  Whereas when I am able to draw from an object I can actually see (like a flower), I can see both the whole and the part at the same time--how lines should connect together to create the whole.  My drawing comes together in a more natural way then. 

This is not to denigrate online instruction at all.  In fact, I'd recommend Kelly and other online teachers highly!  It's just to say that there is a difference, and I can see it in my line work. 

But I'm so happy to be drawing again that none of that matters.  The pleasure of actually drawing, whether the "end product" is bad or good, outweighs any reservations.  If you'd like to try your hand at some basic botanical art, head over to whimsybykelly.com and you'll be happy with your choices.

Stars open among the lilies. Are you not blinded by such expressionless sirens? This is the silence of astounded souls.
--Sylvia Plath

Happy with this one, a carnation done quickly.  The darkened lines are definitely overdone, but I still learned a lot.  And...I am still drawing.  Whether it's "good" or not doesn't matter to me.  What matters is that I'm practicing.  Yay!

Earlier today I went to a memorial service for an old and dear friend who died recently.  She was a real pistol, a take-no-prisoners, hilarious, generous, kind woman who lived a spectacularly interesting life.  A larger-than-life life.  She will be dearly missed.

I followed up after the memorial service by taking another short class on drawing flowers (see yesterday's post for how you can join the class if interested) but of course I was already thinking about the role of flowers in our lives because of seeing all the flowers at her service. 

It feels so good to be drawing again!  Today's class was simpler and I mentally dedicated my flower drawing to my old friend.

Nothing at all posted in August.  How did that happen?

Well, I know.  I was finishing up another rug and you know how long that takes.  And then I did something I said I wouldn't do:  signed up for another ten months of meditation teacher training.  I just couldn't resist.  It will teach me one more thing that I've always wanted to learn, a certain specific protocol for coaching students.  It kicked off last week and so far I am loving it.

It seems to be allowing me slightly more time in my days, so I'm trying to start drawing again.  My gosh, it's start over, start over, start over (just like meditation) with drawing as I never get a stretch of time to draw consistently. 

And whose fault is that?  Mine, obviously.

I managed to color the peony later in the day, so here is the colored version (done with Prisma Colored pencils and some light gold gellyroll pen):